Showing results by publisher "Brilliance Audio" in Arts & Entertainment

For eleven seasons, Marion Ross was head of one of America's favorite television households. Now meet the lovable real-life woman behind the Happy Days mom. In this warm and candid memoir, filled with loving recollections from the award-winning Happy Days team - from break-out star Henry Winkler to Cunningham "wild child" Erin Moran - Ross shares what it was like to be a starry-eyed young girl with dreams in poor, rural Minnesota, and the resilience, sacrifices, and determination it took to make them come true.

"The Falcon" radio series premiered in 1943, and continued until 1954. The Falcon was an alternate identity for detective Michael Waring. Like the Falcon movies, the radio plots mixed danger, romance and comedy in equal parts. Each show began with a telephone ringing and Michael Waring, The Falcon, answering the phone. Speaking with a woman whose voice was never heard, Waring would explain that he had an urgent situation in which he had to deal with. This led into the standard opening, followed by the week's tale of adventure.

Escape was radio's leading anthology series of high adventure, airing on CBS from July 7, 1947, until September 25, 1954. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with this introduction, as intoned by Paul Frees and/or William Conrad: Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you...Escape!

Hosted by Norman Rose, "Dimension X" was one of radio's first adult science-fiction series and made its mark by adapting short stories by acknowledged masters in the field, including: Isaac Asimov, Robert Bloch, Ray Bradbury, Fredric Brown, Robert. A. Heinlein, Clifford D. Simak, Kurt Vonnegut, Jr., and William Tenn. Scriptwriters Ernest Kinoy and George Lefferts, who also contributed their own original scripts, adapted the stories.

The Adventures of Philip Marlowe was radio's top detective program. Raymond Chandler's celebrated hardboiled private eye, Philip Marlowe, made his radio debut in 1945 on The Lux Radio Theatre with "Murder My Sweet" starring Dick Powell. Two years later, NBC would bring the character to the air in his own weekly series starring Van Heflin in The New Adventures of Philip Marlowe. Being a summer replacement for The Bob Hope Show, the series was short-lived and ended on September 9th, 1947.

The golden age of radio had incredible drama shows that kept Americans glued to their radio sets. Families gathered around their living room radios to be entertained by the greatest names in Hollywood each and every day. The biggest stars from tinsel-town lent their voices to radio dramas and most of the time the producers and sponsors allowed them to take a curtain call to plug their latest film release.

Road Dog is comedian, actor, and writer, Dov Davidoff's unflinching memoir told through reflections of twelve months on the road. Davidoff travels across the country from college campuses to local theaters doing stand-up comedy and telling it like it is. He's been known to wax poetic about everything from encounters with large fake breasts, to people who have too many kids, to magnum condoms the size of CD cases. He is hilarious and relatable and will have you laughing at yourself in no time.

The CBS Radio Workshop aired from January 27, 1956, through September 22, 1957, and was a revival of the prestigious Columbia Workshop which aired from 1936 to 1943. Creator William Froug launched the series with the powerhouse two-part adaptation of Brave New World and booked author Aldous Huxley to narrate his famous novel. Enjoy 12 of the greatest episodes from this award-winning drama series.

A Rift in the Earth tells the remarkable story of the ferocious "art war" that raged between 1979 and 1984 over what kind of memorial should be built to honor the men and women who died in the Vietnam War. The story intertwines art, politics, historical memory, patriotism, racism, and a fascinating set of characters, from those who fought in the conflict and those who resisted it to politicians at the highest level.

Space Patrol began as a television show in 1950 and was an overnight sensation. The series followed the 30th-century interplanetary exploits of Commander-in-Chief Buzz Corry of the United Planets Space Patrol and his young sidekick Cadet Happy. Together they thwarted evildoers wanting to take over the Universe. The show was targeted to children, but attracted a sizable adult audience. A radio series soon followed with the same cast performing on both the TV and radio shows.

The character of Jack "Flashgun" Casey was first penned by former newspaper and advertising executive George Harmon Coxe, Jr. in the March 1934 issue of Black Mask, the legendary Pulp Magazine. Casey was a cameraman who took photographs that accompanied reporter's newspaper stories. His keen eye for detailed served him well at solving the crimes he was assigned to photograph. "Flashgun" Casey was an instant success with the Black Mask readers and soon made the leap to the silver screen and to radio. 

Science fiction often takes its inspiration from the latest science . . . and our oldest questions. After all, the two are inextricably linked. At a time when advances in artificial intelligence are genuinely leading us closer to a computer that thinks like a human, we can’t help but wonder: What makes a person a person? Countless writers and filmmakers have created futuristic scenarios to explore this issue and others like it. But these scenarios may not be so futuristic after all.

In 1944, the big top of Ringling Bros. Barnum & Bailey Circus in Hartford caught fire during the middle of an afternoon performance. Nine thousand people were inside. In seconds, the big top was burning out of control. The toll of the fire, and its circumstances, haunt Hartford to the present day. But it is the intense, detailed narrative - before, after, and especially during the panic under the burning tent - that will remain with listeners long after they finish this book.

What songs have made up your life's soundtrack? Which have captured your every mood and deepest sentiments? Pop music, like no other form of entertainment or art, is capable of articulating our feelings, desires, joy, and pain. In a few soul-grabbing minutes, artists from every genre - from Little Richard to Lou Reed, Willie Nelson to Wu-Tang Clan, Sly and the Family Stone to the Rolling Stones - can help us understand our place in our own lives.

Gloria Gaynor’s number-one hit single "I Will Survive" debuted in 1978 to overwhelming success. Shortly thereafter, the single went double platinum. Over three decades later, it still strikes a chord among men and women everywhere. Over the years, the disco legend has received thousands of personal messages from adoring fans whose lives have been transformed by this timeless song. Here, she shares 40 of those inspirational, true stories.

>Born into the violence of South Bronx ghetto life, the comic pioneer of TV’s Good Times fame offers a hilarious and politically charged review of his career as one of television’s first hugely successful Black stars. From opening for the Black Panthers and getting his first Tonight Show spot to becoming the first “Black” TV sitcom star, having comedians David Letterman and Jay Leno writing jokes for him, recording number-one comedy albums, and opening for rock n’ roll bands in 50,000 seat stadiums, Walker’s career hit all the highs.

Created by Blake Edwards (of "Pink Panther" fame), Richard Diamond, Private Detective came to NBC radio in 1949 starring film actor and crooner Dick Powell. Powell had recently played 'Philip Marlowe' in the popular RKO film "Murder My Sweet" and jumped at the chance to play a suave detective on radio. Richard Diamond was a light-hearted New York-based private eye who enjoyed ribbing the cops and singing songs to his millionairess girlfriend, Helen Asher (played by Virginia Gregg).

In Breaking van Gogh, James Grundvig investigates the history and authenticity of van Gogh's iconic Wheat Field with Cypresses. Relying on a vast array of techniques from the study of the painter's biography and personal correspondence to the examination of the painting's style and technical characteristics, Grundvig proves that the "most expensive purchase" housed in the Metropolitan Museum of Art in New York is a fake.