Showing titles in City Life

Une mère solo au chômage. Une ado sarcastique. Un coloc-proprio allergique au bruit. Et ça se corse quand sa sœur lui refile son chat démoniaque le temps d'emménager chez son chéri. Entre un félin en guerre, un coloc qui joue les statues de marbre et un quotidien qui dérape, il faut tenir bon.

Sergio Corselli è un ventisettenne col pallino del gioco delle carte. Da quel mondo però è uscito e si porta dietro solo un soprannome, si è laureato, ha avviato una piccola azienda di consulenza editoriale e cerca di farsi strada nella metropoli che conta, nei salotti frequentati dalle teste pensanti dell'editoria. Scopre anche un inedito di Shakespeare, ma le cose vanno come vanno e allora ecco che ritornano gli amici del passato a provare a dare una mano a un tavolo e in una partita decisiva.

Milano, settembre 2018. L'eroina torna in città come non accadeva da decenni e invade le principali piazze di spaccio. Marta, una quarantenne disoccupata che vive alle case Aler del quartiere Corvetto, trova il cinquantenne Luciano morto di overdose, la sera in cui avrebbe dovuto dichiaragli il suo amore. La donna, testarda e coraggiosa, non crede all'evidenza dei fatti, indaga sulla morte dell'amico e ne scopre una vita nascosta.

Lo sa bene il diavolo che cosa si cela nell'animo umano, quanto in basso possono arrivare gli esseri umani pur di ottenere quello che vogliono.

1594, Bishopsgate Ward, London. Within the walls and without, unease and uncertainty lurk beneath the noise and bustle of a smoky, teeming city. Matthew Cutler, newly widowed and caring for two spirited daughters, takes his position as constable for the parish of Spitalfields very seriously. So when Paulo Brisco, a quiet Venetian perfumer is found brutally murdered in his own shop, Cutler throws himself into his first major crime, and one which threatens to set all Bishopsgate alight.

In the summer of 1967, the Levitsky family convenes for a long weekend at their home in the suburbs—an idyllic holiday for the perfect family. But Nora has always known better. Growing up, she learned to tiptoe around her mother Lillian’s explosive temper. Her father did the same. Nora’s sole confidante was their housekeeper, Clara, and their bond has only strengthened through the years.

Dublin-born Sean O’Connor rules the streets of Kilburn with his charm and his fists. But the locals don’t take kindly to an Irishman muscling in on their patch—and they’re out for blood. As a turf war heats up, Sean digs in deeper, determined to protect his empire and his family. But every move he makes pulls him further from the life he promised his wife, Josie, and their young daughter, Orla. Josie just wants out—a quiet life far from the violence and vendettas. But with Sean risking it all, escape might no longer be an option.

The MacGregors don’t back down from a fight—and they never forget a grudge. Known across Glasgow as The Bloody MacGregors, the family built their empire with bare fists and broken rules. Virgil MacGregor walked away from it all. He wanted peace. A quiet life. No more blood on his hands. But trouble doesn’t care what he wants - and neither do his family. Now his brothers are working for Toni McVay, the ruthless Queen of Glasgow, and chaos is spilling onto Virgil’s doorstep.

If you loved A Man Called Ove, then prepare to be delighted as Jamaican immigrant Hubert rediscovers the world he'd turned his back on this "warm, funny" novel (Good Housekeeping). In weekly phone calls to his daughter in Australia, widower Hubert Birdpaints a picture of the perfect retirement...

London, 1927. On the morning of Friday 5th February, 1927, Miss Agnes Humphries – the landlady of the attractive, if-slightly shabby, white-fronted townhouse at Number 23 Burlington Square – has a decision to make. The rooms of the second floor lie empty, since poor Mr Blandford’s unfortunate demise, God rest his soul. And Agnes must make up her mind as to who will be her new lodger. Agnes must choose between them. But what will her decision lead to? One of the choices could result in scandal, one in devastation, and one could even lead to happiness. If only she gets it right.

Journalistin Hazel soll den maskierten Mann ausfindig machen und interviewen, der auf einem Foto aus dem exklusiven Phoenix-Club zu sehen ist. Nichts leichter als das - es handelt sich schließlich um ihren neuen Mitbewohner Kieran Black. Doch auch wenn Hazel schon seit Langem geheime Fantasien hegt, scheitert sie immer wieder an ihrer Schüchternheit und würde lieber im Erdboden versinken, als Kieran zu dem Club und seiner Mitgliedschaft dort zu befragen. Kieran Black sieht keinen Sinn in festen Beziehungen.

When beautiful and successful Susan Harris jumps from the roof of her apartment building, she sets a tremor through her New York City mothers’ group that forces them all to look at one another with new cynicism: How could this have happened right under their noses? To one of them? Between her death and the harrowing private school admission season on the horizon, these women are forced to explore the hard truths about themselves.

Alt forandrer sig i Rossmore. Efter et økonomisk boom i Irland er byen ikke længere en søvnig landsby, men et blomstrende sted, så travl, at der måske skal anlægges en ny omfartsvej. Indbyggerne er dybt splittede, især fordi den nye vej skal gå gennem Hvidtjørneskoven, lige præcis hvor Skt. Annas Kilde ligger. Nogle mener, at kilden har mirakuløse kræfter – andre, at det er noget overtroisk sludder. Fader Flynn vakler både i sit virke som præst i et stadig mere verdsligt Irland og mellem de to sider i kampen om den nye vej.

Dublin Fortælllinger består af fire lange historier, der centrerer sig omkring den fashionable del af Dublin. En kvinde fra det bedre borgerskab underholder sin ægtemands elskerinde under et middagsselskab. En pige fra landet reflekterer over glæderne ved storbylivet. En ung student må forholde sig til problemerne ved en ufrivillig graviditet. En fordrukken fotograf forsøger at genskabe sin noget vingeskudte karriere.

Millioner af rejsende tager hver dag med Londons undergrundsbane fra sted til sted - måske fra deres hjem til arbejdspladsen. Millioner af anonyme passagerer, der ikke kender noget som helst til hinandens liv og færden. Det er disse navnløse rejsende, som Maeve Binchy puster liv i med en række bevægende og sørgmuntre episodefortællinger. Der er f.eks. den mystiske sekretær, der hver dag stiger på toget på stationen Notting Hill og vogter omhyggeligt på sine livshemmeligheder, og der er Adam, som mellem to stationer - bogstaveligt talt - skifter retning i sit liv, og på stationen Holborn finder der et skæbnesvangert møde sted.

Growing up in 1970s Brooklyn under the shadow of his tyrannical father and against the backdrop of the Son of Sam murders, the Karen Ann Quinlan tragedy, and the New York Yankees' back-to-back championship seasons, Daniel Zimmer struggles to find a sense of safety and belonging. Daniel and his brother Max find moments of solace in the rebellious rhythms of early punk and metal bands like the Ramones and Judas Priest. But when faced with an unexpected family tragedy—for which he feels responsible—Daniel discovers the magical escape that alcohol can provide, numbing his pain and guilt.

Igennem 44 korte prosastykker følger vi en række mennesker, der lever i en kold og upersonlig storbyverden. De længes alle efter nærhed, men ingen af dem formår for alvor at række langt nok ud til at nå hinanden.

Ada è un’anziana vedova che vive a Oxford. Sola, senza figli e senza nipoti, nel vuoto di una grande casa colma di ricordi del marito, professore universitario appena scomparso. Ha paura di diventare invisibile, di essere dimenticata. Eliza, sorriso incerto e stile essenziale, sta facendo un dottorato e studia italiano. È cresciuta in una famiglia disastrata, abbandonata a se stessa, sola. Si è sempre sentita fuori posto, anche a scuola, dove non ha mai avuto i mezzi economici dei suoi compagni di studio. Nonostante tutto, è sempre andata avanti.

New to town and delusionally confident, Slide imagined himself living in a glossy building with doormen and sweeping views of the skyline. Instead he's landed in a creaking, stuffy apartment with two roommates: a loping giant who hardly leaves his room, and a weight-obsessed neurotic who keeps no fewer than forty-seven lamps throughout the house, blazing at all hours. Unwilling to accept this fate, Slide—a barber with an opaque past—embarks on a quest for the perfect apartment, pinballing through the sprawling, madcap city of Polis and its endless procession of neighborhoods.

An unnamed man is spending the evening with his ex-girlfriend. She’s obsessed with the 1956 John Wayne classic The Searchers, and she recounts the story as a way for them to talk about their histories, their families, maybe even their relationship. But as he gets more drunk and belligerent, she gets more and more uncomfortable with him being in her home.