Showing results for "Hearts" in Anthologies & Short Stories

It was the eye. The dull, sightless, vulture's eye that shredded his final nerve. But the murder was done so carefully, so perfectly, that only one thing could reveal the whereabouts of the body. B. J. Harrison gives a masterful reading of the famous murder that wouldn't keep quiet. This audiobook was the #3 best-selling audiobook in 2008 at the iTunes Music Store!

An anthology of chilling, classic horror stories, including "The Tale-Tell Heart", "The Pit and the Pendulum", and "The Fall of the House of Usher" by Edgar Allan Poe; "The Legend of Sleepy Hollow" by Washington Irving; "The Hand", "Was it a Dream?", and "The Horla" by Guy de Maupassant; "The Red Room" by H.G. Wells; "Moon-Face" by Jack London; "The Yellow Wallpaper" by Charlotte Perkins Gilman.

From the haunted hills of Roman Britain to the sewers of occupied Warsaw … in the bloodied streets of Revolutionary Paris, and the anarchy World War II Shanghai … out of the wilds of America, India, Africa and Europe … down the long savage darkness of the centuries, monsters have fed upon us. They are shapeshifters, vampires, sorcerers and spirits—things named only in myth, and things for which we have no name. They are our demons, our reflections, our desires and our nightmares. And all too often, they are … only human.

Here is a celebration of the bizarre and beautiful, and a marriage of unlikely worlds. From a reverence of the dead to the sacrifices the living make to unspeakable gods, from clockwork dreams to tales of merciless revenge, Kiernan blurs the artificial lines of genre, and shows us a world where there is no division between the light and dark.

The Tell-Tale Heart is a short story by Edgar Allan Poe first published in 1843. It follows an unnamed narrator who insists on his sanity after murdering an old man with a "vulture eye". The murder is carefully calculated, and the murderer hides the body by cutting it into pieces and hiding it under the floorboards. Ultimately the narrator's guilt manifests itself in the hallucination that the man's heart is still beating under the floorboards. The story was first published in James Russell Lowell's The Pioneer in January 1843.

Poe tells the story of a nervous character, alleged to be “crazy” refusing all claims. He believes that his disposition arises from a heightening of the senses: "Above all was the sense of hearing acute" (74). The narrator takes care of a rich old man whose diseased eye he becomes obsessed with. He becomes so obsessed with this EvilEye that eventually, he decides to kill the old man. But what and how he will do it, is a mystery for you to find out.

In this unnerving Edgar Allen Poe tale, our narrator insists on his sanity after carefully calculating and committing the brutal murder of an old man because of his monstrous eye. He argues that it is quite sane to cut the body into pieces and hide it under the floorboards. Will our narrator's guilt be his undoing? To what extent will he go to defend his sanity?

Edgar Allan Poe (1809-1849) is celebrated for his tales of the macabre and the supernatural. “The Tell-Tale Heart” is one of his most famous. In it, the narrator tells how, without any motive, but merely because he is obsessed with his eye (“The eye of a vulture”), he murders an old man, and of the consequences when the murdered man's heart seeks revenge.

This is a story from the "Great Ghost Stories" collection.

The anonymous narrator is suffering from a strange hypersensitivity to everything around him. He lives with an old man who has a clouded bluish eye, an abnormality that fascinates and disturbs him. Resolving to kill the man and dispose of his body, he soon realizes in horror, however, his innocent victim may never let him forget what he has done.

This is a story from the "Great Ghost Stories" collection.

Actor David Ian Davies' telling of Poe's Gothic horror tale "The Tell-Tale Heart" captures this classic narrative of the unnamed murderer in all its exquisite vileness, its self-effacing insanity that poses rationality where none exists.

When a man is killed because of his deformed eye, his heart seeks revenge.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

Read by a woman, this rendition of the Poe classic stands out among the others. Nothing in the text suggests that the narrator is a man. How does the meaning shift when the narrator is a woman? What was the relationship between the narrator and the old man? Have a listen.

This production is a full audio dramatization of one of the most popular horror stories of the past 200 years. In this story, a man (Edward) is afforded a place to stay in exchange for doing chores around the house. However, his landlord (Mr. Graves), a friendly and gracious old man, has one characteristic which drives Edward to the brink of madness: a pale blue eye. Eventually, Edward decides that he can't take the eye any longer, and despite his generally cordial relationship with Mr. Graves, is determined to kill him, thus ridding himself of the eye forever.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares - premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.