Latin Authors Fiction

1985. Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn’t. By 1998 Anita’s name has been all but forgotten – certainly by the time Raquel, a third-year art history student is preparing her final thesis. Moving back and forth through time and told from the perspectives of both women, Anita de Monte Laughs Last is a propulsive, witty examination of power, love and art, daring to ask who gets to be remembered and who is left behind in the rarefied world of the elite.

Lucia Vega is on a winning streak. Her book has taken the country by storm, and now it's being made into a movie. After years of chasing it, she can finally taste freedom. Reece Carras is one of the most powerful men in Hollywood. Handsome, rich, and generous, he's everything girls like her aren't supposed to dream of. But dream she does. And in his strong arms, she finds a freedom she never even knew existed.

Six months ago, I gave my heart to a girl. Beautiful, kind, and sexy as sin, she's the only person who saw past my record or the color of my skin. Who ever saw me for me. She loved me enough to let me go, to let me leave this city to find my own path. But without her, I drift, lost without direction. Without me, she spirals, desperate for connection. I gave my heart to a girl, and she gave hers to me. But love shouldn't hurt this much.

They said I was a bad idea. Poor. Violent. Criminal. They said I'd amount to nothing, and I believed them, too. Until I met her. Layla Barros saved me from my worst, but to do that, she lost the best herself. Now it's my turn to bring her back to life. If only I can figure out how to do it. I'll do anything to protect the chance we finally have together. I'll follow her to the other side of the word: Brazil. Cuba. You name it. But how can I be her true north when I'm still finding my direction, too?  

She knows the kind of man he is: the kind who breaks hearts. But a hot summer at the Jersey Shore might be just what they need to light up their lives. As the only daughter of a single mom, Connie Reyes swore she would never put herself, or her child, in a similar position. But when she runs into oh-so-tempting Jonathan Pierce at a wedding, she knows she must stay away. She'll fall for him - hard. And he's not the type to stick around.

In his essay about the life of Irish writer John McGahern, Tóibín reveals the tones of melancholy and amusement within both art and the artist. In his extraordinary essay on his cancer diagnosis, Tóibín unpicks the word 'battle', and illuminates the distress, horror and blankness of his experiences. From the shades of light and dark in a Venice without tourists, to the streets of Buenos Aires riddled with disappearances and tied up with dictators and politics, we find ourselves considering law and religion in Ireland as well as in Marilynne Robinson's fiction.

This audiobook includes unabridged recordings of all George Orwell's greatest non-fiction: three full-length books, a collection of his most well-renowned essays and the complete collection of his poetry.

This audiobook contains grammar points with examples for learners. With many chapters on various grammatical theories, A Grammar of the English Tongue is the complete guide to the correct usage of English. A Grammar of the English Tongue can help you get the basic skills you need for a career and for further educational pursuits.

"Hace tiempo que no leía algo tan bueno. En pana puede leerse como una autobiografía—porque es la biografía de unos autos—o un ménage à trois entre novela, ensayo y poesía, o una exagerada nota al pie acerca del copiloto como un pequeño dios. Martín Cinzano ha escrito un libro inolvidable, muy divertido, melancólico, vertiginoso e introspectivo: callejero, carretero y carrilero." —Alejandro Zambra

Hector Santinio is the younger son of Alejo and Mercedes, who moved to New York from Cuba in the mid-1940s. The family of four shares their modest apartment with extended relatives in Harlem, where homesickness and nostalgia are dispelled by nights of dancing and raucous parties. But life’s realities are nevertheless harsh in the Santinio family’s adoptive land.

For All of Us, One Today is a fluid, poetic story anchored by Richard Blanco’s experiences as the inaugural poet in 2013, and beyond. In this brief and evocative narrative, he shares for the first time his journey as a Latino immigrant and openly gay man discovering an emotional new understanding of what it means to be an American. He tells the story of the call from the White House committee and all the exhilaration and upheaval of the days that followed.

Between the years of 1762 and 1763, James Boswell kept a journal of his time in London. During his time, he met the renowned writer, moralist, and lexicographer Samuel Johnson, with whom Boswell would form a close relationship. This account, told with much detail and candor, was one of the various journals written by Boswell, but it is the journal that has undergone the least amount of censorship, leading it, and the racy material within, to be deemed a best seller upon publication.

In Mad, Bad, Dangerous to Know, Colm Tóibín turns his incisive gaze to three of Ireland's greatest writers, Oscar Wilde, W. B. Yeats and James Joyce, and their earliest influences: their fathers. From Wilde's doctor father, a brilliant statistician and amateur archaeologist, who was taken to court by an obsessed lover in a strange premonition of what would happen to his son; to Yeats' father, an impoverished artist and brilliant letter writer who could never finish a painting; to John Stanislus Joyce, a singer, drinker and storyteller, a man unwilling to provide for his large family, whom his son James memorialised in his work. 

The gripping and entertaining tale of terror and suspense as well as a potent Faustian allegory of hubris and science run amok, The Invisible Man endures as one of the signature stories in the literature of science fiction. A brilliant scientist uncovers the secret to invisibility, but his grandiose dreams and the power he unleashes cause him to spiral into intrigue, madness, and murder. The inspiration for countless imitations and film adaptations, The Invisible Man is as remarkable and relevant today as it was a hundred years ago.

Mary Shelley's 1818 novel presents the Faustian story of a man who aspires to create life out of death, with disastrous results. The novel is constructed as a series of first-person narratives, delivered by Captain Robert Walton, Victor Frankenstein, and his Creature, which makes it perfect for a dramatic reading presented by actor author Geoffrey Giuliano.

A Christmas Carol is a novella by the great Charles Dickens, first published in London by Chapman & Hall in 1843 and illustrated by John Leech. A Christmas Carol recounts the story of Ebenezer Scrooge, an elderly miser who is visited by the ghost of his former business partner Jacob Marley, and the spirits of Christmas Past, Present, and Yet to Come. After their visits, Scrooge is transformed into a kinder, gentler man.  

The story girl of the title is the 14-year-old Sara Stanley who weaves spellbinding tales that enchant her audience that comes from near and far. These 32 stories range from the humorous and satirical to exotic romances, Scottish folk tales, retellings of Greek myths and poems by Tennyson, to ghost stories. They include the scary "Tale of the Family Ghost", and the bittersweet "The Blue Chest of Rachel Ward". 

Thomas Love Peacock is today remembered as the author of seven satirical novels which many regard merely as literary curiosities. However, he was also a man of considerable learning, a skilled poet, and an astute literary critic. This collection includes Recollections of Thomas Love Peacock, an affectionate reminiscence by Sir Edward Strachey; Some Recollections of Childhood, a window into Peacock's early youth; "Four Ages of Poetry", in which he pokes fun at his contemporaries; and "The Last Day of Windsor Forest", an old man's recollection of a memorable episode.

A young woman struggles to finish her PhD on stars and galaxies. Instead, she obsessively tracks the experience of her own body, listening to its functions and rhythms, finally locating in its patterns the beginning of illness and instability. As she discovers the precarity of her self, she begins to turn her attention to the distant orbits of her family members, each moving away from the familial system and each so different in their experiences, but somehow made similar in their shared history of illness and trauma, both political and personal.