Showing results by author "Cynthia Leitich Smith" in All Categories

When free-spirited werecat Yoshi sets out to find his missing sister, he’s shocked to discover that she’s the key suspect in a murder investigation. Meanwhile, sarcastic werepossum Clyde and his human pal Aimee have set out to do a little detective work of their own, sworn to avenge the brutal killing of a friend. When all three are snared in an underground kidnapping ring, they end up on a remote tropical island ruled by a species that’s unusual even by shape-shifter standards.

The adopted daughter of two respectable human parents, Kayla is a werecat in the closet. All she knows is the human world. When she comes out to her boyfriend, tragedy ensues, and her determination to know and embrace her heritage grows. Help appears in the lithe form of sexy male werecat Yoshi, backed up by Aimee and Clyde, as the four set out to solve the mystery of a possessed antique carousel while fielding miscast magic, obsessive strangers, and mounting species intolerance.

Anti-shifter sentiment is at an all-time high when Kayla's transormation to werecat is captured on video and uploaded for the world to see. Suddenly, she becomes a symbol of the werebeast threat and - along with fellow cat Yoshi, lion-possum Clyde, and human Aimee - a hunted fugitive.

Halloween is near, and Hughie Wolfe is volunteering at a new rural attraction: Harvest House. He’s excited to take part in the fun, spooky show—until he learns that an actor playing the vengeful spirit of an “Indian maiden,” a ghost inspired by local legend, will headline. Folklore aside, unusual things have been happening at night at the crossroads near Harvest House. A creepy man is stalking teenage girls and young women, particularly Indigenous women; dogs are fretful and on edge; and wild animals are behaving strangely. 

When Louise Wolfe’s first real boyfriend mocks and disrespects Native people in front of her, she breaks things off and dumps him over e-mail. It’s her senior year, and she’d rather spend her time with her family and friends and working on the school newspaper. The editors pair her up with Joey Kairouz, the ambitious new photojournalist, and in no time the paper’s staff find themselves with a major story to cover: the school musical director’s inclusive approach to casting The Wizard of Oz has been provoking backlash in their mostly white, middle-class Kansas town.