Showing titles in History & Criticism

Il nostro corpo racconta molte cose se può manifestarsi con libertà. I pantaloni con cui Marlene Dietrich arrivò a Parigi nel 1930 fecero gridare allo scandalo perché non solo parlavano di una sessualità dominatrice, ma di una donna che attingeva agli stereotipi del potere maschile diventando una vampira di energie invece che una donatrice devota. Il seno turgido che sbocciava dall'abito di Marilyn Monroe mentre cantava al suo amante "Happy Birthday, Mr. President", alludeva a una seduzione di nuovo conio, ribelle alle convenzioni del matrimonio, della ragion di Stato e della donna per bene.

Ce troisième tome de l'Histoire de l'art d'Élie Faure est une immersion magistrale dans l'essence de la Renaissance, cette ère de renaissance créative où l'art transcende le Moyen Âge pour embrasser l'individualisme et l'humanisme. À travers une analyse vivante des foyers italiens comme Florence, Rome et Venise, l'auteur décrypte les révolutions esthétiques portées par des géants tels que Michel-Ange, Léonard de Vinci, Raphaël et Titien.

Découvrez "Histoire de l'art. Tome 4. L'art moderne" d'Élie Faure, lu par Lluís Pujol, un voyage philosophique et poétique au cœur de la création artistique. Dans ce tome final, Faure transcende les époques pour explorer l'essence de l'art comme pulsation vitale de l'humanité. Des idoles nègres aux chefs-d'œuvre de Venise, il révèle les liens profonds entre races, cultures et expressions figurées, analysant le rythme alternant de synthèse et d'analyse qui anime l'Histoire.

Plongeon fulgurant aux sources de notre imaginaire, ce premier tome d’Histoire de l’art d’Élie Faure retrace la naissance du regard humain, des grottes paléolithiques aux colosses d’Égypte, des taureaux ailés d’Assyrie aux temples grecs irradiés de lumière, jusqu’à Rome et son génie des pierres et des routes. En conteur-poète et historien visionnaire, Faure révèle comment les œuvres ne sont jamais décor, mais systèmes vivants de forces, où la forme épouse la fonction et l’idée devient chair — l’art comme langue commune, respiration des peuples et mémoire du monde.

This is the first book to closely examine the curatorial work that the celebrated poet Frank O'Hara (1926-1966) undertook for the Museum of Modern Art in New York and abroad. Upon his premature death, the New York Times obituary ran with the headline: 'Frank O'Hara, 40, Museum Curator / Exhibitions Aide at Modern Art Dies – Also a Poet'. However, in the half a century since, O'Hara's fascinating career as a curator has been eclipsed by the critical attention given over to his poetry.

Nicolas Krastev-Mckinnon propose dans cet ouvrage une lecture littéraire et philosophique de l'univers du rappeur. Sous une forme fragmentaire, l'écrivain décrit les lignes de force d'une discographie aussi complexe que brillante, qui a marqué le paysage musical français de son empreinte. Dans cette version enrichie, toutes les entrées du dictionnaire ont été revues et augmentées. Au fil de vingt nouvelles sections, Nicolas Krastev-Mckinnon intègre également les deux derniers albums de Damso - J'ai menti & BĒYĀH - à son analyse.

The volatile years of England's Tudor dynasty (1485–1603) and the five monarchs who ruled England during this period continue to fascinate and intrigue. Thanks to the paintings of artists like Hans Holbein, we have very definitive ideas about the appearance and personalities of Henry VII, Henry VIII, Edward VI, Mary I and her successor Elizabeth I. It is through their eyes of artists that we still see the dynasty which ruled England for just over a century.

The Stuff of History presents a thoughtful and often funny, curated selection of fascinating forgotten histories that give insight into some of the Western world's most important cultural moments. Told from the perspective of the overlooked, the book will present the curious and adventurous listener with the stories behind icons that surround us and inform our everyday lives, be they people or objects.

Brought to you by Penguin. Britain was once a craft land. For generations what we made with our hands shaped our identities, built our communities and defined our regions. Craftland chronicles the vanishing skills and traditions that used to govern every aspect of life on these shores. From the...

This study explores the phenomenon of the cults of Raphael and Michelangelo in relation to their death, burial, and posthumous fame—or second life—from their own times through the nineteenth century. These two artists inspired fervent followings like no other artists before them. The affective response of those touched by the potency of the physical presence of their art—works, personal effects, and remains—or even touched by the power of their creative legacy—opened up new avenues for artistic fame, divination, and commemoration.

In the spring of 1790 two of the most gifted artists in Europe met in Rome and became fast friends, sharing their views on art, visiting the city’s ancient sites and making trips to the opera together. The Swiss history painter Angelica Kauffman and the French portraitist Elisabeth Vigée Le Brun are no longer household names in the early twenty-first century but were much-fêted celebrities in the late eighteenth. Franny Moyle uses their meeting in the eternal city as the point of departure for a lavishly illustrated 'life and times’ biography of two brilliant but neglected women artists.

Brought to you by Penguin. What is art, where do I find it, and once I’m in front of it, what am I supposed to think about it? Kate Bryan is a self-confessed art addict who has worked with art for over twenty years. But before she studied art history at university, she’d been into a gallery...

We are all familiar with the "march of progress," the representation of evolution that depicts a series of apelike creatures becoming progressively taller and more erect before finally reaching the upright human form. Its emphasis on linear progress has had a decisive impact on public understanding of evolution, yet the image contradicts modern scientific conceptions of evolution as complex and branching.

Как известно, жизнь каждого яркого дарования делится обычно на три периода. Сначала его осыпают насмешками и бранью, всячески угнетают и преследуют. Потом открывается счастливое время признания, за которым следуют дни восторженного поклонения. Наконец, так же неминуемо наступает охлаждение, сопровождающееся нередко резкими выпадами по адресу недавнего любимца и властителя дум. Этой трафаретной схемы избежали немногие даровитые люди, и единственный вариант, вносимый в нее жизнью, сводится к тому, что одни умирают в расцвете славы, а другим суждено ее пережить, изведать к концу жизни всю горечь забвения.

La saga des Médicis, sous la plume du grand Dumas. Les Médicis sont une des familles les plus riches et les plus influentes de Florence. Des ressources financières considérables leur permirent d'investir dans l'architecture, la sculpture, la peinture mais aussi dans la collection de pierres précieuses et d'objets d'orfèvrerie. La maison de Médicis est apparue, au XIIe siècle, au sein de la République de Florence, et devient, au XVIe siècle, la famille régnant sur le grand-duché de Toscane.

When the celebrated critic and cultural historian Alexandra Harris returned to her childhood home of West Sussex, she realised that she barely knew the place at all. As she probed beneath the surface, excavating layers of archival records and everyday objects, bringing a lifetime's reading to bear on the place where she started, hundreds of unexpected stories and hypnotic voices emerged from the area's past. Who has stood here, she asks; what did they see?

Karl Kraus gilt als einer der bedeutendsten Aphoristiker deutscher Sprache. Ob berühmte Schriftsteller oder die Presse - nichts und niemand wurde von der gnadenlosen Kritik seiner Feder verschont. Bekannte Künstler wie Stefan Zweig, Georg Trakl, Thomas Mann und andere zollten ihm Respekt, aber die Zahl seiner Feinde in Kunst und Gesellschaft war enorm. Als Vorleser hinterließ er aufgrund seiner Sprachgewalt und Persönlichkeit angeblich einen äußerst außergewöhnlichen Eindruck.

A palavra pressa é o particípio passado, em latim, do verbo premere (apertar). Assim, pode-se dizer que A História do Cinema para Quem Tem Pressa se propõe a contar uma das maiores sagas do século 20 (e deste início do 21) para quem precisa apertar o passo ou está apertado de tempo. E quem não está? Sabadin traça um panorama do cinema – linguagem que há mais de um século revoluciona nossa maneira de ver a vida –, desde a época em que seus inventores nem sabiam direito o que fazer com ele, até os dias de hoje, quando movimenta bilhões de dólares pelos cinco continentes.

Is there such a thing as a timeless classic? More than a decade ago, Rochelle Gurstein set out to explore and establish a solid foundation for the classic in the history of taste. To her surprise, that history instead revealed repeated episodes of soaring and falling reputations, rediscoveries of long-forgotten artists, and radical shifts in the canon, all of which went so completely against common knowledge that it was hard to believe it was true.

Surrealist painter Salvador Dalí eccentrically presents his ideas of painting, judging good or bad the prominent figures in the history of art, and expounding on 50 "secrets" that cover topics like the movements of types of brushes, blending, objects needed in a painter's space, the characteristics of colors, sleep, spiders, and sea urchins.