Showing titles in History & Criticism

A modern classic cherished by many of the greatest artists of our time, The Gift is a brilliant, life-changing defense of the value of creative labor. Drawing on examples from folklore and literature, history and tribal customs, economics and modern copyright law, Lewis Hyde demonstrates how our society - governed by the marketplace - is poorly equipped to determine the worth of artists’ work.

What does the face of power look like? Who gets commemorated in art and why? And how do we react to statues of politicians we deplore? In this book - against a background of today’s “sculpture wars” - Mary Beard tells the story of how for more than two millennia portraits of the rich, powerful, and famous in the Western world have been shaped by the image of Roman emperors, especially the “Twelve Caesars”, from the ruthless Julius Caesar to the fly-torturing Domitian.

In this companion volume to The Discoverers, Pulitzer Prize-winning historian Daniel J. Boorstin brings to life more than three thousand years of human artistic achievement, examining painting, sculpture, architecture, theology, philosophy, history, poetry, drama, literature, dance, music, and film.

In the six lectures of A Short History of Role-Playing Games, gaming consultant and avid gamer Jamin Warren will take you on a whirlwind tour of role-playing games, tracing a fascinating story of community-building, technical innovation, and, occasionally, cultural backlash.

Das abenteuerliche Leben der Sehnsuchtsbilder von Caspar David Friedrich – mitreißend erzählt von Florian Illies. Kein deutscher Maler löst solche Emotionen aus wie Caspar David Friedrich: Seine abendlichen Himmel sind bis heute Ikonen der Sehnsucht, er inspirierte Samuel Beckett zu "Warten auf Godot" und Walt Disney zu "Bambi" – Goethe jedoch machte die rätselhafte Melancholie seiner Bilder so wütend, dass er sie auf der Tischkante zerschlagen wollte.

Hot Cold Heavy Light collects 100 writings - some long, some short - that taken together form a group portrait of many of the world’s most significant and interesting artists. From Pablo Picasso to Cindy Sherman, Old Masters to contemporary masters, paintings to comix, and saints to charlatans, Schjeldahl ranges widely through the diverse and confusing art world, an expert guide to a dazzling scene.

A Perfect Red recounts the colorful history of cochineal, a legendary red dye that was once one of the world's most precious commodities. Treasured by the ancient Mexicans, cochineal was sold in the great Aztec marketplaces, where it attracted the attention of the Spanish conquistadors in 1519. Shipped to Europe, the dye created a sensation, producing the brightest, strongest red the world had ever seen. Soon Spain's cochineal monopoly was worth a fortune. Desperate to find their own sources of the elusive dye, the English, French, Dutch, and other Europeans tried to crack the enigma of cochineal.

Today both reality and entertainment crowd our fields of vision with brutal imagery. The pervasiveness of images of torture, horror, and war has all but demolished the 20th-century hope that such imagery might shock us into a less alienated state, or aid in the creation of a just social order. What to do now? When to look, when to turn away? Genre-busting author Maggie Nelson brilliantly navigates this contemporary predicament, with an eye to the question of whether or not focusing on representations of cruelty makes us cruel.

Brought to you by Penguin. 'For anyone who has enjoyed The Cultural Tutor on X, this book will be more of the same delight. Expect nuggets of insight and wisdom, wrapped in the author's trademark warmth and wit' Alain de Botton Who does the Mona Lisa actually depict? Why do we still look to the...

Surrealist painter Salvador Dalí eccentrically presents his ideas of painting, judging good or bad the prominent figures in the history of art, and expounding on 50 "secrets" that cover topics like the movements of types of brushes, blending, objects needed in a painter's space, the characteristics of colors, sleep, spiders, and sea urchins.

An informative, fun and rather charming essay on the nature and history of one of life’s most desirable assets, Charm, by renowned culture and design critic, Stephen Bayley. Aiming to wound, a schoolmaster wrote on future design-guru Stephen Bayley’s last ever school report “Charm alone...

Avant que les yeux de sa petite fille ne voient plus, un grand-père décide de lui montrer autant d’œuvres que possible. Un merveilleux roman d’initiation, une plongée émouvante au cœur de l’art.

The central argument of Chromophobia is that a chromophobic impulse—a fear of corruption or contamination through color—lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge color, either by making it the property of some foreign body—the oriental, the feminine, the infantile, the vulgar, or the pathological—or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic.

These biographies of the great quattrocento artists have long been considered among the most important of contemporary sources on Italian Renaissance art. Vasari, who invented the term "Renaissance", was the first to outline the influential theory of Renaissance art that traces a progression through Giotto, Brunelleschi, and finally the titanic figures of Michaelangelo, Da Vinci, and Raphael.

Postmodernism claims that "modernity", which grew from the Enlightenment to the Industrial Revolution and Marxism, has collapsed. We now live in an endlessly "contemporary" culture, a virtual world of "hyperreality" containing such strange phenomena as post-Holocaust amnesia, Disneyland, cyberspace, and Fukuyama's proclaimed "end of history".

The British Isles hold a unique position in the history of art, a place where local traditions fuse with international ideas. At once isolated by coastal boundaries, yet also part of larger networks of diverse peoples, these islands have always benefited from a dual perspective.

In this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile. Inspired by Albert Camus and adapted from her own lectures for Princeton University’s Toni Morrison Lecture Series, here Danticat tells stories of artists who create despite (or because of) the horrors that drove them from their homelands. Combining memoir and essay, these moving and eloquent pieces examine what it means to be an artist from a country in crisis.

'I have never read such a stimulating short guide to art' Lynn Barber, Sunday Times Now Grayson Perry is a fully paid-up member of the art establishment, he wants to show that any of us can appreciate art (after all, there is a reason he's called this book Playing to the Gallery and not 'Sucking...

Art today is defined by its relationship to money as never before. Prices of living artists' works have been driven to unprecedented heights, conventional boundaries within the art world have collapsed, and artists now think ever more strategically about how to advance their careers. Artists no longer simply make art, but package, sell, and brand it. Noah Horowitz exposes the inner workings of the contemporary art market, explaining how this unique economy came to be, how it works, and where it's headed.

With outrageous anecdotes about everyone from Leonardo Da Vinci to Caravaggio to Edward Hopper, Secret Lives of Great Artists recounts the seamy, steamy, and gritty history behind the great masters of international art. You'll learn that Michelangelo's body odor was so bad, his assistants couldn't stand working for him; that Vincent van Gogh sometimes ate paint directly from the tube; and Georgia O'Keeffe loved to paint in the nude. This is one art history lesson you'll never forget!