Showing titles in History & Criticism

Art history encompasses the study of the history and development of painting, sculpture, and the other visual arts. In this Very Short Introduction audiobook, Dana Arnold presents an introduction to the issues, debates, and artifacts that make up art history. Beginning with a consideration of what art history is, she explains what makes the subject distinctive from other fields of study and also explores the emergence of social histories of art (such as feminist art history and queer art history).

Are art and science separated by an unbridgeable divide? Can they find common ground? In this book, neuroscientist Eric R. Kandel, whose remarkable scientific career and deep interest in art give him a unique perspective, demonstrates how science can inform the way we experience a work of art and seek to understand its meaning. Kandel illustrates how reductionism - the distillation of larger scientific or aesthetic concepts into smaller, more tractable components - has been used by scientists and artists alike to pursue their respective truths.

When he retired as the chief security officer of New York City's Metropolitan Museum of Art, John Barelli had spent the better part of 40 years responsible not only for one of the richest treasure troves on the planet, but the museum's staff, the millions of visitors, as well as American presidents, royalty, and heads of state from around the world. For the first time, John Barelli shares his experiences of the crimes that occurred on his watch, the investigations that captured thieves and recovered artwork....

These biographies of the great quattrocento artists have long been considered among the most important of contemporary sources on Italian Renaissance art. Vasari, who invented the term "Renaissance", was the first to outline the influential theory of Renaissance art that traces a progression through Giotto, Brunelleschi, and finally the titanic figures of Michaelangelo, Da Vinci, and Raphael.

The Tazza Farnese is one of the most admired objects from classical antiquity. A libation bowl carved from banded agate, it features Medusa's head on its outside and, inside, an assembly of Egyptian gods. For more than two millennia, these radiant figures have mesmerized emperors and artists, popes and thieves, merchants and museum goers. In this, the first book-length account of this renowned masterpiece, Marina Belozerskaya traces its fascinating journey through history. That it has survived at all is a miracle.

Culture is like a language. Art, architecture, history and philosophy are its grammar. And, like a language, anyone can learn it. In 2022, Sheehan Quirke took to Twitter (now X) as The Cultural Tutor with the aim of making culture accessible for everyone. He wrote about poetry, paintings, building design, and counter-intuitive but fascinating facts about history and geography. It wasn’t the sort of content you usually find on a newsfeed. Taught in forty-nine short lessons, Sheehan takes listeners on a delightful and fascinating journey through culture.

Today both reality and entertainment crowd our fields of vision with brutal imagery. The pervasiveness of images of torture, horror, and war has all but demolished the 20th-century hope that such imagery might shock us into a less alienated state, or aid in the creation of a just social order. What to do now? When to look, when to turn away? Genre-busting author Maggie Nelson brilliantly navigates this contemporary predicament, with an eye to the question of whether or not focusing on representations of cruelty makes us cruel.

In this conversation with Audible Editor Katie, historian Dan Jones reveals that he dove into writing his first novel after a gentle shove from George R.R. Martin. Listen in to hear Dan’s story about the writing and recording of Essex Dogs.

Today, art theft is one of the most profitable criminal enterprises in the world, exceeding $6 billion in losses to galleries and art collectors annually. And the masterpieces of Rembrandt van Rijn are some of the most frequently targeted. In Stealing Rembrandts, art security expert Anthony M. Amore and award-winning investigative reporter Tom Mashberg reveal the actors behind the major Rembrandt heists in the last century. Through thefts around the world—from Stockholm to Boston, Worcester to Ohio—the authors track daring entries and escapes from the world's most renowned museums.

In God is Not One: The Eight Rival Religions That Run the World, New York Times bestselling author of Religious Literacy and religion scholar Stephen Prothero argues that persistent attempts to portray all religions as different paths to the same God overlook the distinct problem that each...

Western art, with its lineage from the ancient world to the present, has given us works of genius by the likes of Phidias, Michelangelo, Leonardo, Rembrandt, Vermeer, Monet, Van Gogh, and many more. In the 25 engrossing lectures of Understanding Western Art: Stories, Styles, and Masterworks, you’ll explore the larger themes, principles, and expressive currents that tell the story of Western art, and which shed light on its deeper meanings.

While the Civil War raged in America, another very different revolution was beginning to take shape across the Atlantic, in the studios of Paris: The artists who would make Impressionism the most popular art form in history were showing their first paintings amidst scorn and derision from the...

The volatile years of England's Tudor dynasty (1485–1603) and the five monarchs who ruled England during this period continue to fascinate and intrigue. Thanks to the paintings of artists like Hans Holbein, we have very definitive ideas about the appearance and personalities of Henry VII, Henry VIII, Edward VI, Mary I and her successor Elizabeth I. It is through their eyes of artists that we still see the dynasty which ruled England for just over a century.

Longlisted for the National Book Award · A New York Times Notable Book of the Year · Winner of the New York City Book Award · Shortlisted for the Apollo Book of the Year Award · Shortlisted for the Plutarch Award for Best Biography · Finalist for the Gotham Book Prize · Finalist for the...

For the past 140 years, Germany has been the central power in continental Europe. Thirty years ago, a new German state came into being. How much do we really understand this new Germany, and how do its people now understand themselves? Neil MacGregor argues that uniquely for any European country, no coherent, over-arching narrative of Germany's history can be constructed, for in Germany, both geography and history have always been unstable.

Today it's routine to take photos from an airplane window, use a camera underwater, watch a movie, or view an X-ray. But the photographic innovations more than a century ago that made such things possible were experimental, revelatory, and sometimes dangerous—and many of the innovators, entrepreneurs, and inventors behind them were memorable eccentrics. In Flashes of Brilliance, writer and photo editor Anika Burgess engagingly blends art, science, and social history to reveal the most dramatic developments in photography from its birth in the 1830s to the early twentieth century.

How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter provides a guide for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. A much-needed provocation to look more critically at the accepted narratives about art and rethink and disrupt the way we interact with the museums and galleries that display it.

It's easy to feel insecure around art and its appreciation, as though we cannot enjoy certain artworks if we don't have a lot of academic and historical knowledge. But if there's one message that I want you to take away it's that anybody can enjoy art and anybody can have a life in the arts - even me! For even I, an Essex transvestite potter, have been let in by the artworld mafia.

The central argument of Chromophobia is that a chromophobic impulse—a fear of corruption or contamination through color—lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge color, either by making it the property of some foreign body—the oriental, the feminine, the infantile, the vulgar, or the pathological—or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic.

Andrés Amorós, uno de los escritores y críticos taurinos más reconocidos, realiza en este ensayo un recorrido riguroso por la historia de la fiesta, desde los orígenes del toro como protagonista de ceremonias y celebraciones, hasta la evolución del festejo durante los siglos XX y XXI.