Showing titles in Greek & Roman

In this, his first book, Nietzsche developed a way of thinking about the arts that unites the Greek gods Apollo and Dionysus as the central symbol of human existence. Although tragedy serves as the focus of this work, music, visual art, dance, and the other arts can also be viewed using Nietzsche's analysis and integration of the Apollonian and the Dionysian. The Birth of Tragedy stands alongside Aristotle's Poetics as an essential work for all who seek to understand poetry and its relationship to human life.

The philosophy of Ancient Greece provides the background of Western ethical thought and politics. In this approachable introduction, Hugh Griffith, a leading translator of Plato, covers the main ground from the Pre-Socratics through Plato, Aristotle, the Stoics, and the Epicureans.

Lo imaginamos caminando con un aire de desdén, desgarbado y sucio, mofándose de la idea de patria o polis. Vestido con un burdo manto y con su morral a la usanza de su maestro, Diógenes de Sinope, apodado "el Perro", proclamaba ser "ciudadano del mundo", después de renunciar a su fortuna y a su estatus privilegiado. Era la Grecia del siglo IV a. C., recientemente sometida por los ejércitos de Alejandro Magno, y el malestar de la época se manifestaba de varias maneras.

"Me esfuerzo por conducir lo divino que hay en mí a lo divino que hay en el universo" fueron las palabras postreras de un filósofo hierático y reservado como un oráculo, seguidor de Platón. La identidad con lo divino es un caro anhelo para los místicos de todas las épocas y tradiciones culturales, incluyendo los místicos occidentales cristianos. El pensamiento de Plotino sería estimado considerablemente por filósofos posteriores, incluyendo a los padres de la Iglesia Católica como por ejemplo el célebre San Agustín.

Su nombre ha llegado hasta nosotros como un mito lejano y sin tiempo, uno de los filósofos más conocidos de la Antigüedad clásica. En su célebre escuela, denominada el Jardín, eran admitidos por igual hombres y mujeres, los cuales gozaban de los mismos derechos. Para él, la filosofía es un instrumento útil para conquistar la felicidad. ¿Cómo conquista el ser humano la felicidad? Cuando pone el placer como finalidad. Sin embargo, no es el placer sensual vinculado a las apetencias del cuerpo lo que el ser humano debe perseguir, sino....

Written between A.D. 413 and 426, The City of God is one of the great cornerstones in the history of Christian thought, a book which is vital to the understanding of modern Western society. Augustine originally intended it to be an apology for Christianity against the accusation that the Church was responsible for the decline of the Roman Empire, which had occurred just three years earlier. Indeed, Augustine produced a great amount of evidence to prove that paganism was responsible for this event. However, by the time the work was finished, the book had taken on a larger theme.

This compassionate, personal, and illuminating work of nonfiction draws on the author's celebrated work as a director of socially conscious theater to connect listeners with the power of an ancient artistic tradition. For years Bryan Doerries has been producing ancient tragedies for current and returned servicemen and women, addicts, tornado and hurricane victims, and a wide range of other at-risk people in society.

Towards the end of his life and his career as one of the leading politicians and orators in Rome, Marcus Tullius Cicero (106 BCE-43 BCE) was exiled to his country house. It was a time of political turmoil in the capital of the empire, caused by the power-grab of Julius Caesar. In the quiet of the countryside, Cicero began to write on philosophy. In On the Ends of Good and Evil, he set out to consider three major traditions of Greek philosophy - Epicureanism, Stoicism and a branch of Platonism.

The remarkable range of Plato's Dialogues is vividly demonstrated by these three works. It opens with Phaedrus, a highly personal discussion between Socrates (David Rintoul) and the young, love-struck Phaedrus (Gunnar Cauthery). They go for a walk outside the walls of Athens and, under a plane tree by the banks of the Ilissus, talk about love - erotic and 'Platonic' love. Socrates endeavours to steer Phaedrus away from infatuation and show him that real love is based on concern for the beloved.

Here are three important but very different Dialogues from the Middle Period. Symposium, the most well-known in this collection, is concerned with the theme of love. In the house of Agathon, a group of friends - each very different in personality and background - meet to consider and discuss various kinds of love. Each one, Phaedrus, Pausanias, Eryximachus, Aristophanes (the playwright) and Agathon (a prize-winning tragic poet), presents his particular view in a short discourse.

In times of great pain and upheaval, people's minds turn to "the end of the world." According to author Gregg Braden, this is one of those historical moments - a period of change and turmoil that summons intense anxiety and causes us to wonder if we are approaching the culmination of human history. And yet, many cultures both ancient and contemporary believe that there is no such thing as an end time - that in fact, history doesn't move in a straight line toward a single destination, but in a series of ever-more-complicated fractal cycles.

Here, in this second collection of Socratic Dialogues from Plato's Early Period, read by David Rintoul as Socrates with a full cast, are contrasting six works. Often, as with Gorgias, which opens the recording, Socrates combats the popular subjects of sophistry and rhetoric, in direct conversation with Gorgias (a leading sophist teacher), and with one of his pupils, Callicles.

In The Republic, Plato tackles the big issues of the state and the individual: how the state should be ruled, and by whom; and the way the individual should lead his life - and why. The lively quality of the dialogue can be clearly appreciated in this new translation by Tom Griffith.

Socrates questions Ion, an actor who just won a major prize, about his ability to interpret the epic poetry of Homer. How does an actor, a poet, or any other artist create? Is it by knowing? Is it by inspiration? As the dialogue proceeds, the nature of human creativity emerges as a mysterious process and an unsolved puzzle. Plato lived in Athens, Greece. He wrote approximately two-dozen dialogues that explore core topics that are essential to all human beings.

"Plato was not a Platonist! I would like to show... that anyone who reads the dialogues of Plato without bias or an ax to grind will find a humorous, witty, pleasant friend; and not a desiccated scholarly mandarin. Plato was an open-minded, tolerant, reasonable individual, not a tight-lipped, pietistic, puritan. In a word, Plato was an Athenian, not a Spartan!". In the twenty-four centuries that have passed since the Athenians put Socrates to death, every generation has interpreted the meaning of Plato’s work differently.

Wie findet man das wahre Glück? Wie lässt sich Erfolg wirklich bemessen? Und wie geht man mit den Herausforderungen des Alltags wie Wut, Trauer und der Frage nach dem Sinn des Ganzen um? Was große Geister wie George Washington, Friedrich der Große, Weltklassesportler oder Top-Performer längst für sich entdeckt haben, liegt mit "Der tägliche Stoiker" erstmals gesammelt vor.

Il Timeo, scritto intorno al 360 a. C. da Paltone, è il dialogo che ha maggiormente influito sulla filosofia e sulla scienza posteriori. In esso vengono approfonditi essenzialmente tre problemi: quello dell'origine dell'universo, quello della sua struttura materiale, ed infine quello della natura umana. Ai tre argomenti corrispondono altrettante parti in cui è possibile suddividere l'opera, alle quali va aggiunto il prologo.

San Severino Manlio Boezio (475 - 525) è stato un filosofo romano, venerato dalla Chiesa Romana come santo e martire. Le sue opere influenzarono notevolmente la filosofia cristiana del Medioevo, tanto che alcuni lo collocano tra i fondatori della Scolastica, per quanto l'opera si fondi sulle tradizioni stoiche e soprattutto neoplatoniche. Accusato, forse falsamente di aver voluto restaurare la libertà di Roma, nel settembre del 524 viene incarcerato a Pavia qui scrive il De consolatione philosophiae.

L'Apologia di Socrate è un testo giovanile di Platone. Scritto tra il 399 e il 388 a.C., è la più credibile fonte di informazioni sul processo a Socrate, oltre a quella in cui la figura del vecchio filosofo è probabilmente meno rimaneggiata dall'autore.

Ein Drama ist entweder eine Tragödie oder eine Komödie. Und alle anderen allgemein bekannten Genres sind Ableitungen bzw. Variationen der genannten zwei Hauptformen. Die "Poetik" von Aristoteles bildet bis zum heutigen Tag den Muttertext für unser Verständnis von Theater. Obligatorisches Wissen für jeden Theater-Kritiker und der Ausgangspunkt unserer Vorstellung bzw. deren Definitionen über notwendige Formen innerhalb von Geschichten.