Showing results by narrator "John Altman" in All Categories

Much Ado About Nothing appears to have been written about 1599, shortly before As You Like It and Twelfth Night. The action combines two narrative threads: the spirited comedy of the courtship of Benedick and Beatrice, and the somber tale of confused love between Hero and Claudio. The first is a creation by Shakespeare and the second appears to have been drawn from an Italian source, either by Bandello or Ariosto. The action takes place in Messina. Eponymous lovers Hero and Claudio seem to be ideally matched and nearly everyone is looking forward to their impending marriage.

This collection of articles on constitutional government was written by three of the most significant figures in the establishment of the United States as sovereign nation. Alexander Hamilton, one of the most influential of the Founding Fathers, was the author of 51 of the 85 articles. James Madison, who later served as the fourth president, contributed 29 articles. The remaining five articles were written by John Jay, who was active in a number of public positions, including chief justice, various cabinet posts under Washington and governor of New York.

In a public debate held at the Manhattan Opera House, Clarence Darrow argued that not one of the 19 men under sentence of death at Sing Sing Prison would have been convicted if they could have afforded good attorneys. He was opposed by Judge Alfred J. Talley of General Sessions, who argued for the retention of the death penalty for murder. The debate commenced with an address by Lewis Lawes, who was the warden at Sing Sing.

Under the auspices of the League for Political Discussion, in a meeting held at the Manhattan Opera House, Rev. John Haynes Holmes of the Community Church, taking the positive, and Clarence Darrow, taking the negative, debated the following proposition: "A Resolution that the United States should continue the policy of prohibition as defined in the 18th Amendment." The meeting was chaired by Senator Royal S. Copeland and introduced by Benjamin Javits.

Stephen Leacock (1869 - 1944) is considered by many to be the Canadian counterpart to the better known American humorists Mark Twain and S.J. Perelman. In the early 20th century he was one of the most widely read authors in the English speaking world. Jack Benny and Groucho Marx considered Leacock as one of the funniest writers they had ever read. The following sketches have been adapted from pieces in the miscellanies Moonbeams from the Larger Lunacy and Further Foolishness, in which Leacock satirizes many of the social institutions of his time.    

Rosmersholm is a play surrounding the deep and intense political and cultural change in Norway in the middle of the 1880s, a period during which the traditional ruling class were forced to relinquish their right to impose their ideals on the rest of society. We follow Johannes Rosmer, a pastor who has resigned from his position; Rebecca West, a woman who sees Rosmer's potential and believes she can help him to realize his dream of creating a world of "happy, noble people"; and Headmaster Kroll, Rosmer's former best friend.

The Wild Duck (Vilanden) is a tragedy with comic episodes. Ibsen himself characterized the play as a tragicomedy. It depicts ordinary life realistically instead of romantically and sentimentally, a revolutionary concept in Ibsen's time. The play is now generally acknowledged as one of Ibsen's supreme accomplishments.  

This play is the sequel to "Earth Spirit", in which the adventurous and manipulative Lulu marries and rids herself of three husbands, only to be arrested for the murder of the third. In "Pandora’s Box", Lulu escapes from prison only to be forced in the life of a courtesan. Reduced to desperate poverty, she meets her end at the hands of murderous customer in London. In Wedekind’s sordid morality tale, all Lulu’s main associates suffer premature and unnatural deaths, except for the degenerate Schigolch, who is one of the most unpleasant characters in the European drama.

Frank Wedekind (1864-1918) was the most controversial dramatist of his age. Most of his work focuses on the ubiquity and inevitably corrupting influence of sexual attraction. His most famous plays are the two that depict the rise, fall, and eventual gruesome death of the vampish Lulu, who, in Wedekind’s presentation, became a ghastly parody of Goethe’s “Eternal Feminine”. The first of the plays is Earth Spirit, in which Lulu marries and survives three husbands, only to face prosecution for the shooting of the third.

Stephen Leacock (1869-1944) may be considered the Canadian counterpart to Mark Twain. For many years he was professor of economics at Magill University and published a number of well-regarded texts on economics and political science. However, he is best known today for his many volumes of humorous fiction. During the 1920s he was one of the most widely read authors in the English-speaking world and was considered by Jack Benny and Groucho Marx to be one of the greatest comic writers of all time.

From the moment he exploded onto our screens in 1985 as ‘Nasty’ Nick Cotton, John Altman changed the face of TV villains for good. But there is far more to John’s story than Nick Cotton. This searingly honest autobiography (revised and updated for the audiobook release) traces the colourful childhood of a desperately shy and art-loving boy growing up in a loving household where he was encouraged to follow his dreams.

Moby Dick, which has been considered the great American novel, was first published in 1851. For material, Melville drew on his experience on whaling ships between 1841 and 1844, the sinking of the whaling vessel Essex in 1820, and extensive perusal of literature on whaling and many other subjects.