Showing results for "Translation" in Classics

With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Crime and Punishment, Dostoevsky's astounding psychological thriller, newly revised for his bicentennial.

Franz Kafka's 1915 novella of unexplained horror and nightmarish transformation became a worldwide classic and remains a century later one of the most widely read works of fiction in the world. It is the story of traveling salesman Gregor Samsa, who wakes one morning to find himself transformed into a monstrous insect. This hugely influential work inspired George Orwell, Albert Camus, Jorge Louis Borges, and Ray Bradbury, while continuing to unsettle millions of readers.

In The Canterbury Tales Chaucer created one of the great touchstones of English literature, a masterly collection of chivalric romances, moral allegories and low farce. A story-telling competition between a group of pilgrims from all walks of life is the occasion for a series of tales that range from the Knight's account of courtly love and the ebullient Wife of Bath's Arthurian legend, to the ribald anecdotes of the Miller and the Cook.

"It takes an entire lifetime to learn how to die", wrote the Roman Stoic philosopher Seneca (c. 4 BC-65 AD). He counseled readers to "study death always", and took his own advice, returning to the subject again and again in all his writings, yet he never treated it in a complete work. How to Die gathers in one volume, for the first time, Seneca's remarkable meditations on death and dying. Edited and translated by James S. Romm, How to Die reveals a provocative thinker who speaks with a startling frankness about the need to accept death or even, under certain conditions, to seek it out.

On his deathbed, Franz Kafka asked that all his unpublished manuscripts be burned. Fortunately, his request was ignored, allowing such works as The Trial to earn recognition among the literary masterpieces of the 20th century. This brilliant new translation of The Castle captures comedic elements and visual imagery that earlier interpretations missed.

A Brilliant new translation of the great writer's least Kafkaesque novel, based on a German-language text that was produced by a team of international scholars and that is more faithful to Kafka's original manuscript than anything we have had before. With the same expert balance of precision and nuance that marked his translation of Kafka's The Castle, the award-winning translator Mark Harman now restores the humor and particularity of language to Amerika.

Bruno, a young magazine editor, seems to live a charmed life, until he discovers a growth on his neck - the first sign of incurable cancer. Decades later, he wakes up to find himself cured, but the world is now a very different place. Bruno must decide what he really wants from his life and whether it's worth the cost.

Aesop's fables are among the most familiar and best-loved stories in the world. Tales like "The Tortoise and the Hare," "The Dog in the Manger," and "Sour Grapes" have captivated us for generations. The fables delight us and teach timeless truths. Aesop's tales offer us a world fundamentally simpler to ours—one with clear good and plain evil—but nonetheless one that is marked by political nuance and literary complexity. Newly translated and annotated by renowned scholar Robin Waterfield, this definitive translation shines a new light on four hundred of Aesop's most enduring fables.

Written in a style that is both precise and sumptuous, weirdly archaic and powerfully novel, Zama takes place in the last decade of the 18th century and describes the solitary, suspended existence of Don Diego de Zama, a highly placed servant of the Spanish crown who has been posted to Asunción, the capital of remote Paraguay. There, eaten up by pride, lust, petty grudges, and paranoid fantasies, he does as little as he possibly can while plotting his eventual transfer to Buenos Aires.

This is a story from the Canterbury Tales II: Modern Verse Translation collection.

Evgenii Onegin is best known in the West through Tchaikovsky’s opera Eugene Onegin. But the original narrative poem (consisting of 389 stanzas, the form of which has become known as the "Pushkin sonnet") is one of the landmarks of Russian literature. In the poem, the eponymous hero repudiates love, only to later experience the pain of rejection himself. Pushkin’s unique style proves timeless in its exploration of love, life, passion, jealousy, and the consequences of social convention.

When an unidentified “monster” threatens international shipping, French oceanographer Pierre Aronnax and his unflappable assistant Conseil join an expedition organized by the US Navy to hunt down and destroy the menace. After months of fruitless searching, they finally grapple with their quarry, but Aronnax, Conseil, and the brash Canadian harpooner Ned Land are thrown overboard in the attack, only to find that the “monster” is actually a futuristic submarine, the Nautilus, commanded by a mystical man who calls himself Captain Nemo.

"Narrator JD Jackson addresses his listener as "bro" in this decidedly contemporary retelling of the classic saga...His brilliant performance captures all the artistry, wit, and immediacy of this fresh translation, and breathes new life into what for most has been a literary fossil." --...

An adventurous geology professor chances upon a manuscript in which a 16th-century explorer claims to have found a route to the earth's core. Professor Lidenbrock can't resist the opportunity to investigate, and with his nephew Axel, he sets off across Iceland in the company of Hans Bjelke, a native guide. The expedition descends into an extinct volcano toward a sunless sea, where they encounter a subterranean world of luminous rocks, antediluvian forests, and fantastic marine life — a living past that holds the secrets to the origins of human existence.

A masterpiece of European imagination, The Sufferings of Young Werther is the classic Sturm und Drang tale of youthful angst and tragedy. The acclaimed translator Stanley Corngold brings new passion and precision to Goethe's timeless novel of obsessive love and madness in this magnificent new translation.

This is a story from the Canterbury Tales II: Modern Verse Translation collection.

This is a story from the Canterbury Tales III: Modern Verse Translation collection.

In The Oresteia, Aeschylus dramatizes the myth of the curse on the royal house of Argos. The action begins when King Agamemnon returns victorious from the Trojan War, only to be treacherously slain by his own wife. It ends with the trial of their son, Orestes, who slew his mother to avenge her treachery - a trial with the goddess Athena as judge, the god Apollo as defense attorney, and, as prosecutors, relentless avenging demons called The Furies.

This is a story from the Canterbury Tales III: Modern Verse Translation collection.

This is a story from the Canterbury Tales III: Modern Verse Translation collection.