Today on Art of the Cut we speak with the editors of the Apple TV Plus series, Foundation, based on Isaac Asimov’s sci-fi trilogy. On the call today are Paul Trejo, ACE, Miklos Wright, ACE, Emily Greene, ACE, Sidney Wolinsky, ACE, and Olivia Wyrick.

Paul Trejo has cut TV series including Black Sails, Carnival Row, Tom Clancy’s Jack Ryan and Locke and Key. He was also the sound editor on Scarface and The Cotton Club.

Miklos Wright edited Open Range, Mr. Brooks, Luke Cage and 3000 Miles to Graceland. He’s currently cutting Kevin Costner’s western series, Horizon.

Emily Greene edited the TV series Mrs. America, Carnival Row, American Crime Story, and the pilot of The Rookie.

Sidney Wolinsky has been on Art of the Cut previously for his work on Greyhound, Guillermo del Toro’s The Shape of Water, and The Sopranos. His other work includes Boardwalk Empire, House of Cards, and The Walking Dead.

Olivia Wyrick, as you will hear, recently moved into the editing chair for Foundation after working as an assistant on the show and as an assistant or on-line editor for shows like The Walking Dead, Fear the Walking Dead, The Mentalist, and Spider-Man Apprentice.

Also, you can follow along with this podcast by reading the blog, which has lots of great visual support materials!

borisfx.com/blog/aotc/

Today on Art of the Cut we speak with editor Elisabet Ronaldsdottir, ACE and her first assistant editor, Matt Absher about The Fall Guy.

Elisabet has been on Art of the Cut for many of her big action, stunt spectaculars, including the first John Wick, Atomic Blonde, Shang Chi and the Legend of the Ten Rings, and Bullet Train. She's been nominated for ACE Eddies for her work on Deadpool 2 and Kate.

Matt Absher has been a first assistant editor on Shang-Chi and the Legend of the Ten Rings, Deadpool 2, Nope, Us, Atomic Blonde and John Wick. He was also an assistant editor on Oceans 12 and 13.

Be sure to read along and check out all the great visuals - including timeline screenshots and exclusive photos at

borisfx.com/blog/aotc.

Today on Art of the Cut we’re talking with some of the editors of Netflix’s sci-fi series, 3 Body Problem. With us for today’s interview are Anna Hauger, ACE, Michael Ruscio, ACE and Simon Smith, ACE. Katie Weiland was also an editor on the show but was unable to join us.

Anna’s credits include Westworld, Station Eleven, and Watchmen.

Michael’s credits include the TV series True Blood, Altered Carbon, Six Feet Under, and House of Cards.

Simon has been on Art of the Cut previously for his ACE Eddie winning work on Chernobyl and his ACE Eddie winning work on Andor. His other credits include the feature film Spaceman.

Don't forget that you can read along and get timeline screenshots, screenshots of bins, ScriptSync pages and trailers at:

borisfx.com/blog/aotc.

Today on Art of the Cut we’re talking with two of the editors of the epic FX Network series, Shogun. With us today are Aika Miyake and Maria Gonzales. Thomas Krueger also edited the series but was unable to join us.

Aika is originally from Japan, where she cut mostly TV spots. Her other work includes Chef’s Table: BBQ, the documentary, Hafu: The Mixed-Race Experience in Japan, and additional editing on the feature Black is King.

Maria’s credits include TV series including The Walking Dead, Counterpart, See, and The Old Man.

Today on Art of the Cut we’re talking with one of the editors of the Netflix mini-series, Griselda. Kelly Stuyvesant joins us for this conversation. The other editors on the series are Joaquin Elizondo and Christopher Cavanaugh.

Kelly’s credits include work on Agents of SHIELD, Helstrom, and The Sandman.

Don't forget to follow along with this podcast on Boris FX's blog, the transcribed interview is available with trailers, clips, timeline screenshots and all kinds of great material,

borisfx.com/blog/aotc

Today on Art of the Cut we’re talking with one of the ACE Eddie winning editors of “Escaping Twin Flames,” which won the Eddie for Best Edited Documentary, non-theatrical.

Inbal Lessner was the Executive Producer and Supervising editor. We last spoke with Inbal for Seduced: Inside the NXIVM Cult “Exposed” which was nominated for an ACE Eddie in 2021.

Her other work includes the documentary, Brave Miss World, and work on CNN’s series of “decade” defining documentaries - for which she was nominated for an ACE Eddie. In addition to her documentary work, she was an additional editor on Natalie Portman’s directorial debut, A Tale of Love and Darkness.

Follow along with the transcript and great visuals, including trailers, clips, timeline screenshots and more at:

borisfx.com/blog/aotc

Today on Art of the Cut, we’re talking to the winner of the Indie Spirit Award for Best Editing: Daniel Garber, about his work on the film How to Blow up a Pipeline.

Daniel’s other work includes the feature film, Cam - which was also a collaboration with his “Pipeline” director, Daniel Goldhaber. Daniel has also worked in documentary editing on films like Some Kind of Heaven, and the documentary series, Naomi Osaka. He was also an additional editor on the Sundance documentary Riotsville, USA, which we featured on Art of the Cut several years ago.

Don't forget that you can read along with the podcast at borisfx.com/blog/aotc, where there are great timeline screenshots, images of the Premiere Productions set-up, trailers and clips!

Today on Art of the Cut, we’re talking about Ghostbusters: Frozen Empire with editors Nathan Orloff and Shane Reid.

Nathan’s been a guest on Art of the Cut a few times including for the last Ghostbusters - Afterlife, and also for John Wick 4.

Shane Reid is coming from the world of TV spot editing - as you’ll hear in the interview and music videos. He’s really starting off his feature film career with this film and - amazingly - another in just a few months - Deadpool & Wolverine.