Showing results by narrator "John Brown" in All Categories

'A Story Goes with It' and 'Dark Dolores' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. 

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life. 

 Gloria Jennings is a strikingly beautiful woman. She went on the run when she was accused of murdering her wealthy husband back east. Luke Jensen tracks her down to a ranch in West Texas, only to discover that she has re-married, and is a widow once again; and once again her rancher husband was a victim of murder! Despite appearances, Luke begins to doubt her guilt...and surprises himself by not bringing her in - and actually helping her face down rival ranchers.  

Multi-talented Irish tenor Dennis Day played a charmingly naïve young man (not at all unlike his character from The Jack Benny Show) in his very own series. Singing and working the soda fountain in the town of Weaverville, his lyrical voice and comical ways delighted listeners for five seasons (1946 - 1951). Although he bemoaned his humble position in life, his lack of funds, and his inability to impress the parents of his girlfriend, Mildred Anderson (Barbara Eiler), Dennis never gave up trying.

He's just a regular guy with a regular family and a regular job, but when he gets into trouble...oh brother, what a revoltin' development it is! Here comes William Bendix as radio's favorite working stiff, Chester A. Riley, with Paula Winslowe as his ever-patient wife, Peg, and John Brown as the funereal Digger O'Dell! Whether he's catching dogs or collecting rent, negotiating with neighbors or figuring out females, he gives it his Brooklyn best!

For gamblers, burlesque queens, murderers and innocents, comedy and tragedy were found in equal measure on the streets of Damon Runyon's Manhattan. Runyon, one of the most popular and widely-read figures of the Golden Age of the American Short Story, found his work was cut to measure for success in the most verbal medium of all: radio drama. John Brown stars as the glib Broadway, whose scene-setting brings a distinctive unifying touch to these fourteen digitally remastered episodes of the classic Damon Runyon Theatre radio series.

Twenty literary luminaries, ranging from Charles Dickens and William Shakespeare to Louisa May Alcott and Mark Twain, are profiled in this entertaining and informative collection. Winner of A School Library Journal's Book of the Year Award, Lives of the Writers is both an indispensable reference tool and an exhilarating gossipfest. Author Kathleen Krull makes learning fun, painting realistic portraits of Hans Christian Andersen, Edgar Allan Poe, Frances Hodgson Burnett, the Brontë sisters, Emily Dickinson, E.B. White, Jack London, Murasaki Shikibu, Miguel de Cervantes, Robert Louis Stevenson, Jane Austen, and more. Krull serves up an outstanding introduction to the classics of literature for the whole family, while telling us all the real stories behind their writers.

John E. Brown (April 2, 1879 - February 12, 1957) was a prominent Methodist evangelist, publisher, radio pioneer, and educator in the first half of the 20th century. In 1919, he established John Brown University, one of Arkansas' leading private universities, to provide an interdenominational Christian education for needy students. He was also the leading figure in securing passage of a law prohibiting the sale of alcohol in Benton County, a ban that continued into the 21st century.

These eerie tales include "The Murders in the Rue Morgue" by Edgar Allan Poe, "The Adventure of Silver Blaze" by Sir Arthur Conan Doyle, "The Old House On Vauxhall Walk" by Charlotte Riddle, "Levison's Victim" by Mary Braddon, and "The Woman With the Yellow Hair" by Anonymous.

Columnist, critic and award-winning author Craig Brown is well known for his Private Eye parodies lampooning politicians and celebrities. He has written for numerous newspapers, both under his own name and as his alter egos Wallace Arnold and Bel Littlejohn. Collected here are Brown's four fantastic radio series, plus two bonus programmes in which he discusses his life and work.

How do you stop an invasion force that just defeated the most powerful person on the planet? Chances are, you don’t. But the world’s greatest heroes and villains are going to team up and make their best attempt. After the Tuldarians—a race of dinosaur-like aliens—invade the Earth with overwhelming numbers of ships and soldiers, the world’s governments finally repeal the Anti-Vigilante Acts. Now, the masked crimefighters and criminals who haven’t been allowed to use their powers are being asked to fight to save humanity. And to think, I was just put in prison for just trying to be a good guy.

How do you imprison the world’s most powerful supervillains and make sure they can’t escape? The Trench, a supermax prison at the bottom of the deepest part of the Pacific Ocean—toss them in and throw away the key. “Inescapable” doesn’t even begin to describe this place. Even if I could get past the power dampeners and multiple layers of security, where am I going to go? Oh yeah, did I mention I am now the Trench’s newest inmate because I refused to give up being a masked crimefighter?

From Brooklyn to Inglewood, here comes radio's favorite blue-collar family man—leaving a trail of confusion wherever he goes! Chester A. Riley is back, with long-suffering wife Peg, trouble-prone kids Junior and Babs, moochy pal Gillis, and Digger O'Dell, The Friendly Undertaker, in sixteen hilarious half-hour episodes. William Bendix is heard as Riley, along with co-stars Paula Winslowe, John Brown, Tommy Cook, and Barbara Eiler—plus series creator Irving Brecher, and special guest Red Skelton!