High Rock

Hopalong Cassidy rode into cattle country just east of the California line looking for his old friend Red Connors. He found Red holed up in a mountain cave with a bullet in his side and a story to tell. The ranchers around Tascotal had been losing their stock, and when Red caught the rustlers in...

Lead singer of the hugely successful Irish rock band Kodaline, Steve Garrigan plays to thousands of fans worldwide - his business is being in the spotlight. But for years, Steve was privately battling his own demons. Here in this deeply personal memoir, he shares his experiences.

The landmark 1954 Supreme Court ruling, Brown v. Board of Education, brought the promise of integration to Little Rock, Arkansas, but it was hard-won for the nine Black teenagers chosen to integrate Central High School in 1957. They ran a gauntlet flanked by a rampaging mob and a heavily armed Arkansas National Guard-opposition so intense that soldiers from the elite 101st Airborne Division were called in to restore order.

When Wilco's 2007 album Sky Blue Sky was infamously criticized as "dad rock," Niko Stratis was a twenty-five-year-old closeted trans woman working in her dad's glass shop in the Yukon Territory. As she sought escape from her hypermasculine environment, Stratis found an unlikely lifeline amid dad rock's emotionally open and honest music. Listening to dad rock, Stratis could access worlds beyond her own and imagine a path forward.

Thirty years ago, Chuck Berry starred in the seminal music documentary Chuck Berry: Hail! Hail! Rock 'N' Roll, which profiled the legend during a star-studded concert celebrating his 60th birthday. Now comes the complete story behind one of America's most enduring and embattled icons. Compiled as an oral history by the film's producer, Stephanie Bennett, Johnny B. Bad combines interviews from the film's participants, including its music director - Keith Richards. These unique interviews and accounts paint a vivid and multifaceted picture of the artist.

High Drama explores rock climbing's transformation from a pursuit of select anti-establishment vagabonds to a sport embraced by competitors of all ages, social classes, and backgrounds. Climbing magazine's John Burgman weaves a multi-layered story of traditionalists and opportunists, grassroots organizers and business-minded developers, free-spirited rebels and rigorously coached athletes. Deeply reported and compellingly told, this is a celebration of climbing and the pivotal figures who made its growth possible....

Ted Sweeney. Affable everyman in small-town Montana. Tailgate hung on with baling wire, owner of his own business. Ten minutes ago, his biggest worry had been how to pay for the engagement ring rattling around in his pocket. But that was before he came home to find a corpse tidily arranged in his favorite recliner, his "old pal of a piece of furniture". Is it a warning or a setup or what? Sweeney can't help but admire the efficiency of the work, the slice deep across the guy's throat. Somebody knew what they were doing.

After the woman is identified as the missing daughter of a yacht designer, the police—with the exception of Emma's friend Detective Jesse Whyte—hastily conclude she is a suicide, perhaps to quiet any scandal for the Morgans, since her body was found floating near their property. But Emma suspects the woman was murdered and begins to sort through a who's who of sportsmen, boat crews, and the Newport elite in search of a stone-cold killer . . .

Look around. Clearly, we humans are radically different from the other creatures on this planet. But why? Where are the Bronze Age beavers? The Iron Age iguanas? Byron Reese argues that we owe our special status to our ability to imagine the future and recall the past, escaping the perpetual present that all other living creatures are trapped in. Envisioning human history as the development of a societal superorganism he names Agora, Reese shows us how this escape enabled us to share knowledge on an unprecedented scale, and predict—and eventually master—the future.

Rock Stars on the Record is a collection of firsthand tales by artists of all ages, backgrounds, and musical influences, remembering the meaning behind the records that mattered most to them. From Laura Jane Grace to Ian MacKaye, Don McLean to Cherie Currie, Alice Bag to Mac DeMarco, and many more, best-selling author Eric Spitznagel talks to rock stars across the sonic spectrum about the albums that changed them in ways only music can change someone.

"Flying High" er tredje og sidste bog i ungdomsserien om "Kys, sved og rock'n'roll". "The Killing Lies" tager på tour med deres nye album "Flying High" i bagagen, og det starter rigtig godt. Tour-livet er en fest. Alt er bare ikke helt, som det skal være mellem Ditte og Emil. Og da der også opstår problemer i bandet, begynder ting at gå galt.

At age eleven, Helen disappeared in the wilderness of Mount Rainier National Park while camping with her father, Benjamin. She was gone for almost a week before being discovered and returned to her family. It is now twenty-five years later, and after more than two decades of estrangement, Helen and Benjamin reconnect at his home in Portland, Oregon, to try to understand what happened during the days she was gone. Meanwhile, Benjamin meets an odd pair, a woman and boy who seem driven to help him learn more about Helen's disappearance.

Peter Rock's stunning autobiographical novel begins in the '90s on the Door Peninsula of Wisconsin. The narrator, a recent college graduate, and a young widow, Mrs. Abel, swim together at night, making their way across miles of open water, navigating the currents and swells carried by the rise and fall of the lake. The nature of these night swims, and of his relationship to Mrs. Abel, becomes increasingly mysterious to the narrator as the summer passes, until the night that Mrs. Abel disappears.

While most successful sidemen are lucky to spend a decade in the music business, multi-instrumentalist Mark Rivera is working on his fifth. Rivera has shared the stage with some of Rock 'n' Roll's greatest performers, including John Lennon, Paul McCartney, Elton John, Simon & Garfunkel, Foreigner, Peter Frampton, Tony Bennett, Sheila E., Joe Walsh, Hall & Oates, and Peter Gabriel. How does he do it while avoiding the typical pitfalls—falling out of favor with the band, burnout, depression?