Rise of Kali

At the heart of India’s most powerful empire, a revolution is brewing. Bhishma, the noble patriarch of Hastinapura, is struggling to maintain the unity of his empire. On the throne sits Dhritarashtra, the blind King, and his foreign-born Queen - Gandhari. In the shadow of the throne stands Kunti, the Dowager-Queen, burning with ambition to see her firstborn become the ruler, acknowledged by all. And in the wings: Parashurama, the enigmatic Guru of the powerful Southern Confederate, bides his time to take over and impose his will from mountains to ocean.

The story of the Ramayana had been told innumerable times. The enthralling story of Rama, the incarnation of God, who slew Ravana, the evil demon of darkness, is known to every Indian. And in the pages of history, as always, it is the version told by the victors that lives on. The voice of the vanquished remains lost in silence. But what if Ravana and his people had a different story to tell? The story of the Ravanayana had never been told. Asura is the epic tale of the vanquished Asura people, a story that has been cherished by the oppressed outcastes of India for 3,000 years.

Asoka the Great discovers an ancient and terrible secret - a secret buried deep in the Mahabharata; a secret that could destroy the world; a secret hidden away for over 2,300 years....

India, 3400 BCE. A land in tumult, poverty and chaos. Most people suffer quietly. A few rebel. Some fight for a better world. Some for themselves. Some don’t give a damn. Raavan. Fathered by one of the most illustrious sages of the time. Blessed by the Gods with talents beyond all. Cursed by fate to be tested to the extremes. A formidable teenage pirate, he is filled with equal parts courage, cruelty and fearsome resolve. A resolve to be a giant among men, to conquer, plunder and seize the greatness that he thinks is his right.

A Pallava prince travels to Cambodia to be crowned king, carrying with him secrets that will be the cause of great wars many centuries later. A Buddhist monk in ancient China treks south to India, searching for the missing pieces of a puzzle that could make his emperor all-powerful. A Neolithic tribe fights to preserve their sacred knowledge, oblivious to the war drums on the Indo-China border. Meanwhile, far away in the temple town of Kanchipuram, a reclusive scientist deciphers ancient texts even as a team of secret agents shadows his every move.

The second book in the Ajaya series, Kali ka Uday tells the story of the vanquished in the epic war Mahabharata. The book narrates the story from the point of view of the Kauravas. The story starts with the Kaurava prince Duryodhana challenging Krishna before the apocalyptic war breaks out. The author describes a city waiting with bated breadth for the outcome of the war. While women, noblemen, priests and humble beings helplessly watch the war and its consequences unfold in front of them, the greedy traders circle the skies in anticipation of what's to come next.

Five thousand years ago, there came to earth a magical being called Krishna, who brought about innumerable miracles for the good of mankind. Humanity despaired of its fate if the Blue God were to die but was reassured that he would return in a fresh avatar when needed in the eventual Dark Age - the Kaliyug. In modern times a poor little rich boy grows up believing that he is that final avatar. Only, he is a serial killer.

A horrific carnage stuns the Sangha. But nothing the Sangha can do will protect the world against another onslaught from Pataala Lok. There is only one way out. An ancient mystery. An enigma so perilous that it is feared by even the Maharishis of the Sangha. The Mists of Brahma. When a shocking development threatens to turn her life upside down, Maya has to solve the mysteries in her father’s diary. But she cannot imagine the unspeakable consequences of her decision.

The Mahabharata endures as the great epic of India. But while Jaya is the story of the Pandavas, told from the perspective of the victors of Kurukshetra, Ajaya is the narrative of the ‘unconquerable’ Kauravas, who were decimated to the last man. At the heart of India’s most powerful empire, a revolution is brewing. Bhishma, the noble patriarch of Hastinapura, is struggling to maintain the unity of his empire. On the throne sits Dhritarashtra, the blind King, and his foreign-born Queen - Gandhari.

The book Siva is a vivid retelling of the Siva Purana for today's listener. The book contains all the major legends of Siva, bringing them alive again for a new generation. The characters and events one encounters here are awesome, many are cosmic. Siva himself is the Auspicious One. He is Mahadeva, the greatest god.

Combining mystery and mythology, this epic fantasy is a global best seller with over 300,000 copies sold. India, 3400 BCE. The ancient kingdom of Mithila is divided by corruption, resentment, and poverty. An abandoned baby is found in a field protected by a vulture from a pack of wolves. Soon adopted by the rulers of the land, she is named Sita, and raised as a princess and beloved daughter.

Welcome back to the shadowy and addictive world of Ashwin Sanghi. After The Rozabal Line, Chanakya’s Chant, The Krishna Key and The Sialkot Saga, Ashwin Sanghi returns at last with another quietly fearsome tale - this time of men who guard the ‘Kalachakra’, or The Wheel of Time. Sanghi describes a world of people at war with one another - a boomeranging conflict of faiths that results in acts of such slow and planned human cruelty that they defy human imagination.

It is a popular belief that the Ramayana is idealistic while the Mahabharata is realistic. Yet these two epics have identical building blocks, identical themes, and identical history. In this groundbreaking book, Devdutt Pattanaik, India’s most popular mythologist, explores the similarities and dissimilarities between the two epics in a ‘playful analaysis’. Whether it is the family structure, forest exile, or war, the comparison between the two epics prove a startling point - the Mahabharata is in fact a reaction to the events in the Ramayana.

Taken literally, stories, symbols and rituals of Hindu mythology have much to say about gender relationships. Taken symbolically, they reveal many more things about humanity and nature. Which is the correct reading? The third title in the bestselling Hindu Trinity series focuses on the goddess, and respected mythologist Devdutt Pattanaik tries to unravel the secrets locked within her stories, symbols and rituals.

Building on Hinduism’s rich and complex mythology - but driven by a very contemporary sensibility - Devdutt Pattanaik creates a lush and fecund work of fiction in which the lines are continually blurred between men and women, sons and daughters, husbands and wives, fathers and mothers. Confronted with such fluidity the listener is drawn into Yuvanashva’s struggle to be fair to all - those here, those there, and all those in between.