Showing results by narrator "Bill Nighy" in All Categories

A collection of BBC dramatisations and readings of William Boyd's award-winning novels and short stories. One of Britain's foremost contemporary writers, William Boyd is renowned worldwide for his bestselling novels, which have been translated into over 30 languages. He has won numerous awards, including the Somerset Maugham Award (for A Good Man in Africa), the John Llewellyn Rhys Prize (for An Ice-Cream War) and the Costa Book Award (for Restless).

As the witch of the Chalk, Tiffany Aching performs the distinctly unglamorous work of caring for the needy. But someone - or something - is inciting fear, generating dark thoughts and angry murmurs against witches. Tiffany must find the source of unrest and defeat the evil at its root. Aided by the tiny-but-tough Wee Free Men, Tiffany faces a dire challenge, for if she falls, the whole Chalk falls with her.

Written by a host of top radio writers and starring some of Britain's finest actors, these sparkling, beautifully crafted comedy dramas are centred around people with unconscious yearnings. From the serial seducer to the lonely mother's boy, each is looking for love - but will they find it?

The final two series of A. L. Kennedy's wry comic drama about love in later life. In their youth, John and Maggie had a tempestuous on/off affair that ended badly. Now in their 60s, they've decided to give their romance another chance - and discovered that love doesn't get any easier when you're older but no wiser. Having survived dating and moving in together, the duo face the next big test for their relationship: tying the knot.

Writer and director David Hare is one of England's leading political dramatists, celebrated for his many award-winning plays analysing the morality of contemporary Britain. This collection comprises some of his most acclaimed pieces, as well as a fascinating radio interview with Hare himself.

In these final four series, Anna is trying to remain calm and centred in the midst of the familial chaos that surrounds her. Her sisters, Victoria and Charlotte, are more combative than ever, and when a row blows up between them, Anna is stuck in the middle. Having graduated from university, her niece Emily is preparing for marriage and motherhood. But her wedding plans cause ructions, as Victoria and Charlotte make her celebrations all about them. The baby's birth sends Victoria into competitive granny mode - while Anna receives a heart-warming surprise.

Sisters Anna, Victoria and Charlotte are back for four more series, in which relationships are forged, hearts are broken and family ties are strained - but not severed. Older sister Anna continues to live her life on her own terms, despite her sisters' insistence on being there for her. But when she suffers a couple of knocks to her confidence and needs a shoulder to cry on, they are too self-absorbed to be any use. Fortunately, niece Emily provides moral support and Anna reciprocates with some down-to-earth advice about Emily's love life.

After years of looking after her elderly parents, Anna finds herself able, for the first time, to live her own life. She's enjoying simply being herself, with no responsibilities and no obligations. But her two younger sisters, Victoria and Charlotte, are concerned about her. Surely poor, unfulfilled Anna can't be happy without a partner or a family around? Determined to make an effort, they decide to draw her into their lives - and Anna's peaceful, commitment-free lifestyle soon disappears. 

Locked down with his semi-detached wife, Frances, Charles has thrown himself into a new career as a handyman, becoming quite the DIY expert. He's developed muscles, stopped smoking and even cut back on the booze. Then his agent, Maurice, offers him the chance to get back on stage - and in a West End play, no less. The star, Justin Grover, asked for him specifically, but Charles has reservations. Grover was cocky enough when they were both young hopefuls; now, he's the star of a massive TV fantasy series, and the play - a verbatim piece set in a monastery - is dire.

Bill Nighy, Barbara Shelley and Peter Sallis are among the cast in six classic BBC Radio dramatisations of stories by one of Britain's most popular science fiction authors. 'The Day of the Triffids', first broadcast in 1968, is set in a world in which most people have been left blind after a meteor shower, and lethal carnivorous triffids are roaming the land. 'The Kraken Wakes', dramatised for radio in 1998, is a gripping story of monsters from the deep, alien invasion and ecological disaster.

When Charles Paris’ agent rings with the news that he has a part for him in a new musical, Charles is delighted - and somewhat amazed, as he can neither sing nor dance. But Maurice has an ulterior motive: as one of the show’s backers, he wants Charles to play detective and investigate a series of accidents that have dogged the production. The pianist has been shot in the hand, and another cast member fell downstairs - or was he pushed? Anxious about their investment and their star, Chris Watt, the ‘angels’ are keen to ensure that nothing else goes wrong.

Duncan Macmillan's romantic comedy drama about the end of the world, a woman who falls in love with the moon, and her husband who falls back in love with her.Starring Bill Nighy as Keith, Amelia Bullmore as Tilda and Harry Child as Oscar. Directed by Sam Hoyle.

Maggie and John had a passionate but disastrous affair in their younger days, but it didn't last. Now in their late 60s, a surprise encounter gives them another chance to take up where they left off. Will they manage to find the best in each other and finally get together? Or will old wounds and an awareness of their ageing bodies deter them? Will the treadmill created by the high-cost, high-pressure 21st century, and their endless other commitments and interruptions large and small, overwhelm them? Or will they take the final risk? 

The three tales that make up Edgar Allan Poe's The Dupin Mysteries introduce us to the cracking character of Chevalier Auguste Dupin. As a rationalist and practitioner of brilliant deduction, he was to become the template for most of the detective fiction that followed speedily in his wake. The first tale, "The Murders in the Rue Morgue", details a form of murder solving that was to become only too familiar.

This is a dynamic, modern dramatisation of a classic book by John Wyndham. Bill Nighy ( Love Actually and many other films) and Sarah Parish ( Cutting It) play Richard and Janet, a couple caught up in the goings-on of a sleepy English village in which all the children have golden eyes, blond hair, and a sinister talent for telepathy and telekinesis. (Wyndham's novel was filmed as Village of the Damned in 1960 and 1995.)

Bill Nighy returns as Charles Paris: unsuccessful actor, bad husband, and dipsomaniac. Desperately in need of work, having been kicked out of his marital home, Charles jumps at playing a missing property developer in a crime-reconstruction program. But the missing person case soon turns to murder when severed body parts begin to appear.

Charles Paris is his own worst enemy, a louche lush who can resist anything except temptation - especially in the form of women and alcohol. He’s been out of work so long now he feels he may never get a job and he’s driving Frances, his semi-ex-wife, mad. So when he’s offered a small role in a play, she nearly pushes him out of the door. But it seems that ‘The Message is Murder’ is such a terrible production that someone wants to kill off the cast.

Bill Nighy stars as Charles Paris with Martine McCutcheon as Jodie Ricks in this BBC Radio 4 comedy detective drama. Charles finds himself uncharacteristically employed in a film, having landed the part of Szabec, a middle management vampire in 'The Wreathing'. His co-star is swimwear model turned actress Jodie Ricks and before long, Jodie is using Charles as a confidant.

Charles Paris is thrilled - he’s landed a nice juicy part playing Sergeant Collins in the TV detective series, ‘The Stanislaus Braid Mysteries’, and his estranged wife Frances seems to be on the brink of taking him back. But filming turns out to be a tortuous process, with pompous star Russell Bentley demanding numerous retakes and irascible author Winifred Railton constantly interrupting. To cap it all, nubile actress Lisa Stokes is crushed to death on set - and Charles finds her body. 

Christmas is the season of good cheer and harmony among men, but things are not working out quite that way in the Bunker household. As a motley collection of friends and relatives fill the house with their own wishes, dreams and attitudes, the stage is set for seasonal disharmony and romantic intrigue. It’s Christmas Eve and while Belinda is rushing around decorating the tree and seeing to all the guests and their needs, Eddie and Pattie are having a serious bust-up.