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El mundo de Rembrandt, el maestro de la luz; una época y una trama cautivadoras en torno a una promesa incumplida. Amsterdam, 1642. Geertje es una joven viuda que se ha quedado sin nada; ya era pobre y para colmo de males también ha perdido a su marido. Cuando le surge la oportunidad de entrar...

In this lecture series, art historian Gary Schwartz surveys the life, time and work of Rembrandt van Rijn. He reflects on both the 17th century historical context in which Rembrandt emerged as an artist, as well as on his superb techniques. Schwartz presents the listener with a unique re-introduction to the artist's biography in which he gives a vivid description of Rembrandt's life and his rich and varied drawings, etchings and paintings, such as the Nightwatch.

The Age of Reason Begins brings together a fascinating network of stories in the discussion of the bumpy road toward the Enlightenment. This is the age of great monarchs and greater artists - on the one hand, Elizabeth I of England, Philip II of Spain, and Henry IV of France; on the other, Shakespeare, Cervantes, Montaigne, and Rembrandt. It also encompasses the heyday of Francis Bacon, Galileo, Giordano Bruno, and Descartes, the fathers of modern science and philosophy.

Rembrandt's Mirror explores the three women of Rembrandt's life and the towering passions of the artist seen through the eyes of his last great love, Hendrickje. Hendrickje, a girl from a strict Calvinist family, leaves her provincial home to find work as a housemaid. She enters Rembrandt's flourishing workshop five years after the death of the great artist's wife, an event that continues to haunt him.

A true crime tale of unbelievable friendship, loyalty, criminal genius, and a staggeringly audacious plot to steal one of the world’s most valuable paintings—and return it. On April 14, 1975, Myles Connor, already a known art thief, entered the Boston Museum of Fine Arts in disguise along...

How do art and faith intersect? How does art help us see our own lives more clearly? What can we understand about God and humanity by looking at the lives of artists? Striving for beauty, art also reveals what is broken. It presents us with the tremendous struggles and longings common to the...

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Rembrandts Welt verwoben mit einer wunderbar atmosphärischen Schilderung! 1628 begibt sich ein junger Holländer auf eine gefährliche und abenteuerliche Suche nach einer verschwundenen Zeichnung Rembrandts. Diese führt ihn zu der von Wallenstein belagerten Hansestadt Stralsund, wo er die Tochter der städtischen Hebamme, Flora, in das Geheimnis einweiht. Bei dieser Suche trifft Flora nicht nur auf den jungen Rembrandt, sie entdeckt auch einen Garten, dem die Kraft der Farben und das Wechselspiel des Lichts innewohnen.

1642. The Dutch Golden Age is underway, with rapidly expanding Amsterdam at the height of its powers. Geertje, an impoverished widow from Edam, enters a melting pot of wealth and culture when she becomes nursemaid in the house of renowned painter, Rembrandt. Still grieving the deaths of her husband and stillborn son, Geertje soon bonds with her infant charge, Titus. She makes new friends and her confidence grows.

Aus heiterem Himmel wird Geertje Dircx verhaftet. Die Anklage: Diebstahl, Betrug, Hurerei. Schnell stellt sich heraus, dass der Maler Rembrandt van Rijn hinter den Vorwürfen steckt. Den bejubelten Künstler und die wissbegierige Frau aus einfachen Verhältnissen verband lange eine Liebesbeziehung – bis Rembrandt sich einer jüngeren Frau zuwandte und Geertje, die sich trotz zahlreicher Schicksalsschläge stets treu geblieben ist, ihr Leben neu aufbauen musste.

Painting scenes from Bible stories is Rembrandt's passion. Many of his Amsterdam neighbors are Sephardic Jews, and the children often come to play with the costumes at the renowned painter's house. Rabbi Menashe Ben Israel encourages his neighbors to pose for Rembrandt's biblical scenes. He helps the painter understand the descriptive words in the Hebrew bible. At the rabbi's home for Sabbath dinner, Rembrandt watches his friend cup his hands over his children's heads and say a blessing, which gives him an idea for a very special painting.

Today, art theft is one of the most profitable criminal enterprises in the world, exceeding $6 billion in losses to galleries and art collectors annually. And the masterpieces of Rembrandt van Rijn are some of the most frequently targeted. In Stealing Rembrandts, art security expert Anthony M. Amore and award-winning investigative reporter Tom Mashberg reveal the actors behind the major Rembrandt heists in the last century. Through thefts around the world—from Stockholm to Boston, Worcester to Ohio—the authors track daring entries and escapes from the world's most renowned museums.

Something's brewing at the National Portrait Gallery Museum in Washington DC - 12-year-old Art is sure of it. But his only proof that a grand heist is about to take place is iced mocha, 42 steps, and a mysterious woman who appears like clockwork in the museum. When Art convinces his best friend, Camille, that the heist is real, the two begin a thrilling chase through DC to uncover a villainous scheme that could be the biggest heist since the Isabelle Stewart Gardner Museum theft in 1990.

Imagine, you had in just one live around 25 legal conflicts and battles of all kinds! With clients about the quality of your work or about sharp business prices. With your neighbor about the costs of reconstruction of your house. Or for the transfer of your house to a family member to escape you creditors. Yes, I know, it's not you.. Who is this? We’re talking Rembrandt, the world famous painter from the Dutch Golden Age. I am Bob Wessels and I am from the Netherlands. I am a veteran lawyer with fifty (50) years of legal working experience. In my podcasts I will tell you my ...

The Zondervan Reflective Audio Study series provides a unique audio learning experience. Unlike a traditional audiobook's direct narration of a book's text, Rembrandt Is in the Wind: Audio Study include high-quality live recordings in which the author teaches the content of the book, discusses...

Der Podcast Rembrandt, habibi! wird von Amina Aziz fürs Kunstmuseum Basel produziert und ergänzt die Ausstellung Rembrandts Orient. Westöstliche Begegnung in der niederländischen Kunst des 17. Jahrhunderts um eine postkoloniale Perspektive. Der Podcast umfasst fünf Folgen à je 20 bis 30 Minuten und lässt neben Amina Aziz verschiedene Akteur*innen aus Wissenschaft, Kunst und Kultur zu Wort kommen. Infos zur Ausstellung: https://kunstmuseumbasel.ch/de/ausstellungen/2020/rembrandts-orient Konzept und Moderation: Amina Aziz Produktion: Amina Aziz, Christine Müller Stalder Jiingle: Ah! ...

Die Tragödie Rembrandt ist der erste typische Fall eines künstlerischen Märtyrertums, das mit bourgeoisen Kulturen untrennbar verwachsen scheint. Man verfolgt, wie er erst sich bemüht, die Welt zufrieden zu stellen; dann, wie er, des trocknen Tones satt, ihr voll Ingrimm den Fehde-handschuh hinwirft...

Amsterdam 1654: a dangerous secret threatens to destroy a young widow’s new life. Following the sudden death of her husband, twenty-five year old Catrin leaves her small village and takes a job as housekeeper to the successful Van Nulandt merchant family. Amsterdam is a city at the peak of its...

Rembrandt van Rijn – renommiertester Barockmaler des Goldenen Zeitalters Der Autor und Herausgeber Bert Alexander Petzold nimmt uns mit auf eine faktenreiche Kulturreise und erläutert verständlich, unterhaltsam und strukturiert Basiswissen zum niederländischen Maler Rembrandt van Rijn. Rembrandt Harmenszoon van Rijn (1606–1669) war einer der bedeutendsten Maler und Grafiker des Barock. Geboren am 15. Juli 1606 in Leiden als Sohn des Müllers Harmen van Rijn und Neeltgen Willemsdochter van Zuytbrouck, wuchs Rembrandt in einem wohlhabenden, bildungsbürgerlichen Umfeld auf.

In vier Folgen nähert sich der Journalist und Moderator Michel Abdollahi einem Hauptwerk der europäischen Kunstgeschichte aus der Sammlung des Städel Museums, dem Gemälde „Die Blendung Simsons“ (1636) von Rembrandt. Der größte niederländische Künstler des 17. Jahrhunderts malte im Jahr 1636 eine alttestamentarische Geschichte auf eine rund zwei mal drei Meter große Leinwand. Heute zählt das Gemälde zu den bewegendsten, schockierendsten und faszinierendsten Werken der Kunst. Warum malte Rembrandt ein solches Bild? Wieso muss man unweigerlich hinschauen, obwohl es eine so brutale ...