Showing results by narrator "Peter Wickham" in All Categories

Peter Maxwell didn't want to attend the GNVQ course. He didn't want to get mixed up in murder either - but perhaps it was all part of death's rich tapestry. And while a disparate gathering of teachers was breaking ice upstairs at the Carnforth Centre, someone else was in the basement - breaking skulls. But what the killer couldn't have foreseen was that one of the victims was an old flame of Maxwell's. So now it was personal. And when 'Mad Max' takes something personally, he doesn't get madder - he gets results.

'The Museum Detectives' Daniel Wilson and Abigail Fenton have been contacted by the curator of the National Gallery. He is getting in touch at the request of the artist, Walter Sickert, famously suspected of being Jack the Ripper. The dead body of a young woman, who had been an artist's model, has been found at the back of the gallery, and Sickert has been arrested on suspicion of her murder. When a second similar murder occurs, Sickert is once again implicated.

Paris, 1899. Abigail Wilson has received an invitation from Professor Alphonse Flamand, a prominent French Professor of Archaeology, to join him on an archaeological dig in Egypt. Overjoyed to be presented with such an opportunity, Abigail and her husband, Daniel, travel to Paris to meet the professor at his office in the Louvre to discuss plans. However, when Abigail goes to the appointment, she finds Flamand dead with a knife in his chest. In a whirl of confusion and despite her pleas of innocence, Abigail is arrested.

London, 1899. Daniel Wilson and Abigail Fenton, the museum detectives, are called upon to investigate a bizarre murder at the White Tower, the heart of the Tower of London. The dead body of a Yeoman is found inside a suit of armour belonging to Henry VIII, having been run through with a sword. When details of this suspicious outrage are reported to the Prince of Wales, he fears this may be an expression of Republican unrest and calls upon Wilson and Fenton to investigate further.

17th May 1899. Queen Victoria lays the foundation stone on the site of a new museum being built in South Kensington, which she names as The Victoria and Albert Museum. Shortly after, Daniel Wilson and Abigail Fenton are called to the site because the dead body of a man, Andrew Page, has been found in one of the trenches.  The more Wilson and Fenton dig, the more they discover other potential motives for Page's murder, some with potentially explosive implications for the royals and the government. 

Julius Hutch has planned to spend his retirement years 'pottering' and worrying about his bills, but wakes one morning to discover a foreign merchant bank has put four million pounds into his account—and won't take it back. So Julius, a humble man, sets out to spend the money helping other people, and wooing Pauline, the local bank teller. Up against an enormous banking corporation and an unsavoury property developer, Julius soon discovers that rather than being crushed by these financial giants as he would have been in the past, he is rendered rather more delightfully impervious.

From travelling to the moon to fighting a 40-foot-long crocodile and riding a cannonball through the air, Baron von Munchausen’s incredible account of his own adventures has entertained readers since its initial appearance in 1785. The obvious comedy of the book, which lies in Munchausen’s boasts about his own adventures, is heightened by the calm and objective way in which he frames his narrative. The Baron appears to fully believe the death-defying episodes with which he regales his listeners.

Maxwell is anticipating a quiet summer, with perhaps some light gardening if necessary - and as long as plants don't grow over the door and trap them inside, it won't be. But, as often is the case, Mrs Troubridge happens and a day out for her and her special friend, Mrs Getty, takes Maxwell and Nolan to Haledown House and into a web of intrigue and death. Maxwell's summer is nothing like he planned.

Between 1821 and 1826, the prolific writer and journalist William Cobbett travelled the countryside of the South of England on foot and horseback. Rural Rides is a fascinating account of his journeys, and depicts a way of life in transition, juxtaposing lyrical descriptions of the countryside with criticism of the poverty of agricultural workers. A man of radical politics who encouraged the rural rising of 1830, Cobbett went on to become MP for Oldham and sought to represent the interests of both industrial and agricultural workers. Above all, Rural Rides celebrates agrarian England.

Written in 1916 against the backdrop of the First World War, Imperialism: The Highest Stage of Capitalism explains the flaws and power of capitalism, which inevitably lead to monopolies, imperialism and colonialism. Lenin develops Marx’s theories of political economy, which had been put forward 50 years earlier in Das Kapital. He goes on to argue that imperialism is the most advanced state of capitalism, characterised by the domination of monopolies on an international scale, with the export of capital leading to the big imperialist powers carving up the world.

Above all, Samuel Johnson’s Rasselas (1759) is concerned with the nature of happiness. Rasselas and his companions remove themselves from the pleasure of the ‘happy valley’ so that they can make their ‘choice of life’. In the course of their travels they come across scholars, astronomers, shepherds, hermits and poets, explore their way of life. Rasselas finds that complete happiness is elusive and, in the words of his mentor Imlac, ‘while you are making the choice of life, you neglect to live’.