Gothic Short Stories

A Selection of Short Stories by Leo Tolstoy read by Bart Wolffe.

CSA Word continues its ever-popular series of classic short stories, featuring writers such as Jerome K. Jerome, Louisa May Alcott and Saki, read by such respected and revered readers as Derek Jacobi, Hugh Laurie and Stephen Fry.

The fifth volume in CSA Word's massively popular complete and unabridged ‘Short Stories’ collection is bound to please. With something for everyone this collection of classic stories read by only the best-suited and most established readers will delight the ears as a vintage wine excites the gullet; The Vintage Collection is audible gold. Features eye-catching typographical series design.

In this volume we examine Gothic short stories from the woman’s point of view. More usually in this genre the main examples are almost always given as male. Well, in this volume we prove that view needs severely testing. Here we explore works by classic women authors who, with the sheer breadth of their talents and narratives, can make mere men seem tame by comparison.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that are difficult to achieve elsewhere. The Gothic short story is one of the most enduring of genres. In this volume we explore works by classic authors from all corners of Europe as they explore and exploit narratives with their undeniable talents.

Arthur Conan Doyle was the greatest genre writer Britain has ever produced. Throughout a long writing career, he drew on his own medical background, his travels, and his increasing interest in spiritualism and the occult to produce a spectacular array of Gothic tales. Many of Doyle's writings are recognized as the very greatest tales of terror. They range from hauntings in the polar wasteland to evil surgeons and malevolent jungle landscapes. This collection brings together over 30 of Conan Doyle's best Gothic tales

John Glover reads a selection of unabridged short stories, including "Graveyard Shift," from Stephen King's best-selling collection Night Shift...

Anne is barely keeping it together. A frazzled ghostwriter and aspiring novelist, she juggles nine-year-old twins and a listless marriage from an overcrowded Manhattan apartment, spreading herself thinner each day. Just as Anne is about to give up on her dreams, she lands her biggest client yet: Melody Wells. Melody paints a picture of serenity and empowerment in the lavender haze of her visualization workshops—however, the one thing she can’t manifest are the pages her publisher is demanding for her new motivational book. Enter Anne.

A ghostly presence in “The Lady’s Maid’s Bell” desires revenge against a tyrannical husband. In “Mr. Jones”, Lady Jane Lynke inherits an estate unexpectedly, and can’t make sense of how to manage the servants - especially since the caretaker has been dead for decades, but keeps giving orders. Meanwhile, in “Afterward”, a newly wealthy American couple moves into a large, isolated house in southern England complete with a ghost...and the mysteries surrounding the husband’s business are slowly uncovered.

The Ultimate Gothic Horror Collection is a fully indexed collection of classic gothic stories, read by four Audie-winning narrators. Included here are stories by Mary Shelley, Bram Stoker, Robert Louis Stevenson, Sheridan Le Fanu, Oscar Wilde and Edgar Allan Poe.

Contents: Edgar Allan Poe - The Murders in the Rue Morgue - The Gold Bug - The Black Cat - The Pit and the Pendulum - The Tell-Tale Heart - The Fall of the House of Usher - The Masque of the Red Death - The Cask of Amontillado - The Facts in the Case of M. Valdemar - Hop-Frog - The RavenBram Stoker - DraculaMary Shelley - FrankensteinJoseph Sheridan Le Fanu - CarmillaRobert Louis Stevenson - The Strange Case of Dr. Jekyll and Mr. HydeH.P. Lovecraft - The Alchemist - At the Mountains of Madness - Azathoth - The Beast in the Cave.

Here 19 classic tales from masters of the genre. The collection comprises 'Schalken the Painter' by J. S. Lefanu; 'Sredni Vashtar' by Saki (H. H. Munro); 'The Room in the Tower' by E. F. Benson; 'Charles Ashmore's Trail' by Ambrose Bierce; 'The Mark of the Beast' by Rudyard Kipling; 'The Castle of Ratcliffe Cross' by J. Wadham; 'The Bead Necklace' by Alice Perrin; 'The Oval Portrait' by Edgar Allan Poe; 'The Leather Funnel' by Arthur Conan Doyle; 'Berenice' by Edgar Allan Poe; and many more.

NAMED ONE OF THE MOST ANTICIPATED BOOKS OF SUMMER 2018 BY O Magazine, Entertainment Weekly, New York Post, The Millions, Southern Living, POPSUGAR, The Wall Street Journal, Chicago Review of Books Praised by the Washington Post as "Tennessee Williams . . . transposed to the twenty-first-century...

Edgar Allan Poe's early literary works were poetic, but he quickly turned to prose. He worked for several magazines and journals till in January 1845, The Raven was published and became an instant classic. Poe was also an early proponent of the detective story and announced his entry to this genre with the classic short story 'The Murders in the Rue Morgue'.

The Victorians were obsessed with Egyptology and mummies. It was during the second half of the 19th century that many of the most significant archeological finds were made in Egypt, and stories of the revenge of the mummies on anyone raiding their tombs, stealing their treasures or unwrapping their corpses abounded. This collection brings together the best and scariest short stories of the period, featuring vengeance-seeking mummies, bandaged zombies, pharaonic ghosts and ancient curses.

Una colección imprescindibles para los amantes de lo espectral, del misterio gótico, de la cortina que se desplaza sin que haya viento y el susurro de pasos en mitad del pasillo en plena noche. Cuentos escalofriantes de una de las damas del terror victoriano más destacadas, Mary Elizabeth Braddon. Incluye los cuentos: "El rostro en el espejo", "Ella", "La sombra en la esquina", "La buena lady Ducayne", "Su última aparición" y "El visitante de Eveline".

What is the terrible secret at the heart of The King in Yellow? The forbidden play’s second act is said to drive all those who read it mad. And the sinister text casts its shadow of dread over Robert W. Chambers’s collection of weird, supernatural stories of the same name. Threaded with elements of fantasy, science fiction, the supernatural, and gothic horror, this cult classic continues to inspire the imagination of artists - from H. P. Lovecraft to the writers of HBO’s True Detective - and delight connoisseurs of the macabre.

A masterpiece of Gothic horror and suspense that inspired such writers as H. P. Lovecraft, The Three Impostors is Machen’s famous collection of “weird tales” - a string of shocking short stories woven together with a fine narrative thread. The three impostors of the title are members of a secret society devoted to debauched pagan rites who weave a web of deception in the streets of London as they search for a missing Roman coin commemorating an infamous orgy by the Emperor Tiberius and close in on their prey: “the young man with spectacles”.

A creepy collection of the very best Gothic tales from the masters of suspense, horror, supernatural and occult fiction. 1.The Room in the Tower by E. F. Benson 2. Afterward by Edith Wharton 3.The Green Light by Barry Pain 4. Fingers of a Hand by H. D. Everett 5. The Squaw by Bram Stoker 6. The Dancing Partner by Jerome K. Jerome 7. Lost in a Pyramid by Louisa M. Alcott 8. The Girl who was Tired of Love by Leonard Merrick 9. The Parasite by Sir Arthur Conan Doyle 10. The House with the Brick Kiln by E. F.

I tre racconti che compongono "Il diavolo nella bottiglia" appartengono alla serie di racconti polinesiani, scritti quando Stevenson, minato dalla tisi, si era trasferito definitivamente nelle isole Samoa. Affascinato dall'esotismo del paesaggio e dal carattere della popolazione locale, lo scrittore ne riproduce i tratti caratteristici in una narrazione che unisce ai toni della favola la forte connotazione morale che aveva contraddistinto le sue opere precedenti.