Showing titles in Death, Grief & Loss

From famous spoken word poet, artistic educator, and founder/CEO of “Called to Move” Brandon Leake comes his debut poetry collection Unraveling. In an era of self love, the ability to love oneself is only as effective as the ability to know oneself. Throughout his collection, Leake asks listeners to look at something beautiful, yet still see its flaws. On the flip side, he encourages listeners to look at something evil, and yet still see the beauty it holds.

Softening Time is both autobiography and self-help, poetry and inspiration. Drawing on events in her own life, particularly her experiences as a mother, daughter, sister, and friend, Brower writes poignantly on themes of love, loss, healing, and rebirth.

“Il libro della follia” è la prima traduzione integrale in italiano di "The Book of Folly", che Anne Sexton diede alle stampe nel 1972. Lo stile confessionale che aveva reso celebre l’autrice, fruttandole nel 1967 il premio Pulitzer, giunge qui alla piena maturità trasformandosi nell’allegoria di un Gran Teatro psichedelico. La Signora Benestante che scrive occasionalmente versi rispettando le forme metriche lascia il posto, definitivamente e consapevolmente, al personaggio della Poetessa Martire della società benpensante e all’aspirante suicida, in un rovesciamento parodico dei valori patriarcali.

In the cold seminal countryside of eastern Washington, a boy puts a bullet through his skull in a high school parking lot. An uncle crushes oxycodone into “a thousand red granules.” Hawks wheel above a dark, indifferent river. “I left that town / forever,” Holbert writes, but its bruises appear everywhere, in dreams of violent men and small stars, the ghosts of friends and pills. These poems incite a complex emotional discourse on what it means to leave—if it’s ever actually possible, or if our roots only grow longer to accommodate the distance.

Sämtliche Gedichte von Egon Schiele – lernen Sie die andere Seite des Genies kennen. Die kurzen Skizzen, meist einfache Sätze mit starker Suggestionskraft, kreieren eine Atmosphäre des Malerischen. Verstärkt wird dieser Eindruck durch die häufige und gezielte Verwendung von Farbadjektiven. Wenn Schiele schreibt, trennt er sich nicht von der Malerei, er versucht – im Gegenteil – seine Worte „rollrundschwarzglänzend“, „zittergün“ oder „rot“ anzumalen.

The much-anticipated debut poetry collection, written and read by acclaimed novelist Susannah Dickey, on the subject of our cultural obsession with true crime. ISDAL is a timely interrogation of the true crime genre. In the first of its three parts, we follow the flirty co-presenters of a...

La produzione in versi più conosciuta di Giacomo Leopardi. La raccolta si divide in quattro fasi: la prima riguarda temi erotici, il suicidio, la natura e il senso della vita; la seconda tratta i piccoli e i grandi idilli; la terza è dedicata alla donna di cui Leopardi si innamorò, Fanny Targioni Tozzetti; la quarta e ultima fase comprende infine due canzoni sepolcrali, la "Palinodia", il capitolo "I nuovi credenti", "La ginestra" e "Il tramonto della Luna". Giacomo Leopardi (1798 – 1837) è stato un filosofo, filologo, poeta e scrittore italiano.

In these poems, Kleber-Diggs names delight in the same breath as loss. Moments suffused with love—teaching his daughter how to drive; watching his grandmother bake a cake; waking beside his beloved to ponder trumpet mechanics—couple with moments of wrenching grief—a father’s life ended by a gun; mourning children draped around their mother’s waist; Freddie Gray’s death in police custody. Even in the refuge-space of dreams, a man calls the police on his Black neighbor.

The women in Allison Adair’s debut collection—luminous and electric from the first line to the last—live in places that have been excavated for gold and precious ores. They understand the nature of being hollowed out, of being “the planet’s stone / core as it tries to carve out one secret place and fails.” And so, as these poems take us from the midst of the Civil War to our current era, they chart fairy tales that are at once unsettling and painfully familiar, never forgetting that cruelty compels us to search for tenderness.

“We lived overlooking the walls overlooking the cemetery.” So begins the title poem of this collection, whose recursive temporality is filled with living, grieving things, punctuated by an unseen world of roots, bodies, and concealed histories. Like a cemetery, too, The Milk Hours sets unlikely neighbors alongside each other: Hegel and Murakami, Melville and the Persian astronomer al-Sufi, enacting a transhistorical poetics even as it brims with intimacy.

An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limón.

The New York Times Book Review Editors' Choice In his centenary year, this volume of the Pulitzer Prize winner and former poet laureate’s poems celebrates the indispensable artistry of a writer who faced the history of his era with a “clear-eyed mercy toward human weakness” (The New...

In Trace Evidence, the urgent follow-up to his award-winning debut Into Each Room We Enter without Knowing, Charif Shanahan continues his piercing meditations on the intricacies of mixed-race identity, queer desire, time, mortality, and the legacies of anti-Blackness in the US and abroad. With rich lyricism, power, and tenderness, Trace Evidence centers the racial periphery and excavates the vestiges of our violent colonial past in the most intimate aspects of our lives.

In The Day-Breakers, poet Michael Fraser imagines the selflessness of Black soldiers who fought for the Union during the American Civil War, of whom hundreds were African Canadian, fighting for the freedom of their brethren and the dawning of a new day.

Beautifully and gently read by the author, Airea D. Matthews. 'Formally ambidextrous, teethed with wit and uncompromising dignity.' – Ocean Vuong 'Airea D. Matthews, winner of the 2016 Yale Younger Poets Prize, is a fine poet with a command of poetic and speaking voices that serves her well in...

Sem poesia, a vida seria a morte. Imersa no cotidiano que escolheu, marcado por morte e sofrimento, a médica paliativista Ana Claudia Quintana Arantes fez da poesia a sua estratégia para não sucumbir.

Alter Schulstoff spannend interpretiert. Würden Sie von einer Klippe springen, um einen goldenen Becher aus den Tiefen des tobenden Meeres zu bergen? Schillers "Taucher" wagte es um der Gunst einer schönen Prinzessin Willen. Doch wird der Wagemut ihn strafen? Mathieu Carrière berichtet, was Schiller einst gedichtet.

Eine der Klassiker aus der Feder von Friedrich Schiller. "Sieh da! Sieh da, Timotheus, die Kraniche des Ibykus!" Schillers Rache-Ballade in der Interpretation von Mathieu Carrière. Ein Erlebnis.

Impassioned, insightful, electric, Manorism is a poetic examination of the lives of Black British men and boys: propped up and hemmed in by contemporary masculinity, deepened by family, misrepresented in the media, and complicated by the riches, and the costs, of belonging and inheritance. It is also an exploration of the differences of impunity afforded to white and Black people, and to white and Black artists.

After the bestselling I Wish I Knew, Donna Ashworth has now produced an extraordinary three-volume collection of poems that will touch and inspire every listener in the ups and downs we all face in love, in life and in loss. These brilliantly accessible poems bring delight, comfort and strength in the height of romance, the darkness of grief and the endlessly unpredictable moments in between.