Showing results for "Henry Miller" in Historical

New research has uncovered deeply buried military secrets—both the Allied and Axis special operations during WWII included monsters. Did the Soviets use a dragon to win the Battle of Kursk? Did a vampire fight for the Canadians in Holland? Did the US drop the second atomic bomb on a kaiju? This collection takes real events from World War II and injects them with fantastical creatures that mirror the “unreality” of war itself. Each story—and two poems—feature mythical, mystical, and otherwise unexplainable beings that change the course of history.

The innocent and insolent Daisy confronts the traditions of old Europe and confounds all of the people (especially the men) who surround her. All throughout the story, there are classic Jamesian views on the differences between English and American societies.

"Nur eins interessiert mich wesentlich, nämlich alles das aufzuzeichnen, was in Büchern weggelassen wird." Dieser Satz von Henry Miller bringt auf den Punkt, wofür sein Roman Wendekreis des Krebses steht: die tabulose Dokumentation menschlicher Sexualität. Autobiografisch angelegt, beschreibt der amerikanische Schriftsteller, wie er in den 1930er-Jahren in Paris lebte: mittellos, freizügig, glücklich.

When Frederick, an American expatriate traveling in Europe, meets the commonplace, newly rich Miller family from New York, he is charmed by the daughter, Daisy, and her "inscrutable combination of audacity and innocence". The Millers have no perception of the complex code that underlies behavior in European society, and Winterbourne is astonished at the girl's unworldliness and her mother's unconcern when Daisy accompanies him to the Castle of Chillon.

Daisy Miller is one of Henry James' shorter and earlier novels. It was written in 1878. It portrays the confused courtship of a headstrong American girl by Winterbourne, a compatriot of hers who is much more sophisticated. His pursuit of her is hampered by her own flirtatiousness, which is frowned upon by the other expatriates they meet in Switzerland and Italy.

Daisy Miller is a young American girl travelling Europe with her mother and younger brother. While in Vevey, Switzerland, she becomes acquainted with Frederick Winterbourne, an idle expatriate, of well-to-do Americans. Winterbourne, who observes and critiques young Daisy through their brief acquaintanceship, is infatuated with her irreverent behavior. Daisy flaunts society's rules and uncompromising standards; she is charming, spontaneous, and unpretentious, and her audacity shocks the Europeans, who consider her an uncultivated flirt. The sophisticated Winterbourne remains smitten with Daisy, but his classical values stand in his way.

Daisy Miller is a beautiful and flirtatious rich young American visiting a Swiss spa. There she meets upper class expatriate American, Frederick Winterbourne, who is warned about her reckless ways with men by his aunt. Their relationship and Daisy's with the Italian lawyer Mr. Giovanelli leads to a climactic scene in the Coliseum in Rome, followed by tragedy and regret.

Henry James' signature theme - the American abroad - centers here on a chatterbox, provincial (not to say ignorant) daughter of a wealthy Schenectady industrialist, as she travels through Europe with her doting, vapid mother and rambunctious young brother. She meets up with one Mr. Winterbourne, another ex-patriate, with whom she flirts before coming to a sad end.

"Daisy Miller", scritto nel 1878, è considerato uno dei capolavori dello scrittore americano Henry James. Ritratto intenso di una giovane americana che, nella buona società europea (la trama si dipana dalla Svizzera alla stupenda e decadente Roma dei papi), viene giudicata troppo libera (se ne va a passeggio per Roma dopo il tramonto, sola con un giovanotto che non è nemmeno il suo fidanzato...) e quindi imperdonabilmente poco seria, e messa al bando; solo dopo la sua morte improvvisa sapremo, insieme al protagonista narratore, che Daisy era assolutamente innocente, non una civetta o peggio, ma semplicemente una ragazza libera, indipendente, spontanea e disinteressata, amante del passeggiare e vagabondare, oppressa dai lacci delle convenzioni sociali che imprigionavano le donne.

Daisy Miller is one of James' most haunting characters. In this reading, Mullen brings her to life in all her innocent playfulness and melancholic yearning.