Showing results by narrator "John Moffatt" in All Categories

Carla Lemarchant was a child of five when her mother was accused and convicted of poisoning her father, the famous painter Amyas Crale. After Caroline Crale dies in prison, Carla is sent to live with her uncle and aunt in Canada. Only on her 21st birthday does Carla learn of her family history when she reads a letter written by Caroline before her death, in which she denies murdering her husband. But if her mother didn't kill Amyas Crale, who did?

John Moffatt stars as the great Belgian detective in a BBC Radio 4 full-cast dramatisation. Famous crime novelist Ariadne Oliver, visiting her friend Judith Butler in the little town of Woodleigh Common, is invited to a Hallowe'en Party put on by society hostess Mrs Rowena Drake for the local teenagers. During her preparations for the party, the conversation turns to Ariadne's grisly novels....

As Hercule Poirot sifts through his post one particular morning, he alights upon a letter from an elderly and (as it transpires), exceedingly rich spinster - Miss Emily Arundell. She is clearly in great distress and seeking his help, but doesn’t say why. Her only specific mention is ‘the incident of the dog’s ball’. However, what intrigues Poirot is the date of the communication - it was written two months ago. He persuades Captain Hastings that they must visit the lady with all haste.

Hercule Poirot is a guest at a weekend house party, given at the Cornish clifftop home of the celebrated actor Sir Charles Cartwright. The other visitors include keen amateur detective Mr Satterthwaite and distinguished Harley Street nerve specialist Sir Bartholomew Strange. Death visits the house soon after Poirot's arrival, the victim an elderly clergyman who's only had a sip of dry martini. What else was in the glass? Are natural causes to blame... or murder?

A BBC Radio 4 full-cast dramatisation starring John Moffatt as the great Belgian detective. Hercule Poirot and his good friend Captain Hastings are enjoying a well-deserved break on the Cornish Riviera, in the idyllic village of St Loo. Wandering along the terrace of the Hotel Majestic on the first morning of their stay, Poirot literally falls at the feet of a pretty, dark-haired girl and, much to Hastings’ delight, insists that she join them for a cocktail.

A BBC Radio 4 full-cast dramatisation starring John Moffatt as Hercule Poirot, the great Belgian detective. Elinor Carlisle and Roddy Welman are the model English couple, perfect companions set for a life of ease when they inherit Aunt Laura's considerable fortune. But a poison pen letter begins a chain of events which is to end in tragedy.

This is a story from the Canterbury Tales II: Modern Verse Translation collection.

John Moffatt and Rosemary Leach star in this BBC Radio 4 production of Noël Coward’s patriotic play about the ups and downs of a working-class family between 1919 and 1939. This Happy Breed opens in 1919, when the Gibbons family have just moved to their smart new home in the suburbs of South London. Against a background of social change and national upheaval spanning twenty years, the family celebrate their own triumphs and deal with their personal traumas.

Here are some of the finest narrative poems in the English language, dating from an age of rich inspiration.

This remarkable poem, dedicated to Queen Elizabeth I, was Spenser's finest achievement: the first epic poem in modern English. The Faerie Queene combines dramatic narratives of chivalrous adventure with exquisite and picturesque episodes of pageantry. At the same time, Spenser is expounding a deeply-felt allegory of the eternal struggle between Truth and Error.

Maggie Smith and Jonathan Pryce star in William Wycherley’s raunchy Restoration comedy. Considered too obscene to be staged in its original form for nearly 200 years, William Wycherley’s bawdy comedy tells the tale of Mr Horner, a notorious rake who spreads the false rumour that he is impotent in order to gain free access to other men’s wives. When he meets the young, innocent Margery Pinchwife, the ‘country wife’ of the title, the scene is set for scandal.

These four works show Samuel Beckett at his most penetrating. Both Krapp's Last Tape (1958) and Not I (1972) are among the most striking pieces written for the theatre in the 20th century. An old man sits at a table, playing back old tapes made when he was younger, mixed glimpses of past feelings. In Not I, we have just a mouth expressing memories and torment in a torrent of words.

A haunting, magical fairy tale collection, in which Oscar Wilde beautifully evokes (amongst others) 'The Happy Prince', who was not so happy after all; 'The Selfish Giant', who learned to love little children; and 'The Star Child', who did not love his parents as much as he should.

Magical listening for young and old, narrated by John Moffatt.

Samuel Taylor Coleridge, in collaboration with his friend, William Wordsworth, revolutionized English poetry. In 1798 they produced their Lyrical Ballads, poems of imagination and reflection using "the language of men" - pointing the way forward for a generation of Romantic poets.

Christmas brings out the best and the worst in us, as can been seen in this evocative anthology. Among what Thomas Love Peacock calls the "many poetical charms in the heraldings of Christmas," there are eulogies by saints and diatribes from curmudgeons. Here, Christmas is expounded by divines, sung by rustics, deplored by philosophers, made mystical in stories and summed up in a line by the poet Elizabeth Jennings: "The hush, the star, the baby, people being kind again."

Tristram Shandy is an ironic masterpiece, a work of extraordinary originality, wit, and learning. It is a work of considerable philosophical complexity but at the same time it is just a piece of flim-flam; it has been called the longest shaggy dog story in English literature. It is both a classic novel and an anti-novel. It includes passages of seemingly serious theology - but it can also be read as an elaborate bawdy joke.

Long before he'd produced any of his great works, Oscar Wilde was already famous for being famous. Armed only with some witty epigrams, a carefully crafted persona and his genius for self-promotion, he had conquered America and transformed himself from nobody to star. This radio collection opens with four plays from Radio 4's Born to be Wilde season, offering a 21st-century perspective on the making of one of the first true celebrities. First up are two sparkling and surprising productions of his two most popular comedies, marking the peak of his theatrical career.