Theatre Biographies

'Zindagi ek safar hai suhana...' He was the most outrageous performer of the Hindi film screen - loved for his voice, adored for his comedy, and famous for his eccentricity. His big-screen performances - such as Half Ticket, Pyar Kiye Jaa, Padosan - could make you laugh hard, but his songs -...

Here is a diverse and fascinating story of the Theatre, from the first tragedies and comedies of Ancient Greece to the high-tech mega-musicals of the late 20th century. It is an absorbing listen, encompassing ancient tales, medieval theatre, Commedia dell'Arte, the great dramas of the Elizabethan age, and more.

Director of the cult 1980s film Chashme Baddoor and critically acclaimed movies such as Sparsh and Saaz; seasoned Marathi theatre personality; winner of three National Film Awards and two Filmfare Awards; recipient of the Padma Bhushan – Sai Paranjpye has many feathers in the patchwork quilt...

Few actors have had a career as dynamic as that Kathleen Turner's; success has followed her from the television screen to major blockbusters, from indie films to the theater stage. Over her 40-year career, Turner has developed an instinctual knowledge of what it takes to be a successful actor, and, in her conversations with esteemed film professor Dustin Morrow, she shares these lessons with the world.

Award-winning British playwright, composer and screenwriter Leo Butler looks back over 25 of writing for the stage and his extensive experience teaching and mentoring emerging playwrights. With honesty and humour, Leo Butler shares his experiences from his working-class upbringing in Sheffield, including his disastrous state education, his years on the dole, to his breakthrough into the professional theatre industry.

Timeless and surprisingly current, The Art of the Theatre, published after her death at age 78, is the final and most in-depth record of the great actress' views on acting and the theatre. Here "The Divine Sarah" shares advice on everything from speech, movement, role preparation, vocal warmups, and make-up tips to why she preferred to play Hamlet instead of Ophelia.

In 2004, in a small, windowless theater in then-desolate Williamsburg, Brooklyn, an eccentric family of broke art-school survivors staged an experimental, four-hour adaptation of William Faulkner’s novel As I Lay Dying inside an enormous wooden coffin that could barely fit the cast, much less an audience. The production’s cast and crew—including its sweetly monomaniacal director—poured their hearts and paychecks into a messy spectacle doomed to fail by any conventional measure. It ran for only eight performances.

Actor Julie Hesmondhalgh's working diary begins in November 2016 at the end of a full and exciting year of theatre-making with her company, Take Back. The company is a northern-based collective creating immediate script-in-hand responses to social and political events (of which there were many in 2016). Her work with Take Back fell between filming the third series of Broadchurch for ITV and starring in the award-winning play Wit at the Royal Exchange Theatre in Manchester.

The Partnership is the first book to tell the full story of Brecht and Weill's impulsive, combustible partnership, the compelling psychological drama of one of the most important creative collaborations of the past century. It is also the first book to give full credit where it is richly due to the three women whose creative gifts contributed enormously to their masterworks.

Distinguished theater critic John Lahr brings unique perspective to the life of Arthur Miller, the playwright who almost single-handedly propelled twentieth-century American theater into a new level of cultural sophistication. Organized around the fault lines of Miller’s life—his family, the Great Depression, the rise of fascism, Elia Kazan and the House Committee on Un-American Activities, Marilyn Monroe, Vietnam, and the rise and fall of Miller’s role as a public intellectual—this book demonstrates the synergy between Arthur Miller’s psychology and his plays.

Lillian Hellman was a giant of 20th-century letters and a groundbreaking figure as one of the most successful female playwrights on Broadway. Yet the author of The Little Foxes and Toys in the Attic is today remembered more as a toxic, bitter survivor and literary fabulist, the woman of whom Mary McCarthy said, "Every word she writes is a lie, including 'and' and 'the.'" In A Difficult Woman, renowned historian Alice Kessler-Harris undertakes a feat few would dare to attempt: a reclamation of a combative, controversial woman who straddled so many political and cultural fault lines of her time.

Noël Coward on theatre was as dazzling and entertaining as his masterful plays and lyrics. Here his ideas and opinions on the subject are brilliantly brought together in an extraordinary collection of commentary, lyrics, essays, and asides on everything having to do with the theatre and...

Carey Perloff, Artistic Director of San Francisco's legendary American Conservatory Theater, pens a lively and revealing memoir of her 20-plus years at the helm and delivers a provocative and impassioned manifesto for the role of live theater in today's technology-infused world. Perloff's personal and professional journey - her life as a woman in a male-dominated profession, as a wife and mother, a playwright, director, producer, arts advocate, and citizen in a city erupting with enormous change.

She was known for her outrageous one-liners, her ruthless theater criticism, her clever verses and bittersweet stories. But there was another side to Dorothy Parker, a private life set on a course of destruction.

Sammy Davis, Jr. opened it. Luther Vandross closed it. During the 19 years in between, a who’s who of the world’s top entertainers and speakers performed on the novel revolving stage of the Front Row Theatre, from Liberace to Alice Cooper, Jay Leno to Jerry Seinfeld, Marlene Dietrich to Dolly Parton, Presidents Ford and Carter and culinary grand dame Julia Child. Many were unknown opening acts, like Whitney Houston. Another, the legendary Roy Orbison, would unknowingly perform the final concert of his life there.

Some women capture our attention like no others. Faith Bacon and Sally Rand were beautiful blondes from humble backgrounds who shot to fame behind a pair of oversize ostrich fans, but with very different outcomes. It was the golden age of American entertainment, and Bacon and Rand fought their way through the competitive showgirl scene of New York with grit and perseverance. They played peek-a-boo with their lives, allowing their audiences to see only slivers of themselves. Little is known about who they really were, until now.

In keeping with The Rehearsal Club mission to “preserve its legacy,” a national network of former residents came together to tell their stories while living at The Rehearsal Club. Spanning four decades, 1940s-1970s, The Rehearsal Club “Cinderellas” (coined by TV Guide in the 1950s) captures New York City and Broadway history while charting the journey leading to The Rehearsal Club’s incorporation in 2019.

A great many writers use their own lives as the raw material for their work, but few have done it with the wit and courage of Simon Gray. Like his previous best seller, The Smoking Diaries, The Year of the Jouncer has the rare ability to make you laugh aloud one moment and ponder the sad mysteries of mortality the next - and sometimes to do both at the same time.

Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate.