Play Adaptations

One of seven of these 'unmade movies' available on audio, Victory is a dark, morally complex drama set in the Dutch East Indies in 1900. It tells the story of Baron Heyst, a mysterious Swedish recluse living alone on a deserted island whose life is changed forever when he visits a neighbouring island and falls in love with young English violinist Lena. Pursued by predatory older men, Lena is drawn to Heyst and escapes with him to his island retreat....  

Shakespeare's celebrated tragedy made accessible as drama for younger listeners whilst remaining true to the Bard's verse and vocabulary. What could be worse than falling in love with your enemy? Romeo Montague thinks he's in love until he meets Juliet Capulet. With her, he discovers what true love really feels like. But their two families are bitter rivals, and no one must know about their secret passion. When Romeo kills Juliet's cousin in a brawl, their hopes of happiness seem doomed.

Presence, the Play offers a penetrating perspective on the vital role personal presence plays in the essence of life. This timely, captivating novel speaks to a growing hunger for a way of life that’s real and tangible, the opposite of an artificial existence lived in a realm of mediated connectivity.

The annals of movie history are full of lost treasures - spectacular scripts from world-renowned writers that could have been classics, had they only been made. Now, for the first time, some of these forgotten gems have been brought to life, fully realised as vivid, cinematic radio productions. Scripted by major 20th-century writers, including Harold Pinter, Arthur Miller, Alfred Hitchcock and Dennis Potter, they star a host of A-list actors and feature richly evocative, atmospheric soundtracks.

The Hook, one of seven 'unmade movies' available on audio, is set in New York's docks in 1951, where hundreds of longshoremen queue up at dawn hoping to be given a counter and a place in the day's gang. It's hard, dangerous work, but in a world ruled by corrupt union bosses on the take, they have no choice but to accept it. Then a tragedy occurs, and one man, Marty Ferrara, decides to fight back....  

The annals of movie history are full of lost treasures - spectacular scripts from world-renowned writers that could have been classics, had they only been made. Now, for the first time, some of these forgotten gems have been brought to life, fully realised as vivid, cinematic radio productions. Scripted by major 20th-century writers, including Harold Pinter, Arthur Miller, Alfred Hitchcock and Dennis Potter, they star a host of A-list actors and feature richly evocative, atmospheric soundtracks.

One of seven 'unmade movies' available on audio, The Blind Man is set in 1961 and features a famous blind jazz pianist, Larry Keating, who agrees to a pioneering surgical procedure: an eye transplant. The operation is a success, but his new eyes are those of a murdered man - and burned onto their retina is the image of his killer. Can Larry track him down before he strikes again? 

In The Unquenchable Thirst of Dracula, one of seven 'unmade movies' available on audio, it is 1934, and young Englishwoman Penny is travelling by train across India in search of her missing sister. En route, she meets sibling artistes Prem and Lakshmi, who have been hired by a Maharajah and his wife, the Rani, to entertain their aristocratic European guest. But evil lurks in the hidden caverns beneath the ancient palace, where the acolytes of a fiendish blood cult await their next human sacrifice.... 

The White Hotel, one of seven 'unmade movies' available on audio, centres around circus performer Lisa, who visits famous Berlin psychoanalyst Dr Probst to discover the cause of her mysterious breast and pelvic pains. Reading her sexually charged journal, Probst concludes that the answer lies in her past. But then Lisa reveals her unsettling premonitions - 'I see what is going to happen. And what is going to happen cannot be endured.' Is her trauma really the result of childhood memories or a dark vision of the future?

Originally published in 1906, Pride and Prejudice: A Play, based on Jane Austen's novel written in 1813, brings a new way to experience a much-loved story and characters. Follow the Bennet family through their daily lives as new people move into the neighborhood, romance blossoms, hearts are broken, scandals are had, and, of course, love prevails. This classic story is brought to life while keeping true to the spirit and wit of Ms. Austen herself!

When a tiger plays a trick on a wise man, how will he escape being eaten, especially when it seems that all the animals are against him? Will the jackal help him, or is it simply another trick? This traditional Indian tale, retold with a twist by Andrew Fusek Peters, provides an opportunity for talking about man's impact on the natural world. 

Mountain Lion terrorizes all the forest animals, and preys on them for his supper. One day, they come up with a plan to try to protect themselves, yet they are not safe until Rabbit cooks up a cunning plan which brings them lasting freedom. 

The Bush animals are fed up of Dingo dog’s bullying and generate a storming idea to teach him a lesson. This traditional Australian "tale with a twist" is retold by poet, author, and storyteller Andrew Fusek Peters. Tales from around the world provide an insight into cultures other than our own. 

Badger is happy living in his neat and tidy burrow - until Big Bad Bully Goat decides to move in! Bully Goat has such a fearsome reputation that even Badger’s biggest friends are too scared to help. All seems lost until help arrives from a very unexpected quarter and Badger realizes that size isn't everything. This traditional Iberian tale is retold with a twist by storyteller, poet, and anthologist Andrew Fusek Peters. 

When a handsome young man begins to court Catherine Sloper, she feels she is very lucky. She is a quiet, gentle girl, but neither beautiful nor clever; no one had ever admired her before, or come to the front parlour of her home in Washington Square to whisper soft words of love to her. But in New York in the 1840s young ladies are not free to marry where they please. Catherine must have her father’s permission, and Dr Sloper is a rich man.