Muslim Women

How do I give myself to God completely? What happens when I do? I Dared to Call Him Father is the fascinating true story of Bilquis Sheikh, a prominent Muslim woman in Pakistan who faced these questions at the crossroads of her life and found the astonishing answers. Her unusual journey to a personal relationship with God turned her world upside down - and put her life in danger - as a series of strange dreams launched her on a quest that would forever consume her heart, mind, and soul.

Taking one of the most politicised and misused words associated with Muslim women and Islamophobia, It’s Not About the Burqa is poised to change all that. Here are voices you won’t see represented in the national news headlines: 18 Muslim women speaking frankly about the hijab and wavering faith, about love and divorce, about feminism, queer identity, sex and the twin threats of a disapproving community and a racist country. Funny, warm, sometimes sad and often angry, each of these essays is a passionate declaration.

When Huda meets Hadi, the boy she will ultimately marry, she is six years old. Both are the American-born children of Iraqi immigrants, who grew up on opposite ends of California. Hadi considers Huda his childhood sweetheart, the first and only girl he's ever loved, but Huda needs proof that she is more than just the girl Hadi's mother has chosen for her son. She wants what the American girls have - the entertainment culture's almost singular tale of chance meetings, defying the odds, and falling in love.

Beginning with a sweetly funny, moving account of her arranged marriage, the author undercuts stereotypes and offers the refreshing view of an American life through Muslim eyes. In chapters leavened with humor, hope, and insight, she recounts an immigrant's daily struggles balancing assimilation with preserving heritage, overcoming religious barriers from within and distortions of Islam from without, and confronting issues of raising her children as Muslims - while they lobby for a Christmas tree!

A personal story of the author reflecting on her journey of life with references to quotes from the Qur'an, Hadith and contemporary thinkers.

Romance, dating, sex and - Muslim women? In this groundbreaking collection, 25 American Muslim writers sweep aside stereotypes to share their search for love openly for the first time, showing just how varied the search for love can be - from singles' events and online dating, to college flirtations and arranged marriages, all with a uniquely Muslim twist. These compelling stories of love and romance create an irresistible balance of heart-warming and tantalizing, always revealing and deeply relatable.

Shabana Mir's powerful ethnographic study of women on Washington, D.C., college campuses reveals that being a young female Muslim in post-9/11 America means experiencing double scrutiny—scrutiny from the Muslim community as well as from the dominant non-Muslim community. i>Muslim American Women on Campus illuminates the processes by which a group of ethnically diverse American college women, all identifying as Muslim and all raised in the United States, construct their identities during one of the most formative times in their lives.

As an Afghan girl, Zarifa Adiba has big, unfathomable dreams. Her family is poor, her country mired in conflict. Walking to school in Kabul, Zarifa has to navigate suicide bombers. But Zarifa perseveres, nurturing her passion for music despite its “sinful” nature under Taliban law. At sixteen, she gains admission to the Afghanistan National Institute of Music, and at eighteen she becomes the lead violist, conductor, and spokesperson for Zohra, the first all-female orchestra in the Muslim world.

Muslim men are stereotyped as either oversexed Casanovas willing to die for 72 virgins in heaven or controlling, big-bearded husbands ready to rampage at the hint of dishonor. The truth is, there are millions of Muslim men trying to figure out the complicated terrain of love, sex, and relationships just like any other American man. In Salaam, Love, Ayesha Mattu and Nura Maznavi provide a space for American Muslim men to speak openly about their romantic lives, offering frank, funny, and insightful glimpses into their hearts—and bedrooms.

Based on true events around the India-Pakistan partition in 1947, the book traces the life of a young English woman and her Muslim husband. From the husband's death in Pakistan, the story becomes her daughter Meena's recollection of the traumatic death and her own personal struggles and challenges in India and finally in Canada.

Part memoir and part how-not-to guide, The Wrong End of the Table is everything you wanted to know about Arabs but were afraid to ask, with chapters such as “Tattoos and Other National Security Risks,” “You Can’t Blame Everything on Your Period; Sometimes You’re Going to Be a Crazy Bitch: and Other Advice from Mom,” and even an open letter to Trump. This is the story of every American outsider on a path to find themselves in a country of beautiful diversity. 

As the first Muslim woman in any Australian parliament, the 100th woman in the senate and the only engineer in the senate, Mehreen has a unique and crucial perspective on our country and how things are changing for the better or worse. This is the story of a Brown, migrant Muslim woman breaking into a white man's world and striving to change it without being changed. It is an honest, no-holds-barred account of what happens when reality meets perception and when you shatter long-held stereotypes and confront a system steeped in privileged hierarchies, racism and sexism. 

Evolutionary biologist Amina Abdul accepts a post-doc in Washington, DC, choosing her career studying hybrid zones over a faltering West Coast romance. Her brother and sister-in-law welcome her to the city, but their marriage is crumbling, and they soon rely on her to keep their son company. Omar, hungry to understand his cultural roots, fakes an Indian accent, invents a royal past, and peppers his aunt with questions about their cultural heritage. When he brings an ornamental knife to school, his expulsion triggers a downward spiral for his family.

Sahar Amer's evenhanded approach is anchored in sharp cultural insight and rich historical context. Addressing the significance of veiling in the religious, cultural, political, and social lives of Muslims, past and present, she examines the complex roles the practice has played in history, religion, conservative and progressive perspectives, politics and regionalism, society and economics, feminism, fashion, and art.

Egyptian-born and London-raised, Alya Mooro grew up between two cultures and felt a pull from both. Where could she turn for advice and inspiration when it seemed there was nobody else like her? Today, Mooro is determined to explore and explode the myth that she must identify either as ‘Western’ or as one of almost 400 million other ‘Arabs’ across the Middle East.