Showing results for "Music" in History & Criticism

Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. 

The Sound of Music is a classic film cherished in the hearts of millions. It won five Oscars, including Best Picture, upon its release in 1965. This tribute to a Hollywood classic is sure to thrill everyone who's ever sung along to "My Favorite Things" at one of the many screenings that still take place today. Through interviews with the cast and crew, in-depth access to memorabilia and personal scrapbooks, and archival research at Fox Studios, author Julia Antopol Hirsch reveals the lively human story behind the making of the von Trapp family film.

From Entertainment Weekly writer and debut author Samantha Highfill, a definitive and deliciously nostalgic look into the creation and legacy of the hit show The Vampire Diaries, as told by its cast, crew, and creators. In 2009, the CW released a show about grief, love, redemption, and, oh yeah...

Critical Mass is a treasure trove of sparkling, spiky prose and a fascinating portrait of our lives and cultural times over the past decades. In an age where a great deal of back scratching and softball pitching pass for criticism, James Wolcott’s fearless essays and reviews offer a bracing taste of the real critical thing.

Take a trip back to your favorite video store with this in-depth journey through the highs and lows of 80s cinema—with profiles of hundreds of films—and how Hollywood studios around the globe reflected a period of cultural change. The movies were flying blind in 1980. “New Hollywood” was...

This audiobook is read by the author and includes an exclusive Q&A between Mark Kermode and Jenny Nelson 'Brims with enthusiasm and joyful insight' – Richard Ayoade How can a film score make you cheer, shiver, cry or punch the air? How do directors communicate their musical vision to composers?...

The story of the music that accompanies the cinematic adventures of Ian Fleming's intrepid Agent 007 is one of surprising real-life drama. In The Music of James Bond, author Jon Burlingame throws open studio and courtroom doors alike to reveal the full and extraordinary history of the sounds of James Bond, spicing the story with a wealth of fascinating and previously undisclosed tales.

From the triumphant “Main Title” in Star Wars to the ominous bass line of Jaws, John Williams has penned some of the most unforgettable film scores—while netting more than fifty Academy Award nominations. This updated and revised edition of Emilio Audissino’s groundbreaking volume takes stock of Williams’s creative process and achievements in music composition, including the most recent sequels in the film franchises that made him famous. Audissino details his lasting impact and cements his legacy as one of the most important composers in movie history.

Music composed for television had, until recently, never been taken seriously by scholars or critics. Catchy TV themes, often for popular weekly series, were fondly remembered but not considered much more culturally significant than commercial jingles. Yet noted composers like John Williams, Henry Mancini, and Jerry Goldsmith learned and/or honed their craft in television before going on to major success in feature films.

“A fascinating peek behind the making of a megahit, and a delightful bit of nostalgia for those of us who remember life before streaming TV.” —Town & Country Welcome to the O.C., b*tch: it’s the definitive oral history of beloved TV show The O.C., from the show’s creators, featuring...

How Does It Feel? follows a lifetime of musical misadventures which have seen Mark striking rock star poses in the Sixth Form Common Room, striding around a string of TV shows dressed from head to foot in black leather, getting heckled off stage by a bunch of angry septuagenarians on a boat on the Mersey, showing Timmy Mallet how to build a tea-chest bass - and winning the International Street Entertainers of the Year award as part of a new wave of skiffle. Really. 

From New York Times bestselling author Scott Eyman, this is the story one of the most influential studios in film history, from its glory days under the leadership of legendary movie mogul Darryl F. Zanuck up to its 2019 buyout by Disney. March 20, 2019 marked the end of an era -- Disney took...

When Dave Hickey was 12, he rode the surfer's dream: the perfect wave. And, like so many things in life we long for, it didn't quite turn out - he shot the pier and dashed himself against the rocks of Sunset Cliffs in Ocean Beach, which just about killed him. Fortunately, for Hickey and for us, he survived, and continues to battle, decades into a career as one of America's foremost critical iconoclasts, a trusted, even cherished no-nonsense voice commenting on the all-too-often nonsensical worlds of art and culture.

Der große Erzähler Werner Herzog fragt nach der seltsamsten aller Erzählungen: der von der Wahrheit. Was ist wahr? In einer Welt, die durch Fake News, politische Manipulation und künstliche Intelligenz verunsichert ist, die auf kalte Fakten setzt und doch die Poesie und den Film erfunden hat, muss Wahrheit mehr als bloß stumpfe Empirie bedeuten. Von einem erfundenen Schlachtensieg des Pharao Ramses bis zum modernen Mythos der Entführung durch Außerirdische, von ekstatischen Momenten am Filmset bis zu seinen Begegnungen mit der Wirklichkeit durch tagelanges Gehen reiht Werner Herzog auf einmalige Weise faszinierende Überlegungen und Erinnerungen aneinander. Ein Hörbuch für alle, die sich wundern können.

Loretta Goggi: "Grazie a Pippo Baudo che andò a sposarsi e mi lasciò Sanremo" di Ernesto Assante; Max Gazzè: "Non dobbiamo rinunciare a Sanremo" di Gino Castaldo; Sanremo, non piangere: come cantare al Festival, anche senza pubblico di Gino Castaldo; Sanremo, piazze chiuse. Il sindaco: "Troppi rischi avrei rinviato il festival" di Silvia Fumarola e Massimo Calandri; Enigma Sanremo, il festival del 2021 è tutto un quiz di Ernesto Assante.