Showing results by publisher "GraphicAudio" in Dragons & Mythical Creatures

Chicago, 1932. Mick Oberon may look like just another private detective, but beneath the fedora and the overcoat, he's got pointy ears and he's packing a wand.

Sinister forces lurk in the corners of the Iron Kingdoms - restless souls, mischievous and cunning creatures, darker beings that bargain for mortal souls. Most pass unmarked, shunned, or avoided, but there is one group willing to seek out and study what others fear. In abandoned halls and forgotten ruins, the investigators from the Strangelight Workshop illuminate the darkness, armed with wisdom, curiosity, and specialized tools.

Jon-Tom and Mudge are bored. Their adventuring days long behind them, the spellsinger and his once-thieving otter sidekick have settled into a life of tepid domesticity, and they are sick of it. They hunger for an old-fashioned adventure, but there are no more great evils to combat. And so they decide to follow the music. Literally.

Mick Oberon may look like just another 1930s private detective, but beneath the fedora and the overcoat, he's got pointy ears and he's packing a wand. A series of brutal murders is sweeping Chicago, baffling both the local police and the Seelie Court, who sense that an aura of corruption and death has touched Mick himself. When Mick's associates become targets, and a vampire appears in his office, Mick is drawn into his most dangerous hunt yet. A hunt that will lead him to seek answers about his mysterious past and what it could mean for those in his present.

The Spear of Lugh, one of the four Kingly Hallows of Ireland is in Chicago. And everyone, everyone wants it, for it is said that he who carries the spear into battle cannot be defeated. Among those who seek it are an agent of the infamous Wild Hunt; a mobster who knows far more about these things than he should; and of course both the Seelie and Unseelie Courts - the last people PI Mick Oberon would want getting hold of the spear....

Mick Oberon may look like just another 1930s private detective, but beneath the fedora and the overcoat, he’s got pointy ears and he’s packing a wand.

Jon-Tom has been trapped in a strange land of talking owls and wizarding turtles for a year now, his sole consolation that in this universe his musical abilities have inadvertently made him something of a sorcerer. But when an encounter with some burglars leads to him snapping the magical duar that channels his power, he finds himself an ordinary human again — on a quest to repair his instrument with nothing but his staff and his semi-faithful, ever-complaining otter sidekick to defend him.

Far to the south of the peaceful Bellwoods, where Jon-Tom the spellsinger continues trying to master the art of turning music into magic, a sinister force has awakened: a magician with great ambition and unheard-of power. He summons lightning to do his bidding, commands an army of faceless flying demons, and claims to come from another world — one Jon-Tom suspects might be his own. If he can somehow reason with the unknown magician, perhaps they can combine their talents and find a way to go home together.

Jonathan Thomas Meriweather is a typical college student, interested in girls, music, and an occasional taste of reefer. But when a journey through an interdimensional portal lands him in a world of talking animals and ominous sorcery, he finds he is on a very different trip indeed. Here, when he plays a strange instrument called a duar, peculiar things happen: powerful magic that may be the only way to stop a dark force that threatens his new world — and his old one.