Showing titles in Drama

Controversy and hidden pasts are suddenly and painfully exposed as wealthy widow Mrs Alving prepares to open a new orphanage in memory of her husband. Her treasured son Oswald’s return from Paris and her relationship with old friend Pastor Manders are no longer the source of joy they once were, as secrets are turned into a frightening and desperate reality.

Clifford Odets’ masterpiece, starring Mark Ruffalo, Jane Kaczmarek, Richard Kind, and Ben Gazzara, brings to life the struggles of a working-class family aspiring to the promise of the American Dream. Even as they endure the country’s worst economic nightmare, three generations of an immigrant family are crowded into a Bronx tenement, fiercely determined to stay afloat, no matter what the cost.

Written by Susan Glaspell in 1916, Trifles is a one-act play about a woman accused of strangling her husband. Based on an actual murder case reported by Glaspell for the Des Moines News, the play represented an early exploration of gender relationships in a time when women often were considered to be mere trifles. A groundbreaking feminist play, Trifles is often included in anthologies of drama and literature.

Chekhov’s masterpiece in a full-cast performance starring Tessa Thompson, Jennifer Westfeldt, Sarah Zimmerman and Jon Hamm. Meet Olga, Masha, and Irina, warm and cultured young sisters who were reared in the exciting hubbub of Moscow, but have been living in the dull, gossipy backwaters of Russia for far too long.

Eugene O’Neill’s tale of Ephraim Cabot, greedy and hard like the stone walls that surround his farm, the family patriarch brings home his new young bride, Abbie. His grown sons dissaprove; one leaves but the other stays to fight for the family fortune. What follows is a tragedy of epic proportions.

Blackstone Audio is proud to present the Oregon Shakespeare Festival's 2014 production of The Tempest, Shakespeare's magical romantic comedy, directed by Tony Taccone. This stunning work of audio theater, fully dramatized with performances by the OSF cast, is a must-listen.

Judith Anderson and Anthony Quayle perform 'Medea', an ancient Greek tragedy written by Euripides. It is based upon the myth of Jason and Medea and first produced in 431 BC. The plot centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband Jason who has betrayed her for another woman.

Oliver Twist is the well-loved tale of an orphan, who starts life in a workhouse and finds himself embroiled in London's criminal underworld, before being saved by a kind gentleman who knows something of his surprising family history. A satire and social commentary as well as a page-turning yarn, full of grit, wit, and some of the most memorable characters in English Literature. The second published serialised novel by Charles Dickens, The British Library remarks that "it has proven to be one of the best-loved novels in the history of literature".

A compassionate, personal, and illuminating work of nonfiction that draws on the author's celebrated work as a director of socially conscious theater to connect listeners with the power of an ancient artistic tradition.

Oedipus Rex is an Athenian tragedy by Sophocles that was first performed about 429 BC (noted classicist Gilbert Murray, translator of this version of the play, rendered the title as Oedipus, King of Thebes). It tells the story of Oedipus, a man who becomes the king of Thebes, whilst in the process unwittingly fulfilling a prophecy that he would kill his father Laius and marry his mother Jocasta. The play is an example of classic tragedy, notably containing an emphasis upon how Oedipus's own faults contribute to his downfall.

Wallenstein – Das große historische Drama Ungekürzt – erstmals vollständig als Hörbuch Mit der Wallenstein-Trilogie schuf Friedrich Schiller eines der monumentalsten Werke der deutschen Dramenliteratur. Wallensteins Lager, Die Piccolomini und Wallensteins Tod entfalten gemeinsam ein vielschichtiges Panorama von Macht, Moral und menschlichem Zwiespalt

In König Lear inszeniert William Shakespeare ein dramatisches Familienschicksal, das bis heute zu den eindrucksvollsten Tragödien der Weltliteratur zählt. Der greise König Lear will seine Macht abgeben – und löst damit einen zerstörerischen Sturm aus. Was als Prüfung der Tochterliebe beginnt, endet in Verrat, Wahnsinn und einem erbarmungslosen Blick auf die Tiefen der menschlichen Natur. Ein zeitloses Werk über Eitelkeit, Wahrheit, Machtmissbrauch – und den schmalen Grat zwischen Klarsicht und Wahnsinn.

يقتبس باكثير عملا أدبيا تاريخا ويصوغه بشكل جديد، جديد للدرجة التي تجعل مسرحية مأساة أوديب لعلي أحمد باكثير مسرحية جديدة تماما و مختلفة عن مسرحية سوفوكليس المشهورة. إذا كان أوديب عند سوفوكليس هو صراع الإنسان ضد القدر وهو الصراع الذي ينتهي بحتمية هزيمة الإنسان أمام القدر (تلك الفكرة المسيطرة على المسرح الإغريقي ككل)،فإن أوديب عند باكثير هو الصراع مع ذلك العدو الذي يضرب الأب بالابن و يقلب الصديق على صديقه ويهيج الشعب على حكامه المحبوبين، هذا العدو الذي يسيطر بيديه عل...

Im Mittelpunkt steht die berühmte Ringparabel, die für religiöse Toleranz und menschliche Vernunft plädiert. In einem spannenden Drama verhandelt Lessing Grundfragen des friedlichen Zusammenlebens. Ein Plädoyer für Aufklärung, Humanität und gegenseitiges Verständnis – eindrucksvoll gesprochen von Jürgen Fritsche.

Der Prinz von Guastalla verliebt sich in die tugendhafte Emilia und spinnt ein tödliches Komplott: Er lockt ihren Verlobten, Graf Appiani, in einen Hinterhalt, um selbst an Emilias Seite zu gelangen. Doch er unterschätzt ihre moralische Standhaftigkeit – und die Geschichte nimmt eine dramatische Wendung. Lessings Stück prangert Machtmissbrauch und Willkürherrschaft an, stellt aber auch zeitlose Fragen zu Pflicht, Ehre und Selbstbestimmung.

Dorfrichter Adam muss über den Fall eines zerbrochenen Kruges urteilen – doch wie sich bald zeigt, war er selbst der Täter. Zwischen Ausreden, Verwirrspielen und absurden Ausflüchten entspinnt sich ein meisterhaftes Lustspiel voller sprachlicher Raffinesse und satirischer Tiefe. Der zerbrochne Krug ist Heinrich von Kleists wohl beliebtestes Werk – eine Komödie, die mit feiner Ironie und großem Witz die menschliche Schwäche bloßlegt.

In Der Kaufmann von Venedig verwebt William Shakespeare Elemente von Komödie, Tragik und Gerichtsdrama zu einem faszinierenden Bühnenstück über Schuld, Barmherzigkeit, Vorurteil und Menschlichkeit. Der venezianische Kaufmann Antonio leiht seinem Freund Bassanio Geld, um um die reiche Portia zu werben – und geht dafür einen riskanten Pakt mit dem jüdischen Geldverleiher Shylock ein. Was folgt, ist ein Spiel um Ehre, Gnade und die Auslegung von Recht. Ein Klassiker der Weltliteratur – vielschichtig, unterhaltsam und bis heute aktuell.

The final play of the Oresteia, called The Eumenides (Εὐμενίδες, Eumenídes), illustrates how the sequence of events in the trilogy ends up in the development of social order or a proper judicial system in Athenian society. In this play, Orestes is hunted down and tormented by the Furies, a trio of goddesses known to be the instruments of justice, who are also referred to as the "Gracious Ones" (Eumenides). They relentlessly pursue Orestes for the killing of his mother.

Anacreon (582 BCE–485 BCE) was a Greek lyric poet born in Teos, an Ionian city on the coast of Asia Minor. He likely moved to Thrace in 545 BCE with others from his city when it was attacked by Persians. He then moved to Samos, to Athens, and possibly again to Thessaly, seeking a safe place to write his poems as his patrons (including Polycrates, tyrant of Samos, and Hipparchus, brother of Athenian tyrant Hippias) kept being murdered. It is unknown where Anacreon died, though he lived to the unusually advanced age of 85.

Agamemnon is the first of the three linked tragedies which make up The Oresteia trilogy by the ancient Greek playwright Aeschylus. Trilogy as a whole, originally performed at the annual Dionysia festival in Athens in 458 BCE, where it won first prize, is considered to be Aeschylus' last authenticated, and also his greatest, work. Agamemnon describes the homecoming of Agamemnon, king of Argos, from the Trojan War, and his return to his wife, Clytemnestra, who had been planning his murder (in concert with her lover, Aegisthus) as revenge for Agamemnon's earlier sacrifice of their daughter, Iphigenia.