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La Storia della letteratura italiana, completata nel 1871 è la principale opera di Francesco De Sanctis, il più grande critico letterario e saggista italiano dell'Ottocento: essa costituisce la prima grande sintesi organica di tutta la letteratura italiana. L'opera, che non deve essere considerata un manuale di consultazione ma una sintesi ardente di tutta l'intera storia della società italiana vista attraverso le opere letterarie, si svolge con un forte ritmo narrativo dove i personaggi sono gli autori e i loro testi.

When the mysterious Green Knight arrives unbidden at the Round Table one Christmas, only Gawain is brave enough to take up his challenge.... This story, first told in the 1400s, is one of the most enthralling, dramatic and beloved poems in the English tradition. Now, in Simon Armitage, the poem has found its perfect modern translator. Armitage's retelling of Sir Gawain and the Green Knight captures all of the magic and wonderful storytelling of the original while also revitalising it.

"Un Coeur simple" est une nouvelle de Gustave Flaubert, parue dans le recueil "Trois Contes" en 1877. L'auteur y dépeint la vie d'une domestique de campagne dans la Normandie du dix-neuvième siècle. Gustave Flaubert s'inspire en fait de la vie de la servante de ses parents, qui l'éleva, et fut ensuite sa domestique pendant plus de 50 ans.

William Wordsworth was amongst the greatest of English Poets. Included here are selections that put into perspective his great talent. The works are brought beautifully to life by Sir Cedric Hardwicke.

Raskolnikov, a destitute and desperate former student, wanders through the slums of St Petersburg and commits a random murder without remorse or regret. He imagines himself to be a great man, a Napoleon: acting for a higher purpose beyond conventional moral law. But as he embarks on a dangerous game of cat and mouse with a suspicious police investigator, Raskolnikov is pursued by the growing voice of his conscience and finds the noose of his own guilt tightening around his neck.

Forty-five of Britain's best-loved poems, read by John Nettles, Siobhan Redmond, Greg Wise and Emma Fielding. In a national poll conducted to discover Britain's favourite poem, Rudyard Kipling's 'If -' was voted number one. This unique anthology brings together over forty poems from the poll...

The status of John Donne (1572-1631) as one of the greatest poets in the English language is firmly established. He strongly influenced writers of the 17th century, and modern poets such as T.S. Eliot have praised and imitated Donne's work. His poetry is characterized by dramatic, witty, and bold language; by strikingly original imagery; and rhythms based on everyday speech.

Secret agent Richard Hannay travels across war-torn Europe in search of a German plot and an Islamic messiah. He is joined by three others: John S. Blenkiron, an American who is determined to battle the Kaiser; Peter Pienaar, an old Boer Scout; and the colorful Sandy Arbuthnot, who is modeled on Lawrence of Arabia. Their success or failure could change the outcome of the First World War.

By the time Shakespeare came to write Macbeth - almost certainly in 1605/1606 - he had already completed three of the great tragedies with which modern audiences are so familiar: Hamlet (1601), Othello (1603), and King Lear (1605). Each of those plays gives us an eponymous hero who is in some significant way flawed, but for whom we also inevitably feel deep sympathy, whatever his errors or crimes. But in MacBeth, Shakespeare has chosen for his tragic hero a man guilty of the most terrible crime imaginable to a Jacobean audience, that of regicide - the murder of a king.

Konstantin Treplov's literary ambitions and his love for a young aspiring actress evade him. When Nina runs off with his mother's lover, he attempts suicide, comparing himself to a dead seagull destroyed by man's whim.

John Galsworthy’s epic Forsyte Saga follows the fortunes of the venerable Forsyte family, a moneyed clan whose passions are ever at war with its values. Galsworthy won the Nobel Prize in Literature in 1932 “for his distinguished art of narration, which takes its highest form in the Forsyte...

William Wordsworth (1770-1850) was born in Cockermouth, in the Lake District. His Lyrical Ballads, written in collaboration with Coleridge, was published in 1798, and shortly afterwards he settled in Dove Cottage, Grasmere, with his sister Dorothy. Inspired in his early manhood by the French Revolution, he grew disillusioned with revolutionary politics and in later life became decidedly conservative. He left a vast body of work, ranging from delicately simple lyrics to deeply meditative odes.

The artist Mark Rothko has just hired Ken, an aspiring artist, to be his assistant and errand boy. Ken discovers that Rothko's temper can run hot, but as he gets to know his boss better, he finds that Rothko has opened him up to more than just painting. An L.A. Theatre Works full-cast performance.

Ever since Colin Firth's Mr Darcy emerged from the lake in the BBC adaptation of Pride and Prejudice, the novels of Jane Austen have become more popular than ever, delighting millions of fans all over the world. Now, Alison Larkin's critically acclaimed narrations of Austen's six completed novels are brought together in this very special 200th anniversary audio edition. "Alison Larkin's narration will captivate listeners from the first sentence" raves AudioFile magazine about the Earphones Award-winning recording of Sense and Sensibility, which starts the collection.

James Boswell forever changed the genre of biography when he painstakingly transformed a scholarly profusion of detail into a perceptive, lifelike portrait of Dr. Samuel Johnson. James Boswell's Life of Samuel Johnson reveals a man of outsized appetites and private vulnerabilities and is the source of much of what we know about one of the towering figures of English literature.

Don Juan in Hell is an excerpt (Act 3, Scene 2) from George Bernard Shaw’s Man and Superman. It is often performed as a standalone play. In it, three characters from Mozart’s Don Giovanni (Don Juan, Dona Ana, and the statue of the Commendatore, Dona Ana’s father) meet in Hell and, joined by the Devil, have a philosophical debate on a variety of subjects, including Heaven and Hell, men, women and marriage. In the end, they all decide where they will spend eternity.

Songs of Innocence and of Experience is a collection of 45 poems by English poet William Blake. "Songs of Innocence" is the first part of the collection and appeared in 1789 with engraved illustrations by Blake. The second part, "Songs of Experience", also illustrated, was added in 1794 when Blake published the whole under the full title of Songs of Innocence and Experience Showing the Two Contrary States of the Human Soul.

This book is intended for readers who are looking for an introduction to the confusing diversity of German literature. The chronological order chosen is best suited for this purpose because, in contrast to topic- or genre-oriented ordering procedures, it shows a genesis and traces the genealogy of German literature. The fact that Goethe's novel Wilhelm Meisters Lehrjahre would most likely have looked completely different without Hans Jakob Christoffel von Grimmelshausen's Simplicissimus can be shown most easily and effectively in the context of a chronologically presented journey through time.

The Divine Comedy (Italian: Divina Commedia) is an Italian narrative poem by Dante Alighieri, begun c. 1308 and completed in 1320, a year before his death in 1321. It is widely considered the pre-eminent work in Italian literature and one of the greatest works of world literature. The poem's imaginative vision of the afterlife is representative of the medieval worldview as it had developed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts.

British writer William Hazlitt was the most brilliant essayist of his day. He is now considered one of the greatest critics and essayists in the history of the English language, placed in the company of Samuel Johnson and George Orwell. During his last illness, Hazlitt wrote this essay on a topic that most people will recognize. Hazlitt did not fear his own demise, and in this thoughtful essay, he explains why no one needs to give in to such a fear.