Showing titles in History & Criticism

As much coverage as Jane Fonda has elicited through the years, the stories often skim past her prime filmmaking core. Fonda on Film spotlights the signature political films Fonda generated in the 1970s—Coming Home, The China Syndrome, 9 to 5, and more—that are still underappreciated even as Fonda endures as one of the world’s most admired and controversial performers. This is a movie book about a mega-celebrity, an origin story voyaging through Fonda’s learning years in the 1960s and the calculated payoff of the 1970s.

Les séries TV pleines de symboles cachés ! Un décryptage inédit des séries à succès Symboles, religions, références mythiques révélées Une nouvelle façon d'apprécier vos séries TV préférées Passionné d'histoire et d'ésotérisme, Christian Doumergue vous dévoile tous les secrets de vos séries TV et films préférés : True Detective , Avatar , Indiana Jones , Ready Player One , Da Vinci Code , Game of Thrones , X Files , Walking Dead , Alien , Buffy , Lost ...

A full-speed-ahead oral history of the nearly two-decade making of the cultural phenomenon Mad Max: Fury Road—with more than 130 new interviews with key members of the cast and crew, including Charlize Theron, Tom Hardy, and director George Miller, from the pop culture reporter for The New...

The definitive book on the TV show Ted Lasso, written by New York Times journalist and editor Jeremy Egner, celebrating the show’s improbable rise and cultural impact while never losing sight of the heart, friendship, and passion that have made it an enduring favorite for the ages When Ted...

Written during the formative years of motion pictures, How to Write Photoplays (Third Edition) by Embrie Zuver is a practical, no-nonsense guide to storytelling in the silent-film era—when images carried meaning, structure was everything, and writers learned to think in reels rather than words.

The enormously puzzling TV series The Prisoner has developed a rapt cult following, and has often been described as "surreal" or "Kafkaesque." Alex Cox watched all the episodes of The Prisoner on their first broadcast, at the ripe old age of thirteen. In I Am (Not) a Number, Cox believes he provides the answers to all the questions which have engrossed and confounded viewers.

Mais, loin d'être de simples contes de fée, ces dessins animés mythiques nous invitent à nous questionner sur notre rapport à la Nature, à l'animal et sur notre propre place sur Terre.

Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of ”postmodernism”. Jameson’s inquiry looks at the postmodern across a wide landscape, from “high” art to “low” from market ideology to architecture, from painting to “punk” film, from video art to literature.

This updated and expanded edition of A Short History of Film provides an accessible overview of the major movements, directors, studios, and genres from the 1880s to the present. Succinct yet comprehensive, this edition provides new information on contemporary horror, comic book, and franchise films; issues surrounding women and minority filmmakers; the effects of the COVID-19 pandemic on movies worldwide; the shift from film to digital production; the rising use of artificial intelligence in cinema; and the impact of streaming on the industry.

Drawing on Daphne du Maurier's short story and contemporary newspaper reports of bird attacks in California, Alfred Hitchcock's The Birds (1963) featured Tippi Hedren in her first starring role. Camille Paglia's compelling study considers the film's aesthetic, technical and mythical qualities, and analyses its depiction of gender and family relations. A film about anxiety, sexual power and the violence of nature, it is quintessential Hitchcock.

The Empire Strikes Back (1980), the second film in the original Star Wars trilogy, is often cited as the ‘best’ and most popular Star Wars movie. In her compelling study, Rebecca Harrison draws on previously unpublished archival research to reveal a variety of original and often surprising perspectives on the film, from the cast and crew who worked on its production through to the audiences who watched it in cinemas.

Ridley Scott's dystopian classic Blade Runner, an adaptation of Philip K. Dick's novel, Do Androids Dream of Electric Sheep?, combines noir with science fiction to create a groundbreaking cyberpunk vision of urban life in the twenty-first century. In his innovative and nuanced reading, Scott Bukatman details the making of Blade Runner and its steadily improving fortunes following its release in 1982.

This engaging book by Jeff Rauseo blends film history with a modern guide to streaming, helping you navigate the complex history of movie making and ultimately how to know what to watch in the vast ocean of content. From the golden age of Hollywood to the best new movies to stream, Rauseo breaks down the ever-evolving movie watching experience to help us understand the good, the bad, and the ugly of streaming.

The behind-the-scenes story of the quintessential film noir and cult classic, Billy Wilder’s Double Indemnity—its true crime origins and crucial impact on film history—is told for the first time in this riveting narrative published for the film's 80th anniversary. From real crime to serial...

From grand follies to misunderstood masterpieces, disastrous sequels to catastrophic literary adaptations, Tim Robey's hugely entertaining Box Office Poison tells an alternative history of Hollywood, through a century of its most notable flops. Freaks, Land of the Pharaohs, Dune, Speed 2, Catwoman, Cats: what can these films tell us about the Hollywood system, the public's appetite - or lack of it - and the circumstances that saw such box office disasters actually made? Away from the canon, here is the definitive take on these ill-fated, but essential celluloid failures.

Fruto de três anos de profundas pesquisas, História do cinema mundial traz um viés inédito para o estudo do tema: o enfoque geográfico e cultural da sétima arte.

David O. Selznick (1902–1965) was one of the most prominent film producers of the Hollywood studio era. However, film production was not his only domain. Starting in the late 1930s, he built an impressive stable of stars within his own independent company. In Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System, author Milan Hain reveals the mechanisms by which Selznick and his collaborators discovered and promoted new stars and describes how these personalities were marketed, whether for financial gain or symbolic recognition and prestige.

Brimming with previously untold stories and insights, How Coppola Became Cage both revels in and demystifies Cage's onscreen eccentricities. No other modern actor has explored such profound creative extremes while bending the boundaries of good taste. Here is the origin story of an actor who truly is wild at heart and weird on top.

With the success of the Wonder Woman movies and the results following the outcry of the #MeToo movement, now is the time to highlight the female influences in film history previously left unheard!

Even by the standards of the 1970s, even compared to Jar-Jar Binks, the legendary 1978 Star Wars Holiday Special is a peerlessly cringeworthy pop-culture artifact.