Showing titles in Drama

Clifford Odets’ masterpiece, starring Mark Ruffalo, Jane Kaczmarek, Richard Kind, and Ben Gazzara, brings to life the struggles of a working-class family aspiring to the promise of the American Dream. Even as they endure the country’s worst economic nightmare, three generations of an immigrant family are crowded into a Bronx tenement, fiercely determined to stay afloat, no matter what the cost.

Written by Susan Glaspell in 1916, Trifles is a one-act play about a woman accused of strangling her husband. Based on an actual murder case reported by Glaspell for the Des Moines News, the play represented an early exploration of gender relationships in a time when women often were considered to be mere trifles. A groundbreaking feminist play, Trifles is often included in anthologies of drama and literature.

Chekhov’s masterpiece in a full-cast performance starring Tessa Thompson, Jennifer Westfeldt, Sarah Zimmerman and Jon Hamm. Meet Olga, Masha, and Irina, warm and cultured young sisters who were reared in the exciting hubbub of Moscow, but have been living in the dull, gossipy backwaters of Russia for far too long.

Eugene O’Neill’s tale of Ephraim Cabot, greedy and hard like the stone walls that surround his farm, the family patriarch brings home his new young bride, Abbie. His grown sons dissaprove; one leaves but the other stays to fight for the family fortune. What follows is a tragedy of epic proportions.

Brilliantly manipulative and entirely amoral, the hero-villain Richard is one of Shakespeare's greatest roles. The Yorkists have emerged victorious from the civil wars and Edward IV wears the English crown. But Edward's misshapen brother Richard harbors kingly ambitions and will stop at nothing to achieve the throne. In a fatal battle on Bosworth Field, Richard meets the ghosts of all whom he has murdered and the Earl of Richmond, the future King Henry VII.

Blackstone Audio is proud to present the Oregon Shakespeare Festival's 2014 production of The Tempest, Shakespeare's magical romantic comedy, directed by Tony Taccone. This stunning work of audio theater, fully dramatized with performances by the OSF cast, is a must-listen.

Judith Anderson and Anthony Quayle perform 'Medea', an ancient Greek tragedy written by Euripides. It is based upon the myth of Jason and Medea and first produced in 431 BC. The plot centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband Jason who has betrayed her for another woman.

A compassionate, personal, and illuminating work of nonfiction that draws on the author's celebrated work as a director of socially conscious theater to connect listeners with the power of an ancient artistic tradition.

Oedipus Rex is an Athenian tragedy by Sophocles that was first performed about 429 BC (noted classicist Gilbert Murray, translator of this version of the play, rendered the title as Oedipus, King of Thebes). It tells the story of Oedipus, a man who becomes the king of Thebes, whilst in the process unwittingly fulfilling a prophecy that he would kill his father Laius and marry his mother Jocasta. The play is an example of classic tragedy, notably containing an emphasis upon how Oedipus's own faults contribute to his downfall.

Wallenstein – Das große historische Drama Ungekürzt – erstmals vollständig als Hörbuch Mit der Wallenstein-Trilogie schuf Friedrich Schiller eines der monumentalsten Werke der deutschen Dramenliteratur. Wallensteins Lager, Die Piccolomini und Wallensteins Tod entfalten gemeinsam ein vielschichtiges Panorama von Macht, Moral und menschlichem Zwiespalt

In König Lear inszeniert William Shakespeare ein dramatisches Familienschicksal, das bis heute zu den eindrucksvollsten Tragödien der Weltliteratur zählt. Der greise König Lear will seine Macht abgeben – und löst damit einen zerstörerischen Sturm aus. Was als Prüfung der Tochterliebe beginnt, endet in Verrat, Wahnsinn und einem erbarmungslosen Blick auf die Tiefen der menschlichen Natur. Ein zeitloses Werk über Eitelkeit, Wahrheit, Machtmissbrauch – und den schmalen Grat zwischen Klarsicht und Wahnsinn.

يقتبس باكثير عملا أدبيا تاريخا ويصوغه بشكل جديد، جديد للدرجة التي تجعل مسرحية مأساة أوديب لعلي أحمد باكثير مسرحية جديدة تماما و مختلفة عن مسرحية سوفوكليس المشهورة. إذا كان أوديب عند سوفوكليس هو صراع الإنسان ضد القدر وهو الصراع الذي ينتهي بحتمية هزيمة الإنسان أمام القدر (تلك الفكرة المسيطرة على المسرح الإغريقي ككل)،فإن أوديب عند باكثير هو الصراع مع ذلك العدو الذي يضرب الأب بالابن و يقلب الصديق على صديقه ويهيج الشعب على حكامه المحبوبين، هذا العدو الذي يسيطر بيديه عل...

The final play of the Oresteia, called The Eumenides (Εὐμενίδες, Eumenídes), illustrates how the sequence of events in the trilogy ends up in the development of social order or a proper judicial system in Athenian society. In this play, Orestes is hunted down and tormented by the Furies, a trio of goddesses known to be the instruments of justice, who are also referred to as the "Gracious Ones" (Eumenides). They relentlessly pursue Orestes for the killing of his mother.

Anacreon (582 BCE–485 BCE) was a Greek lyric poet born in Teos, an Ionian city on the coast of Asia Minor. He likely moved to Thrace in 545 BCE with others from his city when it was attacked by Persians. He then moved to Samos, to Athens, and possibly again to Thessaly, seeking a safe place to write his poems as his patrons (including Polycrates, tyrant of Samos, and Hipparchus, brother of Athenian tyrant Hippias) kept being murdered. It is unknown where Anacreon died, though he lived to the unusually advanced age of 85.

Agamemnon is the first of the three linked tragedies which make up The Oresteia trilogy by the ancient Greek playwright Aeschylus. Trilogy as a whole, originally performed at the annual Dionysia festival in Athens in 458 BCE, where it won first prize, is considered to be Aeschylus' last authenticated, and also his greatest, work. Agamemnon describes the homecoming of Agamemnon, king of Argos, from the Trojan War, and his return to his wife, Clytemnestra, who had been planning his murder (in concert with her lover, Aegisthus) as revenge for Agamemnon's earlier sacrifice of their daughter, Iphigenia.

The Theogony "the genealogy or birth of the gods" is a poem by Hesiod (8th – 7th century BC) describing the origins and genealogies of the Greek gods, composed c. 730–700 BC. It is written in the Epic dialect of Ancient Greek and contains 1022 lines. Hesiod's Theogony is a large-scale synthesis of a vast variety of local Greek traditions concerning the gods, organized as a narrative that tells how they came to be and how they established permanent control over the cosmos. It is the first known Greek mythical cosmogony.

Produced in 458 BC, Aeschylus' Choephori is the second play in the Oresteian trilogy. The bloodshed begun in the first play with the murder of Agamemnon by his wife Clytemnestra is here continued when Agamemnon's son Orestes avenges his father's death by killing Clytemnestra. It is not until the third and final play, Eumenides, that peace is restored to the family of the Atreidae. The introduction discusses the pre-Aeschylean 'Orestes' tradition in literature and art, as well as the place of Choephori within the Oresteia.

Antigone by Sophocles, is a classic Greek tragedy that unfolds against the backdrop of Thebes. The play delves into the profound ethical and moral dilemmas faced by its characters, with Antigone at the center of a conflict between personal convictions and civic duty. The narrative begins with the aftermath of a brutal war, where two brothers, Eteocles and Polynices, have fallen on opposing sides. Antigone, their sister, defies the king's decree and buries Polynices, setting the stage for a clash between divine law and human authority.

The story of Medea is only one part of a myth about the Argonauts' campaign. It portrays Jason joining a battle with fire-breathing bulls and a dragon guarding the Golden Fleece; Medea is helping him tame the beasts. She then follows him to Greece, because she falls in love. It is also a story of how a once young, beautiful and joyful woman transforms into a monster, hungry for revenge; she kills even her own children. A long trail of horrible deaths, tied to her life path, is hard to imagine.

Ödipus ist eine antike Tragödie. Das Orakel von Delphi sagt Laios, dem König von Theben voraus, dass sein Sohn ihn töten und mit seiner Mutter Iokaste Kinder zeugen werde. Um dies zu vermeiden, gibt er seinen neugeborenen Sohn an einen Hirten, um ihn auszusetzen. Dieser gibt ihn aber stattdessen einem befreundeten Hirten in Korinth. Schließlich wird er aber von dem König und der Königin von Korinth aufgenommen und erhält den Namen Ödipus. Als er jedoch erfährt, dass das Orakel vorausgesagt hat, dass er seinen Vater tötet, verlässt er Korinth.