Showing results by narrator "Adenrele Ojo" in All Categories

In childhood, Bell Hooks was taught that "talking back" meant speaking as an equal to an authority figure and daring to disagree and/or have an opinion. In this collection of personal and theoretical essays, Hooks reflects on her signature issues of racism and feminism, politics and pedagogy. Among her discoveries is that moving from silence into speech is for the oppressed, the colonized, the exploited, and those who stand and struggle side by side, a gesture of defiance that heals, making new life and new growth possible.

With General Arika Cobane at the helm, the rebels take control of the Kongo territory and elect a council to negotiate peace. Everything changes when the council concedes to a last-minute English demand: The war criminal, Arika Cobane, must stand trial for crimes carried out during the revolution. A fugitive of the law, Arika flees north; determined to prove the council has been infiltrated. As she uproots lies and uncovers secrets, the line between English and Kongo, friend and foe dissolves—her hatred festers and she fears even her beloved Hosea Khan can't be trusted.

How one night turned into fifteen and counting is beyond me. I never imagined ending up here. I'm a Marriage Broker, not a matchmaker . . . Especially for myself! It was always a ruse. Perception, not reality. For a purpose, not for always. Business, not romance. Want to know my plan? A simple assist, a favor. Want to know my potential downfall? Him. His sincere eyes, his intoxicating smile, his scintillating personality. Oh, and our out-of-control chemistry.

According to the Washington Post, no one who cares about contemporary African-American cultures can ignore Bell Hooks's electrifying feminist explorations. Targeting cultural icons as diverse as Madonna and Spike Lee, Outlaw Culture presents a collection of essays that pulls no punches. As Hooks herself notes, interrogations of popular culture can be a "powerful site for intervention, challenge and change." And intervene, challenge, and change is what hooks does best.

In Homegrown, cultural critics Bell Hooks and Amalia Mesa-Bains reflect on the innate solidarity between Black and Latino culture. Riffing on everything from home and family to multiculturalism and the mass media, Hooks and Mesa-Bains invite listeners to re-examine and confront the polarizing mainstream discourse about Black-Latino relationships that is too often negative in its emphasis on political splits between people of color. A work of activism through dialogue, Homegrown is a declaration of solidarity that rings true even ten years after its first publication.

Bailey is a young, aspiring actress that has never had a real acting job besides a role in a high school play. But when she sees an ad for a production that takes place in 1954, she decides to take a chance. The only thing she knows is that it is fully immersive, and would require her to live in the fictional town for one full year. The rules are simple, stay in character and she gets a nice payout of more than one hundred thousand dollars. But would a black woman willingly live in the 50s?