Showing results by narrator "Beata Poźniak" in All Categories

Romance can be a little complicated when you get sucked into a wormhole. Just ask high school English teacher June Flint. One little solar flare happens and suddenly you find yourself 85 years in the future. Eighty-five years from your dream job. Your ailing mother whose only companion in this world is you. Your favorite stuffed-crust pizza from DeLucia’s on Sunday nights. But when June’s cell phone inexplicably picks up a signal, she’s able to call back to the present—more specifically, four weeks before she accidentally time traveled.

It is 1943, and for four years, 16-year-old Stefania has been working for the Diamant family in their grocery store in Przemsyl, Poland, singing her way into their lives and hearts. She has even made a promise to one of their sons, Izio - a betrothal they must keep secret since she is Catholic and the Diamants are Jewish.

Diagnosed by her physician husband with a “temporary nervous depression - a slight hysterical tendency” after the birth of her child, a woman is urged to rest for the summer in an old colonial mansion. Forbidden from doing work of any kind, she spends her days in the house’s former nursery, with its barred windows, scratched floor, and peeling yellow wallpaper. In a private journal, the woman records her growing obsession with the “horrid” wallpaper. Its strange pattern mutates in the moonlight, revealing what appears to be a human figure in the design.

Sona Van (właściwie: Ter-Howhannisjan) to znana ormiańska poetka i podróżniczka. Urodziła się w Erywaniu, Armienii. Jej dziadek, szanowany ormiański duchowny z wschodnioanatolijskiego miasta Wan (stąd - pseudonim literacki poetki) w straszliwym 1915 roku przebywał w Istambule wraz z dużą częścią swej rodziny. Wszyscy oni byli naocznymi świadkami czy wręcz ofiarami okrucieństw młodotureckich bojówek.

This collection of Sona Van’s poems is a tribute to the victims of genocide and war. With extraordinary feminine sensitivity, the poet looks at the world in all its striking contrasts, constantly probing the depths of her consciousness with new modes of expression. The collection consists of ephemeral poems characterized by dramatic encounters with nothingness in which an uncanny ability to capture extreme situations prevails. Sona Van’s poetry represents the truest testimony of historical experience and the reality in which it still lives.

In A Libretto for the Desert, Sona Van's subject is the Armenian genocide, also known as the Great Catastrophe. Van's parents and grandparents were driven into exile due to this horrific event. Her poems reflect a personal connection to this history as well as the universality of loss, persecution, and intolerance.

Beata Poźniak, aktorka - tuż przed niespodziewaną śmiercią krewniaczki, Barbary Bukowskiej, otrzymuje wiersze napisane przez nią. Barbara “pisała tylko tak dla siebie”. Wiersze są osobiste, rodzinne - autorka przeprowadza rozmowę ze swoją podświadomoscią, z nadprzyrodzoną siłą, z Bogiem.

The Girl Who Drank the Moon meets Pax in this fantastical tale of a wolf who forms an unlikely alliance with Baba Yaga to save the forest from a wicked tsar. Since she was a pup, Zima has been taught to fear humans--especially witches--but when her family is threatened, she has no choice but to...

Weaving together the voices of three generations of women - Rita, her daughter, Leslie, and her granddaughter, Mikaela - the memoir provides powerful and inspiring evidence of the resilience of the human spirit, relevant to every culture in every corner of the world. Unimaginably devastating and incredibly uplifting, this firsthand account of survival and healing offers a poignant message of hope in our own uncertain times.

Sona Van (en realidad: Ter-Hovhannisian) es una famosa poeta y viajera Armenia. Nació en Ereván, Armenia. Su abuelo, un respetado clérigo armenio de la ciudad de Van en Anatolia oriental (de ahí el seudónimo literario del poeta) en el terrible 1915, se quedó en Estambul con una gran parte de su familia. Todos fueron testigos presenciales o incluso víctimas de las atrocidades de las jóvenes milicias turcas.

January Poźniak’s unique blend of professions—as a poet, writer, judge, and legal advisor—makes him a standout figure in 19th-century Polish culture. His defiance of imperial orders under the Austrian Empire reflects his patriotism and courage. Pieśni z lat młodych, his only poetry collection published in 1883, captures the spirit of youth, freedom, and the challenges of his era. This audiobook marks the first-ever audio adaptation of his work, celebrating a forgotten voice that bridges history, literature, and resilience in the face of oppression.

Adopting an Abandoned Farm—a woman’s journey as a writer-farmer in a man’s world is a compelling narrative of a trailblazing woman who defies societal norms by pursuing both farming and writing in a male-dominated landscape. Leaving behind city life, Sanborn immerses herself in the challenges of rural existence while continuing to document her experiences through her writing. As the sole female farmer, she faces skepticism and astonishment from male counterparts at auctions and farm sales, where her presence disrupts expectations.