Victorian Gothic Horror

Deliciously read by Sam Woolf (The Crown, The Witcher) and Anna Popplewell (Chronicles of Narnia, Reign) 'Haunting and seductive . . . I drank in this wonderfully sapphic, gothic tale with a sense of ever-deepening dread' - Francesca May, author of This Vicious Hunger Chilling, gothic and...

Mary Elizabeth Braddon (1835-1915), little known now, but a renowned writer in her time, gives us five tales of the "weird" as she might herself have said. Here we have five of her better known stories, peopled with jilted lovers, blood thirsty old ladies, and grand, old houses whose restless ancestors refuse to abandon them! The five tales: "The Cold Embrace", "The Shadow in the Corner", "At Chrighton Abbey", "Good Lady Ducayne", and "Eveline's Visitant".

Left penniless and alone after her father's sudden death, Isabella Barrett accepts a position at Harrowgate Manor, an isolated estate shrouded in secrets and sorrow. Whispers stalk the halls. Icy fingers graze her skin. And shadowed figures watch her from the dark. The spirits want something from her—and their intentions are growing darker. Her new employer, the enigmatic Rhys Caradoc, is a man forged of silence and secrets. He claims to need her help cataloguing his rare book collection, but Isabella soon realizes he knows far more about her gift—and her past—than he should.

They say the veil between this world and the next is thin in certain places.
In Arthur Machen’s The Great God Pan, a single “experiment” in a quiet Welsh house tears that veil just wide enough for something ancient to look back. Years later, in London’s drawing rooms and alleys, lives...

A chilling collection of classic gothic horror and ghost stories adapted or written by women In this breathtaking collection of gothic horror and eerie tales, draw the curtains and pull the blankets close for two classic Victorian horror tales in new adaptations, Dracula starring Nicky Henson...

When Miss Catherine Symonds arrives to take up a position as governess at remote Locksley Abbey in the foothills of the Black Mountains, where England bleeds into Wales, she is apprehensive. It is not the echoing, near-empty house with its skeleton staff that frightens her, nor the ancient woods that surround the Abbey or even the dogs that the owner, Sir Rowland, encourages to stalk the grounds, baying for blood. It is Catherine herself who fears scrutiny: her reference and very identity are fraudulent. She is travelling in disguise to investigate the fate of the last governess at the house.

Twin sisters Keziah and Tilly Lovell are identical in every way, except that Tilly hasn't grown a single inch since she was five. Then at the age of 15 the girls are sold to a mysterious Italian known as 'Captain'. Theo is an orphan, raised by his grandfather. Resenting his grandson for his mother's death in childbirth, Theo is forced to leave home without a penny to his name when he remarries, and a new heir is produced. Unable to train to be a doctor as he'd hoped, Theo finds employment in Dr Summerwell's Museum of Anatomy in London, and here he meets Captain and his theatrical 'family'.

Il capolavoro della scrittrice inglese. Un romanzo che getta le basi della lotta femminile per il proprio diritto all'autodeterminazione. Rappresenta il ritratto di un’epoca ed il percorso di una donna. Musiche originali di Ivan Genesio.

Forever untangling the branches of her strange family tree, Edwina Blackwood is at a turning point. Her parents’ disappearances still strike her as unaccountably odd. Her sister’s questionable life and untimely death have left her shaken. Spellfire has transformed her home and livelihood to ash. And now a devious stalker is on her trail. With supernatural detective Ian Cameron by her side, Edwina can’t get out of London fast enough.

1887, the Cornwall coast. For years, rumors have flown through the village of Suttonsbury about Ashthorne Hall—that its occupants hoard pirate treasure, that a ghost walks its halls—but botanist Hyacinth Bell only cares about the estate’s extensive one-of-a-kind orchid collection. As an independent woman, she is eager to focus on her career, even if it means waiting to pursue a romantic relationship. After all, love—like an orchid—must be nurtured and tended before it can bloom. What she doesn’t expect is to be swept away by Lucas Harding, the manor’s caretaker, upon their first meeting.

Thornfield Hall, 1821. Alice Fairfax takes up her role as housekeeper of the estate. But when Mr. Rochester presents her with a woman who is to be hidden on the third floor, she finds herself responsible for much more than the house. This is the story Jane Eyre never knew--a narrative played out on the third floor and beneath the stairs, as the servants kept their master's secret safe and sound.

Featuring work by M. R. James, Edith Nesbit, Oscar Wilde, Gertrude Atherton and many more, this enhanced audio collection of eight enduring stories - some well-known, others less familiar - transport you to a candlelit fireside to hear tales of lonely coastlines, deadly rivers, dark, creaking corridors, horrific, everlasting love and unknown entities lurking in black velvet shadows.

Emma Parrish accepts a position no one else dares, as governess to the son of Lord Anthony Craven, the castle’s dark master. The mystery of Anthony Craven’s shadowy past lurk behind the locked doors of the estate’s forbidden Round Tower. Mysterious lights flash there in the night. The servants whisper warnings of death. Anthony himself warns Emma there is only danger to be found in his sensual embrace. Powerfully drawn to the dangerously alluring Anthony, Emma finds herself unable to deny her deepest yearnings.

Betrayed by those she trusted, penniless and alone, Darcie Finch is forced to accept a position no one else dares as assistant to dangerously attractive Dr. Damien Cole. Ignoring the whispered warnings and rumors he's a man to fear, she takes her position at his eerie estate, where she quickly discovers nothing is at it seems, least of all her handsome and brooding employer. As Darcie struggles with her fierce attraction to Damien, she must also deal with the blood, the disappearances...and the murders.

Elizabeth Canham accepts a position at Burndale Academy, an isolated girl's school where she meets mysterious widower Griffin Fairfax, a man dogged by dark rumors who both frightens and fascinates her. Soon, a woman is found dead in the nearby woods - the victim of a brutal murder...a murder that bears terrifying similarity to others. Then Beth discovers all the victims were intimately connected to Griffin. Beth’s heart tells her Griffin cannot be the charming, seductive killer stalking the night, stealing women’s hearts...and lives.

Destitute and desperate, Catherine Weston accepts the summons from her childhood friend Madeline St. Aubyn to attend her at Cairncroft Abbey. Madeline's health is in a poor state, and she is terrified of her cousin Gabriel. But Gabriel has quite a different effect on Catherine, stirring longings and desires she believed long buried. Then a young woman is found dead, and Madeline's ravings point to a link between this horrific crime and Gabriel - and Catherine must decide if he is a man worthy of her love or a sinister stranger determined to make her his next victim.

Innkeeper’s daughter Jane Heatherington is sold into indentured servitude to cover her father’s debts. She's sold to Aidan Warrick, a man whose handsome face and form mock the rumors that skulk in his shadow, rumors that paint him a smuggler, a pirate...and worse. Isolated and alone, Jane's only companion is the man she dare not trust, the man who looks at her with heated desire she both fears and craves. Jane must decide if Aidan Warrick is the dark prince of her dreams or a monster preying on the innocent....

"Clifford Samuel's low, melodious voice sounds like it was made for this atmospheric queer retelling of the Dr. Jekyll & Mr. Hyde story." - AudioFile Magazine A teen boy tries to discover the reason behind his best friend's disappearance—and the arrival of a mysterious and magnetic...

As far as rash decisions go, it was formidable. But Lady Jocelyn Rathbourne's will remains strong. If the only way to save her family's estate and reputation is by aiming a small pistol at the Duke of Calydon, then so be it. For Lady Jocelyn demands satisfaction - and she will have it at any cost. Even if it means demanding the hand of the intense and foreboding Duke himself....

The narrator - the old nurse of the title - is an old family retainer who has worked in the service of the same family for three generations. She tells the young children about a dark incident that she experienced in the company of the children’s mother, when she was a young woman and visiting her mother’s ancestral home.