Showing results for "Gore" in Historical

Julian the Apostate, nephew of Constantine the Great, was one of the brightest yet briefest lights in the history of the Roman Empire. A military genius on the level of Julius Caesar and Alexander the Great, a graceful and persuasive essayist, and a philosopher devoted to worshipping the gods of Hellenism, he became embroiled in a fierce intellectual war with Christianity that provoked his murder at the age of thirty-two, only four years into his brilliantly humane and compassionate reign.

Lincoln is the cornerstone of Gore Vidal’s fictional American chronicle, which includes Burr; 1876; Washington, D.C.; Empire; and Hollywood. It opens early on a frozen winter morning in 1861, when President-elect Abraham Lincoln slips into Washington, flanked by two bodyguards. The future president is in disguise, for there is talk of a plot to murder him. During the next four years there will be numerous plots to murder this man who has sworn to unite a disintegrating nation.

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

Islandia, rok 1904. Sigrid, córka hodowcy owiec z Brattholt, sprzeciwia się woli ojca, który zamierza sprzedać wodospad Gullfoss leżący na jego ziemi, a pieniądze rozdzielić między dzieci. W burzliwych wodach Gullfoss zginęła matka Sigrid, polska imigrantka Laura. Samobójstwo czy tragiczny wypadek? Jej śmierć pozostaje zagadką dla jej bliskich i całej wioski… Autorka do Islandii prowadzi nas z popowstaniowej Warszawy roku 1864 przez Kraków i Kopenhagę.

Cyrus Spitama, grandson of the prophet Zoroaster and lifelong friend of Xerxes, spent most of his life as Persian ambassador for the great king Darius. He traveled to India, where he discussed nirvana with Buddha, and to the warring states of Cathay, where he learned of Tao from Master Li and fished on the riverbank with Confucius. Now blind and aged in Athens - the Athens of Pericles, Sophocles, Thucydides, Herodotus, and Socrates - Cyrus recounts his days as he strives to resolve the fundamental questions that have guided his life’s journeys.

While America struggles to define its destiny, beautiful and ambitious Caroline Sanford fights to control her own fate. One of Vidal’s most inspired creations, she is an embodiment of the complex, vigorous young nation. From the back offices of her Washington newspaper, Caroline confronts the two men who threaten to thwart her ambition: William Randolph Hearst and his protégé, Blaise Sanford, Caroline’s half brother.

The third volume of Gore Vidal's magnificent series of historical novels aimed at demythologizing the American past, 1876 chronicles the political scandals and dark intrigues that rocked the United States in its centennial year.

Here is an extraordinary portrait of one of the most complicated - and misunderstood - figures among the Founding Fathers. In 1804, while serving as vice president, Aaron Burr fought a duel with his political nemesis, Alexander Hamilton, and killed him. In 1807, he was arrested, tried, and acquitted of treason. In 1833, Burr is newly married, an aging statesman considered a monster by many. But he is determined to tell his own story, and he chooses to confide in a young New York City journalist. Burr is the first novel in Gore Vidal's Narratives of Empire series.

It is 1917, and President Woodrow Wilson is about to lead the country into the Great War in Europe. In California, a new industry is born that will irreversibly transform America. Caroline Sanford, the alluring heroine of Empire, discovers the power of moving pictures to manipulate reality as she vaults to screen stardom under the name of Emma Traxler. Just as Caroline must balance her two lives - West Coast movie star and East Coast newspaper publisher and senator’s mistress - so too must America balance its two power centers: Hollywood and Washington. Here is history as only Gore Vidal can re-create it: brimming with intrigue and scandal, peopled by the greats of the silver screen and American politics.

Widely regarded as Vidal's ultimate comment on how the American political system degrades those who participate in it, Washington, D.C. is a stunning tale of corruption and diseased ambitions. It traces the fortunes of James Burden Day, a powerful conservative senator who is eyeing the presidency; Clay Overbury, a pragmatic young congressional aide with political aspirations of his own; and Blaise Sanford, a ruthless newspaper tycoon who understands the importance of money and image in modern politics.

The glorious Phryne Fisher returns to the spotlight in her seventh adventure. Fisher is an independent, unconventional PI with competence, unflappability and flamboyance in equal measures.

Running late to the Hinkler gala performance of Gilbert and Sullivan's Ruddigore, she meets some thugs in a dark alley and handles them convincingly before they can ruin her silver dress. Phryne then finds that she has rescued a gorgeous Chinese, Lin Chung, and his grandmother, and is briefly mistaken for a deity.

It’s 1939, and a teenage math genius is mysteriously summoned to the Smithsonian Institution, where a crash program to develop the atomic bomb is being conducted in the basement. The boy turns out to hold the key to both the secrets of nuclear fission and breakthroughs in the time continuum. As he brainstorms with Robert Oppenheimer, he catches a glimpse of the coming war and becomes determined to ward off the cataclysm.

LONGLISTED FOR THE DESMOND ELLIOTT PRIZE SHORTLISTED FOR THE BOLLINGER EVERYMAN WODEHOUSE PRIZE An ambitious noble and his three serving men travel through the Irish countryside in the stifling summer of 1348, using the advantage of the plague which has collapsed society to buy up large swathes...

Timothy (later St. Timothy) is in his study in Thessalonika, where he is bishop of Macedonia. It is A.D. 96, and Timothy is under terrific pressure to record his version of the Sacred Story, since, far in the future, a cyberpunk (the Hacker) has been systematically destroying the tapes that describe the Good News, and Timothy's Gospel is the only one immune to the Hacker's deadly virus.

In the tiny Central American republic of Tenango, a place of orchid-scented jungle, crumbling palaces, and baroque cathedrals, the rainy season is over and the dusty days of winter have begun. It is time for revolution. In an old plantation house the conspirators meet: General Jorge Alvarez, returned from exile in New Orleans with his hothead of a son and his proud, beautiful daughter; a volatile entourage of disenchanted colonels and rebel priests; and Peter Nelson, an American soldier of fortune with his own reasons for joining the rebels.

Robert Holton has just returned from the torment and strife of war in Europe and settled in a solitary existence working for a New York stockbroking business. The haunting memories of nights of love spent in Florence are suppressed as he struggles to succeed in an arid city. And when Carla turns up unexpectedly from his more passionate past, Robert finds he must choose between the fixed path of money-making and dull conventionality, and the fraught, uncertain path of love and freedom.

Two Sisters is Gore Vidal’s fictional memoir of a love affair with a beautiful set of twins in post-war Paris - a story skilfully interwoven with notebooks, diaries and the vivid fragment of a screenplay set in ancient Greece.

Kidnapped and held to ransom by Duke Leopold of Austria after the Third Crusade, Richard the Lion Heart, it is said, was found by his faithful troubadour Blondel de Neel. But how? And what trials did the faithful and long-suffering lyricist have to overcome to find his king? Gore Vidal paints a broad, colorful, and poignant picture of a man searching for his master; for the symbolic king who is the goal of man’s eternal quest; for the spiritual centre of his life.