Showing titles in Women's Studies

Siamo immersi nelle turbolenze di una crisi spaventosa ma che può spalancarci – se sapremo agire con decisione – la strada di una grande svolta, quel cambiamento duraturo che in tanti auspichiamo. Oggi, nel mondo, una donna su tre è vittima di abusi e quotidianamente oltre cento donne sono assassinate da uomini che dichiarano di amarle. Occorre intervenire prima che questo tsunami di violenza destabilizzi, con conseguenze fisiche e psicologiche, anche le prossime generazioni, perché la violenza si ripercuote su tutta la famiglia e su intere comunità, e Rula Jebreal lo sa bene.

This memoir from the first Black Republican congresswoman in America shows readers how to own their stories, find their voices, and lead with character as they empower others to do the same. For so long, women—and Black women in particular—have been taught that they must have a stellar...

As Daphné B. obsessively watches YouTube makeup tutorials and haunts Sephora’s website, she’s increasingly troubled by the ways in which this obsession contradicts her anti-capitalist and intersectional feminist politics. In this poetic treatise, she rejects the false binaries of traditional beauty standards and delves into the celebrities and influencers who have shaped the reflection she sees in the mirror. At once confessional and essayistic, Made-Up is a meditation on the makeup that colors, that obscures, that highlights who we are and who we wish we could be.

Von den antiken Anfängen der Medizin bis in die Gegenwart, von der "wandernden Gebärmutter" bis zur Entdeckung von Autoimmunerkrankungen und Endometriose: Die englische Feministin Elinor Cleghorn präsentiert eine bahnbrechende und aufwühlende Kulturgeschichte über das Verhältnis von Frauen, Krankheit und Medizin. Elinor Cleghorn, selbst an der Autoimmunerkrankung Lupus erkrankt, hat sich nach einer nervenaufreibenden Diagnose-Odyssee auf die Suche nach den Wurzeln der patriarchalen Mythen begeben, die unsere westliche Medizin bis heute prägen.

Women are expected to be many things. They should be creative, but not crazy; passionate, but not angry. They should be fertile, feminine and self-reliant, not barren, butch or solitary. Women, in other words, are caught between social expectations and a much more complicated reality. In The Defiant Middle, Kaya Oakes draws on the wisdom of women mystics and explores how transitional eras or living in marginalized female identities can be both spiritually challenging and wonderfully freeing, ultimately resulting in a reinvented way of seeing the world and changing it.

bell hooks reflects on the ways in which the emotional health of black women has been and continues to be impacted by sexism and racism. Desiring to create a context where black females could both work on their individual efforts for self-actualization while remaining connected to a larger world of collective struggle, hooks articulates the link between self-recovery and political resistance. Both an expression of the joy of self-healing and the need to be ever vigilant in the struggle for equality, Sisters of the Yam continues to speak to the experience of black womanhood.

Rum has been the drink of rebels since the Old World. Now, there's a new generation of rebels—the business women curating the taste of today's best rum companies. Rum Rebels is a story of female empowerment in a traditionally male-dominated industry. Each chapter of Rum Rebels profiles women in leadership, their rum, and the perfect cocktail pairing. Alongside women leaders and pioneers, this worldwide master class explores everything from palates to aging, providing first-hand stories from today's leading rum distilleries.

Desató un deseo dormido: hablar. Quien calla es un cómplice en el cuento, de ahí nace este libro. Las historias son para contarse y así cobrar vida propia. En este práctico y profundo libro, Ana Goffin nos enseña que, aunque la adversidad toca nuestras vidas, siempre es posible salir adelante. La violencia contra las mujeres en México y Latinoamérica es un problema aún severo, mismo que se agudiza en el panorama internacional de la crisis del COVID-19—entre enfermedad, dificul—tades económicas y miedo.

It is rare that we have all the training we need before we face a life-changing event in our lives. Each of the women whose stories are told in Over, Under, Around, and Through by Jill Tietjen and Ellie Greenberg, demonstrate the strength, creativity, persistence, and fortitude they used to figure out a way forward.

In 2018, boundary-breaking visual and sonic artist Cosey Fanni Tutti received a commission to write the soundtrack to a film about Delia Derbyshire, the pioneering electronic composer who influenced the likes of Aphex Twin and The Chemical Brothers. While researching Derbyshire's life, Tutti became immersed in her story and uncovered fascinating parallels with her own life. At the same time, Tutti began reading about Margery Kempe, the fifteenth-century mystic visionary who wrote the first English-language autobiography. The connections between the three women soon shifted into focus.

"Respondona" trata sobre el significado de la conciencia feminista en la vida diaria, la recuperación personal, la superación de la supremacía blanca y masculina, las relaciones íntimas y, todo ello, explorando el punto donde lo público y lo privado se encuentran. Cuando era niña, bell hooks aprendió que dirigirse de igual a igual a una figura de autoridad y atreverse a estar en desacuerdo o a dar una opinión significaba ser "respondona". En esta colección de ensayos tan personales como teóricos, hooks reflexiona sobre sus temas clásicos.

De la grossesse à la charge mentale, en passant par l'accouchement et la place du père dans le quotidien... Un livre drôle et cash pour libérer la parole des mères et aider les femmes à se poser les bonnes questions pour se réapproprier leur parcours de maternité. Votre gynéco est-il obligé de vous tâter le col à chaque visite de suivi de grossesse ? Pourquoi les mères se retrouvent-elles préposées au caca ? Si elles sont si fatiguées, est-ce parce qu'elles sont mal organisées ?

Meet the mystical women and nonbinary people from US history who found strength through the supernatural—and those who are still forging the way today. From the celebrity spirit mediums of the nineteenth century to contemporary activist witches hexing the patriarchy, women have long used magic and mysticism to seize the power they’re so often denied. Organized around different approaches women have taken to the occult over the decades, this book shines a light on underappreciated magical pioneers.

¿Quién dijo que convertirse en una mujer de mediana edad iba a ser una tarea fácil? Caitlin Moran, que arrasó con aquel tronchante y lúcido manifiesto de feminismo asilvestrado titulado Cómo ser mujer, regresa con una secuela que desmonta la teoría de que segundas partes nunca fueron buenas, dada la espectacularidad de esta. Si en la anterior entrega hablaba la joven Caitlin, aquí es la cuarentona la que vuelve a la carga. Ahora las experiencias vitales son otras y han cambiado algunas prioridades y puntos de vista, pero la pluma con la que escribe sigue afiladísima.

Claudia Palacios entrevistó a 83 mujeres de todo tipo, desde estudiantes de colegio hasta la última sobreviviente de la lucha por el voto femenino en los años cincuenta, pasando por artistas, emprendedoras, militares, pioneras, políticas, religiosas, víctimas de violencia, para crear un auténtico coro de voces que da cuenta de lo que representa ser mujer en este momento en Colombia.

Drawing on examples from around the world—from Uganda, Nigeria and South Africa to Saudi Arabia, the Americas and Europe—Gqola traces the construction and machinations of the female fear factory by exposing its lies, myths and seductions. She shows how seemingly disparate effects like driving bans, higher education rape, sexual harassment and femicide are all premised on the construction of people, mostly women, as female, and thereafter the use of fear as a tool of patriarchal subjugation and punishment.

Mira como una mujer y pinta como un hombre. Eso decían de la vanguardista francesa Émilie Charmy en pleno siglo XX, o de la española Elena Brockman, una de las pocas artistas con obra en el Museo del Prado. Esta frase condensa muchas de las claves para entender la difícil aceptación en torno a la actividad artística femenina a lo largo de la historia. Ese silencio es posterior a sus creaciones: si tras las guerras la historia la escriben los vencedores, los manuales de arte solo se escribieron desde una perspectiva masculina.

Emerging from the intersection of pandemic and uprising, The Déjà Vu activates forms both new and ancestral, drawing movement, speech, and lyric essay into performance memoir. As Civil considers Haitian tourist paintings, dance rituals, race at the movies, black feminist legacies, and more, she reflects on her personal losses and desires, speculates on black time, and dreams into expansive black life.

En debatbog, hvori forfatter Jannie Helle fremstiller den provokerende tese, at kvinden har bevæget sig væk fra sin sande kvindelighed, som består i følsomhed, indre ro og evnen til at drage omsorg for andre. Der sættes derfor spot på det moderne kvindeliv som hektisk og utilfredsstillende. Hvert kapitel afsluttes med en række spørgsmål til eftertanke. Jannie Helle, 1959-2010, dansk læge og forfatter. Hun var især kendt som redaktør af brevkasser i flere magasiner samt fra tv-programmet Eleva2ren.

"Jeg plasker naturligvis ikke bare lige ud i bølgerne. Jeg skal gå og finde ud af, hvor det ser ud til at være sikkert. Strømmen skifter, så det er ikke det samme sted hver dag. Men selv om faren er reel og havet skræmmende, så er det også dragende. Og det hører med, at jeg skal være alene. Det er afgørende. Vigtige øjeblikke kan jeg ikke godt dele med nogen." - Jytte Borberg Lise Johnsen har interviewet 14 kendte danske kvinder, der åbenhjertigt deler ud af deres livserfaring, holdninger og indsigt.